The Secret History of the Reptilians
But that, too, has simply vanished along the way, more a result of my own ramshackle filing system than any sort of weird conspiracy theory. Her story, along with many other similar accounts of such beings I have heard over the years, was relegated to the back of my brain, filed under: And every so often the lid of the pot would rattle, releasing a steamy, fragrant aroma of hearty broth, bringing me back to the awareness that I had something cooking over there in the kitchen of my mind.
Having recently completed my work on the The Rise and Fall of the Nephilim, I found myself in a highly agitated state of spiritual and emotional unrest. I had either just opened up — at least for me — an exponentially expanded view of who God is, or I had, in essence, eliminated his existence altogether. When my theology was forced to stand against the onslaught of history, comparative religion, cumulative cultural mythologies and archaeological record, everything about my religious practice seemed to be ripped open and lain bare, as if by a great whirlwind.
And all that was left was a naked faith, shivering in the harsh cold of a veritable nuclear winter of pragmatic thinking and common sense, void the protective cloak of religious insulation. The Serpent in the Garden of Eden took on the completely different role of historical influence once I was able to view the story without the filter of religion or denominational interpretation.
When one steps outside the box of religion and denominational spirituality, they find themselves in a unique vantage point of being able to see a myriad of varied tales that have intrinsicly common threads woven throughout. As you entered the theatre and walked down the main aisle, the gilded proscenium and glittering chandeliers sparkled the magnificence of the thespian palace, built as a showcase for the art of the show.
And there, lining the aisles were row after row of plush velvet seats, all identical and all capable of holding the weight of a patron every night. Depending on which seat you settled into, your viewpoint of what was being performed up front varied. Some seats were side-by-side, so their vantage was nearly identical, while other seats delivered views from the far sides, back or distant last row of the balcony. Some seats even had partially obstructed views. But in a literal, mathematical sense, not a single seat held the same exact vantage point or view of the show being played out onstage.
See a Problem?
But one thing was also sure: Perception does not alter reality, it merely alters practice. Only my perception of it alters. So the trick is to not be part of the audience, but rather a part of the play; a member of the cast. A participant, as opposed to an observer. The Hebrew story of a race interrupted is an encoded one: Adam and Eve, the Serpent, their offspring, the fallen state of humanity and the proclamation of an angry deity.
These are all elements of an encoded cover story, as I spoke about extensively in both The Rise and Fall of the Nephilim and in Lost Civilizations and Secrets of the Past. There is a much bigger message than the meticulously buried messages of the biblical tales that is similar in tone and thread to hundreds of other cultural religious mythologies of spectacular non-human beings interacting with the human race of ancient times. And common to nearly all of these cultural stories is the common thread of residual bloodlines that run through the course of all of human history.
The Secret History of the Reptilians
Call it religious mumbo-jumbo, or theological manipulation. Look at it as the establishment of the messianic bloodlines and the mixed race meant to thwart the coming of the Kinsman Redeemer.
Humanity was visited by non-human entities that from the very beginning introduced an alternate bloodline that has carried all the way down the historical record to current day, the bloodline of the serpent. But we only see fragmentary bits and pieces, rather like a checkerboard where half the spaces are occupied, but the other half remain completely void and empty. They all generally tend, to me, to be the stuff of manufactured emotional reactions to hypothesis that are either not well researched - historically, spiritually, anthropologically - and many times are not well- articulated, despite their complex-yet-imaginative constructs.
Far too many times throughout human history we have seen the devastatingly horrific result of revolutionary new movements that explode onto the scene, spewing theoretical spiritualities, political conspiracies or vox populi — vox Dei, but in the long run end up being little more than mere flashes in the pan, lacking substance and longevity, resulting in the martyrdom whether literal or metaphoric of self-proclaimed messiahs and the murder, suicide or disbanding of disciples.
Yet those movements that do gain a foothold and garner mass followings trend to the darker elements of racial bigotry, genocide, political xenocide and holocaust, building gravitas and momentum by catering to the fears of potential devotees and zealous followers, alike. People are always looking for something that is different than what they already have, or more exciting than what are told they should be satisfied with.
Reward Yourself
Spiritually, politically and conspiratorially based movements generally thrive within, around and despite the well- established religions, spiritualities, sciences and governments that are deeply entrenched in our societies and cultural histories. On the flip side of the coin, deep within well-established philosophies, religions and political mindsets, there are embedded messages and encoded languages that tend to shift the paradigm away from the established way of thinking.
Once this new information is articulated and disseminated, established systems of spiritual belief and practice, are enhanced, expanded and in many cases re-write the history of a well-established, firmly entrenched philosophy. The serpent in the Garden of Eden, though allegorical in nature and very possibly the stuff of Hebrew religious mythology, is a figure who represents a very real source of what has become an emerging understanding of a very real bloodline running through the veins of human descendents throughout all of human history.
There is, indeed, a Reptilian factor to humanity and it shines through our religious and cultural icons. The serpent is one of the oldest and most widespread mythological symbols. Snakes have been associated with some of the oldest religious rituals known to humankind and have carried the dual expression of both good and evil. Then there exist everything from sea serpents to St.
George and the Dragon, and even the medical caduceus. If symbolism, however, was all there was to the traceable bloodlines of the serpent, the flesh and blood of the story would be a short, sweet, picturesque history lesson. Demystifying the cover story of the serpent in the Garden is only the beginning.
Identifying the source point of his and countless other mythological and cultural counterparts is what will allow us to see the tangible evidence of ancient human encounters with non-human entities, revealing what that lies beneath the surface of old mythologies as they meld into current-day accounts. Ancient Aliens on Mars. Inside the Real Area Mysteries Of Time Travel: Scott D de Hart. The World's Weirdest Places.
The Suppressed History of America.
Atlantis the Great Flood and the Asteroid. Atlantis beneath the Ice. You Can't Tell the People.
The Secret History of the Reptilians | Scotty Roberts - www.newyorkethnicfood.com
The Real Men in Black. Secret Journey to Planet Serpo. For Nobody's Eyes Only. The Shadow Conspiracy Trilogy: Lost Knowledge of the Ancients. Ancient Aliens on Mars II. An Expose of the World's Greatest Secret.
- What is Kobo Super Points??
- Hunters Navy - The Arachni Rebellion?
- Materialism and Empirio-Criticism: Full Text of 1909 Edition (Illustrated).
- Crainquebille, Putois, Riquet : et plusieurs autres récits profitables (French Edition).
- .
Atlantis and Other Lost Worlds. Odd True Tales, Volume 1. The Rise and Fall of the Nephilim. How to write a great review. The review must be at least 50 characters long. The title should be at least 4 characters long.
Join Kobo & start eReading today
Your display name should be at least 2 characters long. At Kobo, we try to ensure that published reviews do not contain rude or profane language, spoilers, or any of our reviewer's personal information. You submitted the following rating and review. We'll publish them on our site once we've reviewed them. Item s unavailable for purchase. Please review your cart.
You can remove the unavailable item s now or we'll automatically remove it at Checkout. It's the sort of score-settling one might expect to read in an autobiography. I strongly suspect that much of the research and received opinion in the book has been derived from the Internet.
I will shortly demonstrate that clearly in the case of the author's scorching and erroneous critique of the work of the late Zecharia Sitchin. Is that a problem in itself - that shift away from books and journals to online content as research material for books? Not necessarily, as long as one checks back to the original sources as well, especially when levelling criticism. The Internet causes content to evolve, meaning that a writer's work can become distorted by the stream of commentary it is subject to online.
In the case of Sitchin, his work has been tied to the Reptilian Annunaki sic in this book, when Sitchin's actual writings never described the Anunnaki as Reptilian at all note the correct spelling of Anunnaki here. This is so common an error that I often make an immediate judgement on Sitchinite commentary based upon the spelling or misspelling of Anunnaki.
This erroneous link is alluded to many times in the book, but spelt out in black and white here: On the contrary, Mr Roberts. Sure, many commentators on the Net have come to believe Sitchin meant this, but that's not the same as what he actually wrote. It's a huge game of Chinese Whispers online, and the author has tuned into the wrong end of the chatosphere when doing his research. When you take apart someone's life's work like this book does, then it's important to actually read it first, right?
The late Philip Coppens, who wrote the foreword to this book, managed to deftly avoid this trap whilst also managing the correct spelling of Sitchin's first name, although not Anunnaki by writing: