Robert Houdin: Confidences et révélations - Comment on devient sorcier (illustré) (French Edition)

The lean is in the wrong direc- day life through the spread of technology and administrative bureaucracies. For Kentridge, such a relapse is precluded by his acute awareness of 27 Kentridge quoted in Tamar Garb and Balancing Act his particular historical circumstances. From these reports, Kentridge felt that Kentridge: But politics is not spreading honey alternatives, disenchanted enlightenment and re-enchanted ritual. Art is a stage in the process of what Max Weber Pumping two tons of honey through plastic tubing, the sculpture was called the disenchantment of the world, and it is entwined with rationaliza- judged complete, according to Beuys, only when accompanied by tion.

Art kind of magical optimism, the idea that sibylline interventions in public too is subject to the forces of rationalization, which shape the conditions space could disrupt the workings of actual power, an optimism thoroughly of its production, distribution, and reception. Belgian artist Marcel Broodthaers. Just as Kentridge — Marcel Broodthaers, — Cambridge, MA, A fox comes along and praises the crow, asking if its voice is as pretty as its feathers.

The crow then caws, dropping the cheese at the feet of the salivating fox. In , Broodthaers penned a polemical pamphlet, Magic. The politics of magic? Of beauty or of ugliness? In this struggle against the degeneration of art the musical drama would thus be the only form capable of uniting all the arts. Obscuring those conditions, despite his putative goal of giving art a political function, Beuys ends up doing exactly the opposite, making unintelligible the concrete political relations adherent in art institutions, the way those institutions embody the administrative rationality of a disenchanted world.

Rather than use rationality to criticize rationality, Beuys relapses into esoteric magic. In his letter to Beuys, Broodthaers therefore appears to reject magic entirely. Broodthaers adopts the writing-slate is based on the following principle: Stillness and the Moving Image London, continues with translations of the text from French into German and , English, while the right side exhibits the magic-slate in two more stages.

The difference is therefore between magic as sorcery and magic as a trick, where the former depends on dissimulating its conditions of possibility, the latter on exhibiting them. In order to distinguish their craft from literal magic, these magicians took to unmasking alleged occultists. Beginning with Harry Houdini, who published a refutation of his namesake as The Unmasking of Robert-Houdin, such magicians felt that their mastery of the science and technology of illusions made them responsible for protecting the public from charlatans.

Art et Politique Magic. Psychoanalysis and Describing how he used to play with his children in the studio, Kentridge done—is always a question about oneself. You split into the per- Conversations Calcutta, , Bloomington, , He takes a jar of paint and, so, are split.

Confidences Et Revelations : Comment on Devient Sorcier (1868)

He throws the jar of paint across the studio walls, scatters the pencils, tears the papers Moreover, while Kentridge introduces this coexistence of knowledge and scatters the shards. There is a uto- and disavowal through the ludic pleasures of children, he insists that the pian perfection. The papers reconstruct themselves perfectly every pleasure that children take in cinematic magic does not derive from their time. He gathers them all. He catches twelve pencils, all arriving ignorance but rather from the give-and-take of knowing how an illusion from the different corners of the room in the same moment.

In the works yet seeing it unfold nonetheless: The wall is pristine.

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Think of children playing games with shadows …. The pleasure aris- Yes. Your astonishment is at The child is a ready vessel for these feelings of joy and astonishment. The child who plays with For him, cinematic magic is still new, since motion pictures have not yet shadows delights not just in seeing the image of a creature on the become banal through repetition and exposure. We adults, by contrast, no wall, but also in watching and grasping the illusion. The two characters in the story thus seem to personify a split within the modern beholder, Even the child, then, is able simultaneously to believe and disbelieve, a split between the incredulous adult and credulous child, the one who to appreciate the illusion and understand its incredulity.

Drawing on classical Forest Baltimore, , On the evolutionary from children to adults. Richards, The Tragic Sense of Life: This idea was not merely theoretical, moreover. Early Film and the In Credulous film, J.

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Stuart Blackton and Alfred Adorno thus writes: Far from 56 Ibid. Just because he deprives the urban pleasure seekers. As Tom Gunning writes: The swaying and belief in the marvelous, providing a fundamental rationalist context. Aesthetics of Transition, ed.

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David Thorburn and Henry Jenkins Cambridge, swinging of toy cranes, designed after those paradigms of instrumental The magic theatre labored to make visual that which it was impos- MA, , 39— This play remains fully imbricated with its historical situation. Modern theorists have often mapped the split between young be- not run only one way. He became major-general in , colonel of the 10th in , lieutenant-general in , and succeeded Sir John Pennefeather as governor of Chelsea Hospital in two years before his death.

DNB describes him as an officer "whose knowledge of India was exceptionally great, and who possessed in a remarkable degree the confidence of his soldiers", commending the present work for its insight and Cotton for his efforts in pointing out abuses and "in every possible way [working] to ameliorate the condition of the British soldier in India.

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His memoirs crustily crab at civilian officials who failed to give the army total military and political control of the frontier and denied the wisdom of his thinking. Extremities chipped, some old tape. Addressed to the Chairman of the Chamber of Commerce, this despatch precedes Bowers' official page report on the Sladen expedition to Yunnan.

Bowers was an obvious choice to accompany the mission. A long term resident of Rangoon, he was a respected member of the Royal Naval Reserve and an independent merchant with extensive commercial connections in the region. The expedition's official purpose was to establish "overland communication with Western China", namely to revive the Ambassador Route between Bhamo and Yunnan and secure British trade in China via their representatives in Burma.

Trade in the region had almost ceased largely due to the Panthay rebellion Its importance to England was evident from the size of the expedition, the party numbered over a hundred including servants and armed escorts. They were further accompanied by elephants laden with British made gifts for local rulers and potential allies. They returned in September the same year. In addition to its commercial agenda, "the journey proved for the first time the navigability of the [Irrawaddy] river beyond Mandalay, and charts were drawn up by Captain Bowers who accompanied the expedition" Howgego.

This does Bowers a disservice as his chart of the river was 50 foot long. Although the focus remains on trade in the region, additional details are included: The manufacture of salt is carried on here, this being a govt monopoly, it is sold by license; Opium, tea From daily intercourse with these Pantheys for six weeks, the impression left was that they were more of a warlike than a commercial people At present, in fact, it is nearly suspended. The former Mandarins Imperial officers having been driven out by the Panthays The opposition is sufficient to deter the small traders, whose wealth consists principally in their mules These men our are past friends James Cummins Bookseller ].

First Edition set, complete in two volumes. Volume I is a first printing, with on the title and copyright page; no mention of Part Two on page Volume 2 is an early printing dated on the title page and on the copyright page. Recently rebound in half leather with marbled paper and end sheets. Text blocks slightly vary in size, though bindings are identical dimensions. Pages show creasing, edge wear including several short tears and a few instances of chipping, staining and foxing; date and number written in ink on the first page of text. Burnside Rare Books ]. In the publishers green embossed cloth, corners and edges rubbed slightly.

Spines, gilt tooling and titles, edges bumped. Internally, black endpapers, teg remainder uncut. Vol 2, half title with ink signature of Bob Owen, Croesor, Merioneth , [5], vi-xiv , [1], pp, [1] advert, 4 pls. Spines lightly faded, small spots to boards. The Welsh text is contained in v. There is a faint crease to the front cover of volume 1 and minor bumps to the top rear outer corner of volume 1 and to the bottom front and rear outer corners of volume 2 these tiny bumps are barely noticeable ; the text blocks and original bindings of both volume are very bright and clean; a tight, very good copy..

Publisher's original blind-stamped green cloth with gilt-lettered spine, 8vo. This is the first edition, second issue of 'Variation of Animal and Plants' Freeman Imprint at base of spine in two lines on both volumes, there is single two-lines erratum at the end of the index and no errata lines in volume 2. No ads are present at the end of either volume. There are no ownership marks in this set of any kind. Natural History Books ]. In chronologischer Reihenfolge herausgegeben von G. Antiquariat Wolfgang Friebes ]. Edited, from materials collected by his widow. A small amount of foxing to last few pages of the publishers catalogue section at rear of book, to the tissue guard facing the frontis.

In original green cloth boards with gilt decoration and lettering to spine all in thoroughly vg. Oblong 8vo; [4] pp. Owner's penciled name; light wear to spine ends; scattered foxing to plates; bookseller's label; water stain to tips of a few leaves of plates, not affecting images; else a good copy or better in original gilt-stamped red cloth. Early furniture pattern book featuring scaled designs for dressers, chairs, beds, etc.

Bound in half green morocco with corners, back with five nerves, when tail, covers and spine preserved, antique binding. Nice copy free of foxing. Bel exemplaire exempt de rousseurs. Became a badge rarity, this review constittue an important testimony of the aviation adventure and concurrency between the lightest and heaviest that air. Nous offer for sale or the complete set which concerning the first eight years euros , or year by year April - December EUR ; January - December First edition, one of copies printed on Whatman Ribbed Paper.

