The Trumpet (Yale Musical Instrument Series)

Summary In the first major book devoted to the trumpet in more than two decades, John Wallace and Alexander McGrattan trace the surprising evolution and colorful performance history of one of the world's oldest instruments. They chart the introduction of the trumpet and its family into art music, and its rise to prominence as a solo instrument, from the Baroque "golden age," through the advent of valved brass instruments in the nineteenth century, and the trumpet's renaissance in the jazz age.

The authors offer abundant insights into the trumpet's repertoire, with detailed analyses of works by Haydn, Handel, and Bach, and fresh material on the importance of jazz and influential jazz trumpeters for the reemergence of the trumpet as a solo instrument in classical music today. Wallace and McGrattan draw on deep research, lifetimes of experience in performing and teaching the trumpet in its various forms, and numerous interviews to illuminate the trumpet's history, music, and players.

Copiously illustrated with photographs, facsimiles, and music examples throughout, The Trumpet will enlighten and fascinate all performers and enthusiasts [Publisher description]. Contents Machine generated contents note: The trumpet in the ancient and non-Western world 2. The trumpet in Europe and its environs to 4.

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The art of the trumpet player in the seventeenth and eighteenth centuries 5. Italy and the imperial court at Vienna in the seventeenth and eighteenth centuries 6. Germany in the seventeenth and eighteenth centuries, and the trumpet writing of Handel, Telemann and Bach 7. France and Britain in the seventeenth and eighteenth centuries 8.

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The Concertos of Haydn and Hummel 9. The trumpet and its players in the nineteenth and early twentieth centuries Repertoire, technique and performance idioms since Jazz and the image of the trumpet since Includes bibliographical references and index. View online Borrow Buy Freely available Show 0 more links With access conditions View at http: Login when prompted at http: Other links Ebook Library at http: Set up My libraries How do I set up "My libraries"? These 12 locations in All: Open to the public ; Open to the public ; Online: The University of Melbourne Library.

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University of Sydney Library. May not be open to the public Held. Book; Illustrated English Show 0 more libraries These 2 locations in New South Wales: In addition to regular performances, my combo hosts biweekly jazz jams. When I am home, I play bass and trumpet at my synagogue for select Shabbat services.

Without a doubt, Wynton Marsalis is my biggest musical influence. I pay careful attention to everything he does; the way he plays, the way he sounds, the way he interacts with his fellow musicians, the way he carries himself, and his passion for education. My first trumpet teacher was Sasha Soper.

I currently study with Matt McGarrell, who directs the Big Band and teaches classes in jazz history and composition, and privately study jazz theory and performance with Ed Tomassi of Berklee. In addition to music, I also study electrical engineering at Brown.

My general plan is to play for as long as I can on top of another job, and to open the door if opportunity knocks. Some other highlights of my musical experience are playing at Blues Alley in Washington D. You will be notified by email of the status of your application. A You cannot submit one sentence answers to the Teen Jazz Artist Application form questions, they must be a short paragraph. B You must respond to the confirmation email that you receive from Shannon Kennedy after you submit your profile or your profile will not be published on Teen Jazz.

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