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Rencontre sur Internet – Erotica français (French Edition)

It highlights the artist's monumental work, first photographs and presents several new installations. The exhibit showcases many projects, inviting visitors to lose themselves into JR's creative process, by retracing his first shots when he followed a group of graffiti artists in Paris in the early s, as well as his first pastings.

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The show also goes back on his major series: Portrait of a Generation an illegal pasting exhibition of portraits taken with a 28 millimeter lens ; Women Are Heroes that pays tribute to those who play an essential role in society but who are the primary victims of wars and conflicts ; The Wrinkles of the City a world scale project presented in various cities around the world where 'wrinkles', human as well as architectural, can be found ; Unframed in which JR reinterprets works by other photographers, giving them a new meaning by taking them out of their original context.

The exhibit unveils for the first time in Europe an interactive mural about guns in America. In all, JR filmed and photographed people - hunters and activists, teachers and police officers, parents and children - to create this mural for TIME's November 5, , cover. Visitors are able to discover the mural in a unique way thanks to an online platform especially developed for the event.

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JR's first solo show in NYC features on two floors approximately 30 new works, including a series of mechanical sculptures and a video projection. With his electric trains and model container ship, JR evokes the spirit of childlike wonderment and play. Mechanical train cars move forward and backward on their rails, converging and diverging to produce the image of a face that vanishes as soon as the train cars move again.

In his model cargo ship, mechanical arms load and unload containers, the building blocks of a gaze.


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The gaze is an ongoing theme for JR, and Horizontal presents a new take on this as he introduces glass as a support for images of eyes. Some works isolate a single eye on a double floating pane, while works like Inside Out, Ramallah - Tel-Aviv combine the eyes of two individuals across border walls and political divides. New works by JR take up the four-color printing process of printed advertising posters.

Even those who send us back to anxious situations are made up of bright, cheerful reds, yellows and blues. JR explores new territories while remaining true to his approach of asking questions through artistic installations.

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Every night chefs will turn ordinary ingredients into extraordinary meals. Although they are separated in age by more than half a century, Varda and JR both revel in the power of images and in documenting the lives of everyday people. Formation The New Yorker.

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