Bound in three quarters blue morocco and marbled boards, t. Mit 18 Tafeln in Farbendruck. Written in ink on rectos mostly of ruled paper, 7 leaves of preliminaries, pp. With numerous corrections and deletions. Bound in three quarter brown calf and marbled boards. Skillfully rebacked, with remainder of original spine laid down, Binder's ticket "E.

Historical Novel on Robert Fulton. In his translator's Preface, Sinding introduces the author to the American reader: The refined affection of his characters, the delicacy of his speech, and the grace of his style, have endeared him to all intelligent and tasteful people both in the old and new world.

The author of this present work, J.

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Hauch, is his intimate friend, but none of his numerous works have yet, so far as I know, found their way to this country, while on account of the brilliancy of his talents, the profoundness of his learning, and the descriptive power of his gigantic mind, he has won for himself an illustrious name on the continent as a poet and writer. I, therefore, willingly complied with the request made to me both by the author himself, and by several other literary men from Copenhagen, my native place, to dress in an English garment this American subject Caisson et Mignon, Slight rubbing of slightly repaired corners, else fine.

Randall House Rare Books ]. Illustrated with 63 hand coloured full page plates all plates present. Barla was Director of the Museum of Natural History in Nice and the volume is an important book on the orchids of southern France. Slight rubbing of slightly repaired corners, else fine [Attributes: Back slightly cracked head also having a slight lack.

Emile Zola quotes in this book 'The Event illustrated' of May 5, The author is a utility shortcuts arm falling on the lazy and idle bourgeoisie. Courbet could hardly find a text whose spirit would suit best kind of talent. The Franc-Comtois had to rejoice in him that advocacy peasants, rude children of the earth. Also, as he began to willingly dauber the bourgeois gentlemen who can not distinguish a shovel a rake!

Each of his designs is a satire. Chacun de ses dessins est une satire. Ticknor and Fields, HardcoverInscription is on first endpaper. Represents Boston's adventurous and accomplished social circle of the mid-to-late s. Two small closed tears on the page just above the dedication.

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Small piece of the signed endpage missing. Some pages loose, but all present. Corners a little bumped, headband and tail rubbed and lightly frayed. Some soiling to the cover, as to be expected from a book of this age. A unique and precious item in need of a little doctoring. Additional photos or description available upon request. Tinsley Brothers, 18, Catherine Street, Strand, First edition, with half-titles in each volume.

Full blue polished calf, gilt spine, with red morocco title labels, t. Some spotting to the margins of vol. I text, else near fine. A Classic of Detective Fiction. Collins' classic work of detective fiction, which T.

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5. Confidences Et Revelations. Comment On Devient Sorcier. [houdini, Magic].

Black and white lithograph mounted on buff card. A pale water stain to the left-hand margin of lithograph, mount with slightly worn and chipped edges, and a couple of short closed tears. In very good condition. Presented in a dark brown wooden frame and UV glass. Appealing lithograph portrait of Charles Dickens in profile, inscribed by Dickens in blue ink on the mount: Dickens's second reading tour of America, which lasted from December to April and left him physically exhausted, was nonetheless a success both artistically and commercially.

A very early impression with "Thirteenth Thousand" to the title page; pp. Original maroon cloth with gilt vignette of Alice to the front board and the cat to the rear, gilt lettering to the spine. Contents clean and tight, neat, contemporary gift inscription to the half-title page, slight reading wear otherwise unmarked, both endpapers original, front end paper slightly worn at hinge, rear end paper very slightly trimmed at fore-edge.

Overall, a good to very good early copy.. With 48 finely produced chromolithographic plates by A. Mesnel, heightened with gum, and more than wood engraved illustrations in text. First edition of this comprehensive work, with excellent plates of fish by Mesnel. Some light foxing, not affecting plates. Faint rubbing to extremities. Very good plus With 48 finely produced chromolithographic plates by A. Original dark brown cloth, stamped with blind rules on the covers and lettered in gilt on the spine.

With a frontispiece portrait of Brigham Young.



The next seven chapters discuss the Mormons, their doctrines and practices, and the final chapter deals with the plains Indians. The work is taken from the author's pocket diary and from a series of letters he wrote to the editor of the New Orleans Advocate. Spine tips worn, else a sound clean copy. Simon war und freundschaftliche Kontakte zu L.