Mychael Dannas The Ice Storm: A Film Score Guide (Film Score Guides)
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A Film Score Guide
Description Ang Lee's The Ice Storm is a film of striking significance, which achieved widespread critical acclaim for its well crafted and superbly acted study of suburban morality in s America. For the film, composer Mychael Danna created one of the most distinctive scores of the s, one that constantly challenges perceptions of the form and function of film music.
A Film Score Guide, Miguel Mera explores the music and sound Danna uses in his score, investigating the narrative, structural, and aesthetic themes of the film and illustrating the techniques and stylistic features central to Danna's music. Mera carefully examines the collaborative processes that influenced the score's development, describing the significance of the composer's relationships with the director, producer, editor, orchestrator, and sound designers to the evolution of the score and demonstrating how the politics of filmmaking interact with creativity.
Bernard Herrmann's The Ghost and Mrs. Muir : Mr David Cooper :
This seventh volume in Scarecrow's Film Score Guide series also includes a biography of Danna and a complete analysis of the full soundtrack considering the sound design, pre-existent pop songs, and the specifically arranged song by David Bowie in conjunction with Danna's fascinating score, making this essential reading for film music scholars and students. The Best Books of The review must be at least 50 characters long. The title should be at least 4 characters long.
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Ilan Eshkeri's Stardust Ian Sapiro. Muir Chapter 7 2. Musical Style and Musical Meaning: Herrmann's Film Scoring Technique Chapter 8 3.
Overview of the Score as a Musical Text Chapter 10 5. David Cooper's approach-tightly organized like an intro film theory class-will instill, certainly in some, new methods of appreciating film music Like prior volumes in the series, the book's first section gives us an excellent portrait of the events that led the cast, crew, and composer towards the film project Cooper's technical and theoretical breakdowns will be of particular interest to composers There's no doubt this book is the result of a long and detailed effort to craft an important educational reference He also explores nonmusical elements of the film, including the screenplay's relationship to the popular novel from which it was adapted, the contribution of director Joseph Mankiewicz, and the performances of Gene Tierney and Rex Harrison.
A rundown of all the cues in Herrmann's manuscript is followed by an examination of the score as a musical artifact. He is the coeditor of The Mediterranean in Music: