Police Story - Theme

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This was internationally famous Jackie Chan 's breakthrough action film, the work that got him past the ethnic boundaries of Hong Kong and into competition at the New York Film Festival in It also got him into the hospital after performing a stunt in which he fell through a glass canopy -- and stopped breathing. The story itself is not particularly profound.

Kevin Ga-kui Chan is an honest, self-effacing cop who manages to capture drug lord Cho Cho Leung almost single-handedly. A reluctant Kevin is then assigned the job of protecting Cho's secretary Selena Brigitte Lin who is going to testify against him.

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Sure enough, the trial date comes, and Selena disappears, while Cho has to be set free for lack of evidence. The next thing he knows, Kevin is framed by Cho for the murder of a fellow dirty cop and is running like heck from the bad guys as well as the police. In "The Tail", the theme shows up again with punchy almost Bond-like brass section, and the main theme performed on flute is jazzy and upbeat.

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The following track, "The Phone Booth", starts out with all percussion - similar to Goldsmith's work on Planet of the Apes. It's dark, it's primitive, and it definitely connotes fear. But when it builds up and breaks into a kickin' rendition of the main, theme, it's just plain fun.

Theme from "Police Story"

Also included on the album are the library cues recorded for the television show - they basically consist for the most part as mono recordings of slight variations on the cues we've already heard. But it's good to hear them, even though the variances are slight. A few of them aren't from the Pilot episode, but mesh into the style and themes that Goldsmith created seamlessly.

Also included is a suite from the ill-fated "Medical Story", which only ran for 11 episodes.

Original versions of Police Story Theme written by Jerry Goldsmith | SecondHandSongs

Goldsmith also wrote the music for that Pilot episode, and the suite begins with the main theme that is definitely more dramatic and sweeping than the "Police Story" theme. Goldsmith also utilizes synthesizer effects for this television show, which in conjunction with the orchestra lend a creepy effect. Interestingly enough, the love theme from "Police Story" makes an appearance in the score, which explains its presence on the album.

All in all, there is over 50 minutes of music on this album. While some of it is not any big deal, there are quite a few cues that are definitely worth checking out, and with a classic Goldsmith-style theme, you simply can't go wrong in getting this limited release. Released through Prometheus Records, this album is available through Soundtrack Magazine at http: