Prelude in B Minor, Op. 28, No. 6

Fryderyk Chopin Guitar arrangements by Francisco Tarrega. The Best of Chopin.

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Preludes (Chopin)

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Naxos Javascript not enabled. Creative Commons Attribution-NonCommercial 4. Work Title Preludes Alt ernative. Preludit ; Preludes chopin ; Preludi op. Duration 35 minutes Composer Time Period Comp. Retrieved from " http: Scores published by F. Contents 1 Performances 1. Performer Pages Cecile Licad piano. Isabella Stewart Gardner Museum. Javascript is required for this feature. Performers Paul Cantrell, piano.

Paul Music performer website. Performers Philip Addison Jones. Performer Pages Peter Bradley-Fulgoni piano. Performer Pages Harald Vetter Piano. Performer Pages Quinn Mason electronics. These file s are part of the Werner Icking Music Collection. Originally scanned at about dpi color, converted to dpi monochrome.

The score should get cleaned to get a perfectly reprintable version, but I'm lazy. If I get asked for it from many people I may take the time.

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This file is part of the Sibley Mirroring Project. Editor Herrmann Scholtz Editor Karl Klindworth — I provide the original scanned version and the filtered, because the filter does some changes smoothening, sharpening borders and some portions of the scan get lost sometimes when they are too small e. You may ask me for a manually cleaned version. View at Internet archive. Retrieved from " https: Pages containing links to subscription-only content Webarchive template wayback links Articles with hAudio microformats All articles with specifically marked weasel-worded phrases Articles with specifically marked weasel-worded phrases from January All pages needing factual verification Wikipedia articles needing factual verification from March Commons category link from Wikidata Works with IMSLP links Articles with International Music Score Library Project links.

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Preludes, Op (Chopin, Frédéric) - IMSLP/Petrucci Music Library: Free Public Domain Sheet Music

Problems playing these files? The opening prelude is unified by a triplet semiquaver figuration as the hands run over the keys. A slow melody over a fixed accompaniment of four-note chords played two quavers at a time. Painful meditation; the distant, deserted sea This piece was played at the composer's funeral on organ. This prelude was played at Chopin's funeral on organ. Sensational memories float like perfume through my mind A virtuosic prelude, featuring polyrhythms , continuous demisemiquaver figurations in the right hand, and semiquaver triplets alternating with quavers in the left hand.

Harmonically dense with a low "plodding" bass line. This is the shortest of the preludes with just 12 bars. Short and light, with alternating triplet and non-triplet semiquavers in the right hand, over arpeggiated chords in the left. In 6 8 time, a brisk prelude with continuous quavers. Presents a technical challenge with its rapid hold-and-release of quavers against crotchets in the right hand, involving chromatic movement.

A lengthy prelude featuring an A—B—A structure with continuous single-note quaver movement in the left hand and chords and a nocturne -like melody in the right.

Recalls the fourth movement of Chopin's second sonata with its brevity and rapid chords with only a rest at the end of the prelude. The main melody is repeated three times; the melody in the B section, is much more dark and dramatic. Starts with six heavily accented chords before progressing to an impromptu -like passage. Vladimir de Pachmann said of it, "The sixteenth is my great favorite! It is le plus grand tour de force in Chopin. It is the most difficult of all the preludes technically, possibly excepting the nineteenth.

In this case, presto is not enough. It should be played prestissimo, or, better still, vivacissimo. The favourite of Clara Schumann. Mendelssohn wrote of it, "I love it! I cannot tell you how much or why; except perhaps that it is something which I could never at all have written.