Colliding Worlds: How Cutting-Edge Science Is Redefining Contemporary Art

Jul 24, Elizabeth rated it liked it Recommends it for: Are art and science one? Some would argue yes. Tho' it has to be said that it is the artists' who blur the distinction most. Or, very cool movement! Jun 08, Richard rated it it was amazing Recommends it for: Recommended to Richard by: Five stars because one could not find all of this information in one place otherwise. The structuring of the book is off-putting; divided into twelve chapters, each of those is broken into segments of varied lengths--one or two paragraphs to several pages--detailing the work, sometimes a work, by a single artist.

Included are over illustrations, including the color "insert. Walter Benjamin ; the collaboration between artist and scientist is fraught, i. At the same time, the attempt to adapt or articulate scientific discovery artistically for the observer has built-in problems, e.

Colliding Worlds

I have four 3"x5" index cards covered with tiny notes in No. Many of the precursors and early synthesizers mentioned were artists in various fields whose work I had long appreciated: The style is rather simplistic, and there is really only one narrative section, ch.

How Science Helped Resolve the World's Greatest Art Scandal; the reference is to alleged Pollocks and the varied means of "proving" them fakes, including pattern recognition, one focus of this survey. The passage pp [] shows Miller's ability to spin an engaging tale and keep the reader attentive.

Right now, I am off to surf the web for some of the events and organizations Miller identifies; you might want to do the same, but I am not reproducing his index here. Apr 05, Zach Whitworth rated it liked it. Miller showed the vast breadth of art integrated with science and technology. He introduces a wide variety of modern and contemporary artists and researchers, also including their individual perspectives on art and science.

Colliding Worlds: How Cutting-Edge Science is Redefining Contemporary Art

Miller also discusses art-sci programming, institutions, and landmark happenings. This book was primarily informative and works effectively as a reference point for further research into the artists, projects, and programs included. Feb 04, Dan Falk rated it really liked it. Artists have been drawing inspiration from science even before science, as we think of it today, came into being. The interplay between science and the arts in the early 20th century is a subject that Arthur I.

Miller explored in an earlier and very good book, Einstein, Picasso: Miller, an emeritus professor at University College London, has now turned his attention to the last 50 years, with a particular focus on the art-science scene today. Colli Artists have been drawing inspiration from science even before science, as we think of it today, came into being.

Colliding Worlds bears witness to what Miller sees as a new phase in the history of art — one in which boundaries between disciplines have become blurred. Many of the artists Miller profiles have benefited from collaborations with scientists or engineers; a few of them are scientists themselves.

But in all fairness, the world of science has no shortage of oddballs either. One question that looms in the background is whether the art-science influence flows in two directions or just one. Miller also tackles a more difficult problem: Can science explain the appeal of art? More generally, is there a scientific basis for aesthetics?

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He quotes from Richard Taylor, a physicist who is also an artist: Although both art and science will surely surprise us in the years and decades ahead, I suspect they will surprise us in their own, separate ways. Adapted from a longer version of a review that I wrote for Physics World. I would love to read this a second time to really look into the art and science. There is so much here to blow out brain circuits. I love it when I can hear my brain crackling with ideas.

The clarity of the presentation and the introduction to so many interesting artists is fantastic. Most interesting and stimulating book I've read in a long time. It's not long, but I had to keep pausing to process. I've always thought that science and art were two fields that worked well together. They are both on the fringe of normalcy. Miller's book is about that process. How each area helps us to interpret the world in a way that we never thought possible. This book covers how that landscape has changed and is changing to create as he says the third culture.

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Miller eloquently chronicles the story of artsci in brief vignettes of the lives and works of the individuals working at the intersections of these disciplines. Miller's grasp of the scene is impressive. You may have already requested this item. Please select Ok if you would like to proceed with this request anyway. WorldCat is the world's largest library catalog, helping you find library materials online.

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Please enter the message. Please verify that you are not a robot. Would you also like to submit a review for this item? You already recently rated this item. Your rating has been recorded. Write a review Rate this item: Preview this item Preview this item. Arthur I Miller Publisher: First edition View all editions and formats Summary: In recent decades, an exciting new art movement has emerged in which artists utilize and illuminate the latest advances in science.

Some of their provocative creations--a live rabbit implanted with the fluorescent gene of a jellyfish, a gigantic glass-and-chrome sculpture of the Big Bang pictured on the cover --can be seen in traditional art museums and magazines, while others are being made by leading designers at Pixar, Google's Creative Lab, and the MIT Media Lab.