Significant Spaces

If an auditorium or lodge hall is expressed on the exterior of the building with double-height windows, for example, that speaks to its significance in the spatial hierarchy of the building.

The space may still be character defining without that expression, but its existence is an indication of the primary nature of the space. The physical arrangement of the interior may help dictate the most appropriate options for subdivision. Even primary assembly spaces may have secondary areas such as a stage behind a proscenium or the area under a balcony.

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In some cases these areas can be walled off with little impact on the overall space, depending on other factors such as relationship to the larger space, dimensions of the area and degree of architectural detail. Conversely, it will be harder to divide spaces with areas that are of equal importance, or spaces with a more tightly unified design, such as a church sanctuary with a strong axial plan.

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As in other areas of the interior, the existing physical integrity also will influence how much change the space can accommodate. If finishes and features are deteriorated or missing or if the space has already been significantly altered, then its importance in defining the character of the building may be diminished enough to allow further changes. However, the impact of new alterations must be evaluated in the context of what integrity does still exist, the functional or architectural importance of the space in the building, and other proposed project treatments.

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The manner in which the space will be subdivided must also be considered. However, divisions that do not intrude on the overall character and height of the interior may be appropriate. Lower partition walls in the main space, such as open office-height partitions in a two-story space, may be used in some instances. Also, in certain situations it may be possible to insert a mezzanine into secondary areas, if it has only a minimal impact in the space.

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Existing historic features and finishes should also be retained to the maximum extent possible, and new vertical or horizontal partitions should not diminish their prominence and impact. For example, a new wall between a stage and auditorium space that is installed behind the proscenium rather than within the opening will keep the appearance of the stage boundary dominant. For more general guidance regarding changes to interior spaces, please refer to Changing Secondary Interior Spaces in Historic Buildings. For the first page of Hebrews the following have a large space: EIS UN space OTAN DE Looking at the facsimile however as one does , it becomes apparent that the perception of the editor as to what is significant for punctuation has been at work here, since there are other spaces equal or larger, that are not signalled.

So I measured the spaces in this page and then put them in order of width: I wasn't sure so I looked at the introduction.

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Here is what Kenyon says: Pauses in sense are occasionally indicated by slight space-intervals between words. Sanders has indicated a large number of such intervals, but most of them have, I think, no significance. Some are due to flaws in the papyrus as at junctions of kollemata , some to the scribe's habit of leaving a slight space after an abbreviation, some seem to be purely accidental or hardly perceptible.



I have thought it best to indicate them only when they are plainly intentional and denote a pause in the sense. Only an examination of the facsimile will show exactly what the facts are. They suggest at any rate some perception by the scribe of the sense of what he was writing. It suggests that correspondence with what Kenyon thought was 'a pause in the sense' was one critical factor in identifying the significant spaces, which suggests that this is not a particularly objective measure.

Of course there is wisdom to be gained from constant and thoughtful exposure to manuscripts and Kenyon's opinions are obviously thoughtful and experienced.