Onde Anomale (Italian Edition)

By while the Lyonnais annotator emphasized the reuse of small fragments within a single sonnet, the editor of the R encontre understood this fragmentation more globally, for he saw that individual whole poems could be recombined in an infinite number of ways to create a completely new work, as the r encontre itself, a newly minted c anzoniere in its own right, helps to prove.

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Nevertheless, it is certainly possible that the r encontre editor recognized this interplay between the anthology and canzoniere formats and that this recognition prompted him to experiment with yet another possible intersection of the two heretofore distinct genres. Cognizant of the inherent discontinuity of the anthology format, this reader no doubt knew that French poets, from Du Bellay to Desportes, found in the Giolito anthologies a treasure trove of images, conceits, and rhymes that could easily be disengaged from their original context and placed in a new poem, even one with a very different thematic development.

The compiler of the r encontre, on the other hand, implicitly acknowledges that French authors throughout the sixteenth century persisted in composing canzonieri, a genre that their Italian neighbors had largely abandoned in favor of publishing their poems in an anthology format. Yet he also saw that, in organizing these canzonieri, French poets drew from the Italian anthologies, reshaping their disparate pieces in new ways and using them as building blocks with which to construct their own personal narrative.

More pertinently, this collection recreates the imitative process used by Desportes himself, demonstrating its inherent creativity, and especially proclaiming the pivotal role of the Italian anthologies as a sourcebook for Renaissance poets. Breve riposo o r g 1 Non con tanta ira.

E si folta la schera. Chi vede , di c ostanzo, Fiori Duo vaghi , t ebaldeo, Opere O chiome , t ebaldeo, Opere Itene o miei , f iorentino, Fiori A che presti , t ebaldeo, Opere Si dolce , t ebaldeo, Opere Gionto nel , t ebaldeo, Opere Lasso non basta , t ebaldeo, Opere A che contra , t ebaldeo, Opere A che cieco , t ebaldeo, Opere E si , t ansillo, Fiori Non con , di c ostanzo, Fiori Letto, se , t ebaldeo, Opere Ahi chi , v eniero, Fiori Orrida notte , t ansillo, Fiori Come fido , b.

Parto , di c ostanzo, Fiori Occhi, che , di c ostanzo, Fiori Come soffrir , t ebaldeo, Opere Poi che , b. Come da , g uidiccioni, Fiori Come Dio , p arabosco, g 2: Se di quei , t ansillo, Fiori Signor, se miri , m olza, Fiori Da speme , dal p ero, g 2: Clubb, Building a Lyric Canon: Rosary College Italian Studies, , pp. Tasso were published in some anthologies. It is known, however, that Desportes owned a copy of Tutte le opere di Francesco Berni in terza rima Jean Balsamo, Paris, Klincksieck, , pp.

When referring to works other than the anthologies, the annotator usually gives the poem number rather than page number, making it impossible to determine which edition he or she was using. Indeed, given the occasional misspellings that occur in the notes e. Graham, Geneva, Droz, , p. Con alcuni dottissimi avertimenti di M.

Lingua e poesia lirica nella tradizione del classicismo , Modena, Panini, , pp. Il Petrarchismo come sistema linguistico della ripetizione , in Il Naso di Laura cit. Le forme del testo: Teoria e poesia , vol.

Alberto Asor Rosa, Turin, Einaudi, , pp. Colletet likewise refers to this incident: Jannini, Geneva, Droz, , p. Clearly Colletet thought this volume was intended to embarrass Desportes.

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Similarly, the sixth Giolito volume can be eliminated thanks to the fact that s. The Rencontre version, however, differs from the Atanagi version at v. Y , was described by Fran Lingua e poesia lirica nella Libro primo , Venic Luigi Tansillo and a Mi Novo pensier 15 r Io che solco 16 r Poi che voi 1 7v Occhi, che fia 4 3r Perdonnimi 29 48v O bella man 4 8v Ahi chi mi rompe 6 0r Se talhor la ragion 6 1v Poi che voi 6 8r Icaro cadde 7 4r Pacini, allor 8 8v O misere fatiche 93v Breve riposo o r g 1 23 97r Chiaro mio sol 1 24v E si folta la schera 1 29v Non ha tante 1 35r Deh, perche morte 1 39v Speme che con fallaci 1 42r Caccia di Amore Epitaphes Regrets funebres sur la mort de Diane 3 18v 3: Come da dense Oeuvres chretiennes Sonnets spirituels 3 28v 1: Or che con gli occhi 3 32v Alto Re a ppendix two l ist of poems and their i talian counterparts in Rencontre.

Je scay Diane 2: Belle et guerriere Diane 2: Deux clairs Hippolyte 32 Duo vaghi , t ebaldeo, Opere s.

Pourquoy si Hippolyte 18 A che presti , t ebaldeo, Opere 36 s. Amour brusle Diane 1: Quand nous Diane 2: Amour, qui vois Hippolyte 10 A che contra , t ebaldeo, Opere s. Pourquoy si plein Hippolyte 13 A che cieco , t ebaldeo, Opere s. Le Tyran Hippolyte 79 Non con , di c ostanzo, Fiori 32 s. View Ideas submitted by the community. Post Your ideas for ProZ.

Le Second Livre des Amours de Diane

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