Lighting Systems for TV Studios (Entertainment Technology Press consultancy series)
However, by the end of Chapter 9, he claims that the reader should feel comfortable in designing a Lighting System for a TV Studio!. The summary that he then gives is absolutely vital and some people may well prefer to read this Chapter first as it asks many questions about the project that one is assumed to be in hand. This is a fair assumption,. This is not the sort of book to read on Boxing Day after the mince pies, although it is certainly entertaining and it is written with a jaunty style and it contains some photographs and diagrams.
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As Lighting Designers, any one of us may be called to co-light a production chosen for televising, and on this level it would be relatively easy to get on the wavelength of the TV Lighting Director. However, as per its title, this book is about TV Studios, where all Lighting tends to be done by the specialists, many of whom have worked their way up through the Camera Departments. It is the nuts, bolts, technical earths, and pantographs of the factories of make-believe that Nick Mobsby chiefly addresses, although equippers of theatres would be advised to read the section on networking.
Some of the Safety Issues are common to both cultures.
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Bits of all our futures are in the book. Nick Mobsby is a well practised and experienced engineer in matters of TV lighting and related issues, having been involved in the business since the mids. This is a hefty book, detailing all aspects of TV lighting likely to be encountered by any practitioner, and judging by its list of sources, it can be pretty much considered an authority on the subject. Whilst mainly concerned with the engineering techniques and practicalities of equipping and operating a studio lighting system, the book's strong historical perspective provides a useful context for current practices.
The first half of the book also gives a history on the invention and progress of television in the early years, as well as an explanation of how cameras and light interact.
Lighting Systems For TV Studios
The reader is then taken through the process of designing the studio, looking at the requirements of the empty space and the equipment needed. Moving on from this stage, there follows a detailed chapter on planning the installation, starting with the principles of lighting and the art of lighting a space and people for camera, before investigating the required infrastructure fixtures, power supplies, data and so on. Being studio-based, there is a good coverage of suspension systems such as grids, trusses and pantographs, as well as dimming systems, their types, characteristics and requirements.
No such book would be complete without good coverage of the electrical requirements, and there is plenty of well-written explanation on aspects such as diversity, phasing. Finally, there are two chapters looking at lighting control systems and data networking: The book is copiously illustrated and also contains suitable equipment tender specifications for various items of equipment, and is recommended for anyone involved in lighting installations, not only for TV.
Entertainment Technology Press publishes a rapidly expanding range of books covering the technical aspects of entertainment technology. Books currently available include titles on lighting, audio, rigging, production, stage engineering, TV, safety, standards, biography and history.
Studios have continued to utilize our fluorescents in their lighting grids and are now updating with our innovative LEDs. The high quality Micro-Fresnel lens system with advanced optics result in a perfectly flat wash of light. The extra bright SLEDs also feature a single shadow with soft light output. Glen Harn, CEO of PrimeTime Lighting Systems said, "We use only top-grade materials, followed by rigorous testing and exemplary manufacturing standards to build our long-lasting lights in America.
Harn explained that their LED fixtures are built in the same Dallas-based plant where their legendary fluorescents are manufactured. PrimeTime's LED features, like the absence of a fan, are important to lighting designers, broadcast engineers, systems integrators and facility managers:. Innovative engineering with LED heat dispersion technology resulted in a light that's bright and passively cooled.
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The high quality Micro-Fresnel lens system with advanced optics result in a beautiful wash of light. Other attributes of LED luminaires include low energy consumption and savings when compared to traditional studio lighting. Our commercial-grade LED luminaires are powerful, extra bright and completely silent. PrimeTime's LED lighting fixtures are used to upgrade broadcast studios, university TV studios, distance learning centers, city council chambers, worship facilities and commercial production studios. The high quality Micro-Fresnel lens system with advanced optics results in the most even wash of light.
It boasts a powerful punch and throw and is used in low ceiling applications. The manufacture of broadcast studio lights with the highest build-quality. It also meant developing a passively cooled LED Fresnel that would keep studios quiet.
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Station engineers and consultants explained the need for a bright and perfectly even wash of light throughout the focus range and a high color rendering index CRI. And they preferred a product made in the USA. Harn added, "Our LED lights are handcrafted in our Dallas facility with rigorous testing, first-rate materials, and high manufacturing standards. In fact, we stand behind our LEDs with a 5-year warranty. Designed and built-to-order in Texas, not mass produced across the border, the incredibly bright GUS 51 LED Fresnel is available from PrimeTime dealers, resellers and system integrators.
For over 20 years, PrimeTime's U. Rigorous testing, top-grade materials and superior build-quality from PrimeTime Lighting Systems. The company originated in as an advanced solar energy collection manufacturer and was founded by Gus Hutchison, legendary race car driver and engineer. Hutchison designed and manufactured solar collection systems for NASA satellites and space stations.
He applied his superior reflector technology and evolved the company into an engineering and broadcast light manufacturing organization in They illuminate a myriad of TV news sets and are known as bright, durable and well-built luminaires. Gus remains deeply involved in the engineering and development of PrimeTime's latest generation of new products including LED luminaires. PrimeTime LED fixtures do not need a fan.
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A photo of Gus from his racing era is displayed in the PrimeTime lobby. It reads, "Our founder Gus Hutchison. Dedicated to high performance, solid quality, and lasting durability. PrimeTime Lighting Systems will always strive to meet his standards with the products we build and the way we conduct our business. Rigorous testing, top-grade materials and superior build-quality. Another feature of LED luminaires include low energy consumption and savings when compared to traditional studio lighting.
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Harn explained, "Chief engineers and facility managers require high performing commercial grade lighting instruments that are durable and deliver a beautiful, strong wash of light. Our LED products have the same build-quality as our reliable fluorescents. The SLEDs also feature a single shadow with soft light output. The high quality Micro-Fresnel lens system with advanced optics result in an even wash of light. Our LED luminaires are extra bright, powerful and completely silent.
It's incredibly bright and requires no fan because of PrimeTime's engineering technology. The high quality Micro-Fresnel lens system with advanced optics result in the most even wash of light. The broadcast studio lighting manufacturer recently upgraded it's innovative SLED series.
Harn said the new light is twice as bright as the original 1SL fluorescent. The 1SL fluorescent has been a standard in many television station studios.
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The 1SLED XB2 is be used to upgrade broadcast studios, distance learning centers, video conference facilities, city council chambers, worship facilities or TV commercial production studios. It is used as key or fill light. The 1SLED XB2 can be used to upgrade broadcast studios, distance learning centers, video conference facilities, city council chambers, worship facilities or TV commercial production studios. Manufacturing facility and PrimeTime offices move to Carrollton, Texas. The high quality Micro-Fresnel lens system with sophisticated optics result in the most even wash of light vs.
Manufactured in Texas with PrimeTime's innovative design and energy-saving LED technology for cool and comfortable talent illumination. We relocated our manufacturing plant and offices to a larger warehouse facility to better serve our customers.