Bagatelle C Major Op.33 No. 2 - Piano

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The spasmodic rhythm of the C major No 2, with its off-beat accents in the right hand and timpani thuds in the left, is soon offset by a smooth and shadowy section in the minor, with fleeting left-hand triplets. This, however, turns out not to be the real trio, which, when it arrives, features staccato ascending scales in thirds.

The following number, in F major, is a gentle piece in pastoral style whose theme has a second half that charmingly echoes the first from a comparatively distant D major. Much more incisive is the fifth Bagatelle, which has lightning-quick semiquaver triplets for both hands which are continued by the left hand beneath the broader melody of the minor-mode middle section. The two jewels of the set are, perhaps, the much more relaxed and lyrical fourth and sixth numbers.

The melody in the first of these is inextricably woven into the two upper strands of the texture, but towards the end it moves down into the bass, and then into the tenor voice. As for the sixth Bagatelle, Beethoven wanted its gentle melody played with a speech-like quality. Following an embellished version of the melody which is in essence a variation, the piece comes to a close with chains of slowly descending thirds above a syncopated pedal-note that moves progressively downwards by octaves, allowing the music to fade away into the distance, in a pastoral atmosphere.

Symphonie zu einem Charakteristikum des symphonischen Stils Beethovens. Die beiden Juwelen in diesem Zyklus sind vielleicht Nr. Die Melodie der vierten Bagatelle ist untrennbar mit den beiden oberen Oberstimmen der Textur verwoben, gegen Ende jedoch bewegt sie sich nach unten in die Bass- und dann in die Tenorstimme. Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin. This is a 1 page sample. You'll receive all 3 pages after purchase. Your high-resolution PDF file will be ready to download in the original published key.

Adagio cantabile Ludwig Van Beethoven.

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