Der Mann mit den zwei Stimmen: Vom Waisenkind zum Star (German Edition)

Edited by Gunther Schuller. Schuller, Gunther 13 Ives, Charles, Mists: For theater orchestra and optional voice Performance markings on score and parts. Words by Harmony T. Ives, edited by Kenneth Singleton. Includes photocopy of the song version of Mists for voice and piano and a manuscript part for glockenspiel. For voice and piano Contains small number of performance markings. For theater orchestra Scores marked for performance and with revisions by Mikhashoff.

Includes photocopies of substitute horn parts for no. For chamber orchestra Parts marked for performance. Photocopy of song version for voice and piano included. Text by William Wordsworth. Wordsworth, William, Parts include: For clarinet, cornet, piano, horn or trombone, and drums Marked for performance. For voice and piano The only markings consist of rebarring the music into new metric units.

For full orchestra Marked for performance. For voice and piano Marked for performance. There are also markings that indicate instrumentation to be used in arrangements of some songs. Edited by Henry Cowell. For voices, piano and viola or violin The voice part and full score contain performance markings.

The texts in the full score are in Czech and German; the texts in the voice part are in English and Italian.

Contains the full score and parts for voices, violin, and viola. For piano, 2 violins, viola, clarinet, horn, and bassoon Contains small number of fingerings. For solo piano Some of the pieces are marked with indications for instrumentations that could be used in arrangements. Includes the Czech texts. For voice and piano Both scores contain performance markings Text by Emily Dickinson. One score is an ink holograph, the other is a photocopy of the holograph.

The first of his Three Emily Dickinson Songs. Dickinson, Emily, 13 Johnson, Hunter, If pain for peace prepares , 2 scores 2 pages each Manuscript Ozalid reproduction Instrumentation: For voice and piano Both scores contain small numbers of performance markings. Text by Emily Dickinson. At end of score: The third of Three Emily Dickinson Songs. For solo piano Contains relatively small number of performance markings. Edited by John Kirkpatrick.

For flue and clarinet, with arrangement for solo piano Score for clarinet and flute contains performance markings Arrangement for solo piano by John Kirkpatrick. For flute, oboe, and piano Flute and oboe parts marked for performance. For mezzo-soprano and piano Contains some performance markings and English translations of the texts. Texts by Pierre Reverdy. For flute and piano Flute part contains a small number of performance markings. A map is drawn on the back cover. For violin and piano Violin part extensively marked for performance, including additional manuscript inserts attached.

For piano, instruments, percussion, and electronics Piano part marked for performance, chiefly with fingerings. For piano and tape recorder Contains only a small number of performance markings. For solo piano The Lento contains some corrections to the score. Two works have possible titles added in pencil in the captions. Pages of each work numbered separately. Lento "… homage to Copland , rev. For piano, violoncello, and actor Fully marked with performance markings. Consists of two copies, two pages each, of typescript performance instructions and script.

For piano, violoncello, doublebass, and percussion Contains additional performance instructions Piece composed on construction paper, in marker. Includes additional photocopy marked "Piano". For flute and clarinet Score and part marked for performance. The single part is for clarinet. For soprano, flute, violoncello, and piano Markings include durations and performance indications in the vocal part.

Texts by Stephen Stepancher. Malay pantuns , 1 score 7 pages Holograph photoreproduction Instrumentation: For 3 flutes and alto or mezzo-soprano voice Contains small number of performance markings. For solo piano The only marking is a duration for the second movement. Oper in zwei Teilen: For voices and piano. Originally for voices and orchestra.

Contains markings for performance, including possible cuts, some rewritings, and on the title page list of contents to form a suite. Signed by Mikhashoff and dated Jan. Opus 45 , 1 score pages Print Universal Edition Instrumentation: For voices and orchestra Contains performance markings, including possible cuts and alterations to the score. The binding is broken so many pages are loose. Use caution when handling. For solo piano Contains performance markings, including additional barlines. For soprano or tenor, horn, and piano Score and horn part marked for performance.

Composer biography taped to title page verso. For 3 flutes, piccolo and 3 percussion Contains performance markings. For flute, oboe, horn, bass clarinet, percussion, piano, violin, viola, violoncello, and doublebass The only markings appear to be on the title page regarding rental status of the score.

For solo piano Contains only a very small number of markings. For string quartet and ad libitum harp Contains only a few markings. Found in folder marked Liszt Chamber Works. Sonetto del Petrarca , 1 score 8 pages Print G. Signed by Ronald McKay Mikhashoff. Recital program listed on inside of back cover. For two pianos; originally for piano and orchestra Contains a small number of performance markings. Paraphrase , undated 1 score 12 pages Print photocopy C. For violin and piano Contains performance markings.

For violin and piano; originally for violoncello, piano, harp and harmonium.

Mikhashoff (Yvar) Collection of Annotated Scores

Contains small number of performance markings. For two pianos; originally for piano and orchestra Contains performance markings. For solo piano Contains only a very small number of performance markings, including durations. Five Hungarian folk songs: For solo piano Sections of the music have been highlighted. Mikhashoff made notes comparing the Schirmer edition The final years and the enclosed photocopy of alternative sections from the Liszt Society edition. For piano four hands Printed score contains only a small number of performance markings. Includes pencil manuscript marked "This shows cuts taken in performance Lecture: Humor in music and small re-editings of Primo [part]".

For solo piano Marked with a few fingerings and a duration. For solo piano Mephisto Waltz marked with measure numbers. For solo piano Durations marked on three pieces Liszt Society Publications, volume 3. For solo piano Both works contain performance markings. Published as Magyar dallok: For solo piano Number 3 is marked with a duration.

Signed by Mikhashoff and dated August , Bangkok. For violin or violoncello and piano Violin part and score marked for performance. The violin and violoncello parts are printed back-to-back on a single sheet. Based on a theme of Alexander Albieff. For piano, violin, and violoncello; originally for orchestra Violoncello and violin parts marked for performance. Part 1 ; Part 2 , undated 1 score 24 pages Print photocopy C. For solo piano The first work is marked with a duration.

The second work contains a manuscript insert with an alternative version of six measures on page 9 of the score. The two works are bound together. The two works, bound together in one volume, are Reminiscences de Lucia di Lammermoor and the Marche et cavatine de la Lucie de Lammermoor 16 Liszt, Franz, Rhapsodies Hongroises for the piano: For solo piano Contains performance markings on no.

For solo piano Contains extensive performance markings. This volume has been reconfigured in terms of page order and contents from the original Books 1 and 2. For solo piano The only marking is a duration in the caption. For solo piano A section starting on p. For violoncello or violin and piano Violoncello part is marked throughout for performance.

The two copies of the score contains only a very small number of markings. For oboe, viola, and piano The score contains a very small number of performance markings. For voice, viola, and piano Score and viola part marked for performance. Texts by Baudelaire and Verlaine translated by Henry G. For solo piano Contains some markings on page 6.

For solo piano Manuscript additions to ends of pages 5, 7, and 9 to facilitate page turns. For solo piano Tempo marking in caption of number 8.

For solo piano Contains a small number of performance markings and a duration on the cover. For solo piano Contains performance markings and changes to the score. For solo piano The only markings are some fingerings on number 6. For solo piano A few of the pieces are marked with check marks. For solo piano Only last page of piece. Verso has notes unrelated to the piece in Mikhashoff's hand. His greatest piano solos , 1 score pages Print Copa Publishing Instrumentation: For solo piano Only the piece, Scotch poem, is marked for performance. For two pianos; originally for piano and orchestra Contains performance markings chiefly in the first movement.

For piano, violin, viola, and violoncello Contains performance markings. For flute and piano Contains a small number of performance markings. For flute, violin, and piano Score and parts marked for performance. Includes two copies of the flute and violin parts. For soprano, alto, violin, and piano Violin part marked with bowings; soprano, alto, and score have an English translation written in for the third song. For trumpet and piano Contains a very small number of performance markings.

For violin and piano One score marked with bowings as a violin part; the other score contains some performance markings on the piano part. For piano and tape Score contains performance markings. For two pianos Score extensively marked on first piano part for performance 17 McPhee, Colin, Concerto for piano with wind octette accompaniment , 1 score 51 pages and 8 parts Print New Music Instrumentation: For 2 flutes, oboe, clarinet, bassoon, horn, trumpet, trombone, and piano Score and parts contain performance markings.

Score is an issue of New Music: A Quarterly of Modern Compositions, v. Wind parts are photocopies of manuscripts except for clarinet which is a manuscript. They are stamped Associated Music. For two pianos; originally for 2 flutes, oboe, clarinet, bassoon, horn, trumpet, trombone, and piano First piano part marked for performance. For soprano and piano; originally for soprano and instrumental ensemble Contains performance markings.

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For two pianos; originally for piano and orchestra Both scores contain performance markings. For piano and chamber orchestra Contains performance markings. Signed by Mikhashoff and dated March 30, , Houston. Concert program for December 10, performance with the University at Buffalo Philharmonia attached inside front cover. For piano and chamber orchestra Contains extensive performance markings. For voices and piano; originally for voices and orchestra Contains performance markings and some alternative English translation. For solo piano Added title: Found in folder marked Italian Futurist Music.

For two pianos The score contains some performance markings. A sheet of manuscript music marked "Transition to bottom" is inserted. For piano and chamber orchestra Contains a small number of performance markings. For four pianos Contains performance markings. Movement 1 , 1 score 3 pages Manuscript photocopy Instrumentation: For solo piano Score is color-coded by Mikhashoff?

Many of the chords have been labeled with their tonal quality D major, etc. Movement 2 , 1 score 5 pages Holograph Ozalid reproduction Instrumentation: For solo piano Contains two corrections to the score. Score taped to cardboard. For piano four-hands; originally for orchestra Contains added measure numbers.

Stolze, Heinrich Wilhelm, Arranged by H. Electronically-generated sounds Photocopied from Robert Johnsons' Scores: For violin and piano Contains performance markings and some corrections to the score. For voice and piano Contains some performance markings on the third song.

Lullaby -- Serenade -- Trepak -- Commander-in-chief. For solo piano It is difficult to distinguish between markings made on this photocopy versus markings that were on the source of the photocopy. For voice and two pianos Second piano part highlighted throughout.

One copy is missing the first song. Scores bear different sets of markings. For saxophone quartet and tape The only markings are on the introductory textual content. Includes a two-page summary about the musical work. For two pianos; originally for piano and orchestra Contains performance markings, including fingerings. Signed by Mikhashoff and dated Aug. For solo violoncello Extensively marked with bowings and fingerings.

For vocal soloist baritone , narrator, women's choir, and orchestra. Contains a small number of performance markings, including the removal of some measures. Text by Federico Garcia Lorca. For flute, 2 zithers 1 player , piano, and percussion 4 players The only marking is a question about a pitch accidental on page 8. For solo piano Most of the performance markings are from the original source of the photocopy.

The date of has been added in the caption. For soprano, baritone, and piano Contains many performance markings including changes to octave registers and cuts. For piano eight hands Contains performance markings. For accordion and piano Piano part marked for performance. Also includes an annotated program for a November 7 performance of the Nocturnes at Radiohusets Koncertsal. For solo piano Extensively marked for performance.

I [and] II , undated 1 score 19 pages Manuscript photocopy Instrumentation: Legend one is print. For solo piano Contains performance markings, including dynamics and tempo markings. For solo piano The last movement contains some performance markings, including a measure of additional music. For piano and string orchestra Markings include additional dynamics, changes to pitch accidentals, and other changes to the score. Score is marked "R. For solo piano Markings on the photocopy are difficult to distinguish from markings on the original source.

Photocopy of holograph, not Piano Sonata 2, Piano Sonata 3, or 3 preludes. The first movement, marked "To John Kirkpatrick", appears to be complete on pages The incomplete second movement consists of pages There is a gap until pages It is unclear if this is the beginning of the third movement. There is a double bar at the end of page Two unnumbered pages contain sketch materials.

Signed by Mikhashoff, dated Aldeburgh ' For solo piano The only markings are circles around a few of the exercise numbers. For solo piano The only marking is on the title page, beginning "This set is clearly of the jazz-influenced … " 19 Piazzolla, Astor Estaciones Jahreszeiten: For solo piano The only markings are comments on the title page. For solo voice or instrument and piano The only markings are comments on the title page. Signed by Mikhashoff, and dated Aug. For solo piano Contains a very small number of markings. Onda nueve -- Oda para un hippie -- Preludio 9 -- Divertimento 9.

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For solo piano The only markings are comments on the title page, including "All excellent for transcription for full ensemble". Signed by Mikhashoff, dated Jan. For piano, bandoneon and baritone saxophone The only markings are Mikhashoff's comments on the verso of the title page. Primarily for piano; the 5th-6th works with bandoneon; the 7th work with violin. The only markings are Mikhashoff's comments on the page facing the title page. Piano conductor score with indications for instrumentation for chamber orchestra The only markings are Mikhashoff's comments on the verso of the title page.

For clarinet and piano Contains pencil additions and changes to the score. Clarinet part is a photocopy. Includes texts of accompanying poems, in Portuguese with English translations. For voice and piano Contains one note about interpretation of the rhythm. For piano and 18 instruments Solo piano part marked for performance. For 2 pianos; originally for 2 pianos and orchestra Contains only a small number of performance markings.

For reciter and piano Score is marked with letters A-Y that mark the major sections of the piece. Photocopied pages have been attached in some places to facilitate page turning. Text by Jean de Brunhoff. Brunhoff, Jean de, 19 Poulenc, Francis, Tombeau , 1 score 4 pages Print photocopy Heugel Instrumentation: For voice and piano Contains only one fingering marked on score. Text by Philippe de Ronsard. Ronsard, Pierre de, 19 Poulenc, Francis, Trio pour piano, hautbois et basson , 1 score 34 pages Print Wilhelm Hansen Instrumentation: For piano, oboe, and bassoon Extensively marked for performance.

For solo piano Contains only a small number of fingerings. For solo piano Contains one marking on page 7. For solo piano Contains performance markings, including fingerings and a possible cut. For solo piano Contains performance markings throughout. For solo piano First ten pieces contain performance markings. For two pianos; originally for piano and orchestra Contains extensive performance markings. Signed Mikhashoff Ronald MacKay. For voice and piano Both photocopies are extensively marked with transliterated text and performance markings. For voice and piano Marked with transliteration of Russian text.

There is a text added above measures in the Elegie, op. The Pavane is marked with indications of instrumentation for an arrangement. Pages are replaced with pages from another edition. Alborada del gracioso -- La vallee des cloches -- Une barque sur l'ocean -- Noctuelles -- Pavane -- Oiseux tristes -- Lento: For voice, flute, violoncello, and piano Score and both parts contain performance markings. For voice and piano Contains performance markings. Text by Jules Renard.

Originally for violin and piano; arranged for violin and orchestra by the composer Contains markings for a structural analysis of the piece. Mikhashoff's re-notated version of the seventh piece is inserted 1 leaf of ink manuscript. Typescript program notes 2 leaves inserted. Prose work Some text is underlined. For violin and piano Contains only a few performance markings. Signed by Mikhashoff and dated July , Rome.

For solo piano Marked with duration of the piece. For violin, violoncello, and piano Extensively marked for performance. For violin, violoncello, and piano Contains performance markings. For solo piano Contains one instance of fingerings. Typescript 1 leaf list of corrected mistakes inserted. For violin, accordion, and piano Piano part contains performance markings. Excerpt from the opera in one act for tenor and chamber ensemble. Note in caption of piano part: For flute, violoncello and piano Score and parts contain performance markings.

For voice and piano Some measures have been numbered. For 2 trumpets, 3 trombones, and piano Score is marked for performance. Mikhashoff re-notated the piano part for ease of reading. The manuscripts were attached with tape. They are now in a separate envelope. Nine manuscript leaves of Mikhashoff's re-notated version serve as a separate part from page of the score.

For small orchestra and piano The score contains a small number of performance markings and some passages of the piano solo have been darkened. The piano part 30 p. It also contains performance markings. Written for Yvar Mikhashoff. For solo piano Contains corrections to the score.

For 2 violins, viola, violoncello, and piano The unbound score contains a small number of performance markings. Movement 1 is marked "Corrected"; movements are marked "not corrected". Stars , undated 1 score 2 pages Manuscript photocopy Instrumentation: Sun burst , undated 1 score 2 pages Manuscript photocopy American Composers Alliance Instrumentation: Dithryamb -- Eclogue -- Oracle -- Apotheosis.

For flute, violoncello, and piano Score and parts marked for performance, including measure numbers. Mikhashoff's manuscript 2 leaves of re-notated versions of pages are attached. The fourth of his North American ballads. For two pianos; originally for piano and orchestra Both the Durand and Schirmer scores contain performance markings. The Durand copy is in very poor condition. For trumpet, 2 violins, viola, violoncello, double bass, and piano The score contains performance markings, including the deletion of measures. For mezzo-soprano, baritone, narrator, unison chorus, and piano Contains performance markings.

The full score consists of photocopied pages from the original Universal Edition with insertions of typescript English texts for the narrator. Also includes an additional incomplete photocopy of the Universal Edition without the insertions. Libretto by Contamine de Latour. Contamine de Latour, J. For voice and piano The first two pages have markings that are presumably choreography of dance moves.

Text by Vincent Hyspa. For solo piano The G. Schirmer score contains performance markings. The Salabert copy is not marked. For solo piano Bracketing, numbers, and durations as specified in contents note 1. Untitled, 5 leaves, marked with brackets but no numbers -- 4. Aitsi, only page 1.

For solo horn Pencil inscription on cover about a Scelsi festival. Selections , undated 1 score 16 pages Manuscript Ozalid copy Instrumentation: For solo piano Marked with some title information and changes to the ending of Prelude Preludes 19, 50, 29, 28, 23, 32, 14, and 18 21 b Scelsi, Giacinto, Untitled piano work [no. For solo piano Caption: Marked Meditativo, intenso with metronome marking of quarter note equals No 97 Pages numbered in margin Tempo metronome marking of quarter note equals No Pages numbered Marked Molto ritmico with tempo metronome marking of quarter note equals No Marked Vivace with tempo metronome marking of quarter note equals 21 f Scelsi, Giacinto, Unidentified piano work , undated 1 score 8 pages Manuscript Ozalid copy Instrumentation: Finale of Ka Suite 10 can be played independently also …" Tempo metronome marking of quarter note equals 92 22 Schoenberg, Arnold, Nachtwandler , 1 score 20 pages and 4 parts Print Belmont Instrumentation: For soprano, piccolo, trumpet in F, snare drum, and piano Score and parts are marked for performance; score is also altered with pasted inserts.

Text by Gustav Falke. Falke, Gustav, Parts for piccolo, trumpet in B-flat, trumpet in F, and snare drum. For violin and piano Score contains small number of performance markings, including fingerings, dynamics, and composite rhythms. For voice, piano, flute and piccolo , clarinet and bass clarinet , violin and viola , and cello Piano part in score marked for performance, including fingerings.

Parts contain small number of performance markings. Includes photocopy of printed English translation 2 leaves of Albert Giraud's text. Giraud, Albert, Parts photocopies for flute 34 pages , clarinet 35 pages , violin 32 pages and cello 25 pages. For piano, 3 clarinets, violin, viola, and cello Contains performance markings, including fingerings Signed by Mikhashoff.

Tango , 4 pages Print photocopy Universal Edition Instrumentation: For solo piano Marked with fingerings and duration. For solo piano Several works marked for performance, including fingerings and pedal indications. Missing front and back covers. Edited by Harold Bauer. Bauer, Harold, 22 Schumann, Robert, Fairy tales, op.

For clarinet or violin , viola, and piano Clarinet and viola parts marked for performance. For piano and orchestra, in reduction for two pianos. Solo piano part marked for performance. Selections , undated 1 score 26 pages Print photocopy Edition Peters Instrumentation: For voice and piano Contains very small number of performance markings.

Mein Wagen rollet langsam -- Der arme Peter -- Also exists in form for cello and piano, currently identified as op. For cello and piano Verso of front cover contains listing of Schwertsik miniatures. Also exists in form for solo piano, currently identified as op. For solo piano Marked with fingerings and number of times to repeat sections.

For solo piano Marked with duration. Missing ending double bar but is complete. Published in New music; a quarterly of modern compositions, v. For tenor and piano Contains small number of performance markings, including fingerings. Program for 19 October performance inserted. Text by Jonathan Williams. For children's choir and piano accompaniment Contains a small number of performance markings. Text by Thomas Meyer. Meyer, Thomas 22 Sellars, James Concertorama.

Disco toccata , undated 1 score 13 pages Holograph photocopy Instrumentation: For piano, synthesizer, and orchestra; reduction for two pianos Contains performance markings, including duration and fingerings. Original marked Edited margin , second version caption p. For solo prepared piano The interval types have been written onto the score to identify the color and shape symbols. For solo piano Contains performance markings, including fingerings and page numbers.

For solo piano Heavily marked for performance, including fingerings, meters, and performance instructions. Clipping about the composer taped on verso of cover. For solo piano Heavily marked for performance, including fingerings, tempi, and other instructions. For solo piano Photocopy contains performance markings and indications of instrumentations for an arrangement. Includes print copy, photocopy of print "2nd proofs" on which Yvar's corrections are marked, and a photocopy of a holograph.

For solo piano Marked with fingerings and durations. For solo cello Heavily marked with bowings and performance markings. For viola and piano Piano part marked for performance. For solo piano Contains performance markings, including rhythmic clarifications. For soprano and piano Contains performance markings. Texts and their sources listed on final 4 pages. Dreams -- Hope -- Death 23 Shchetinsky, Alexander, Fantasia for piano , 1 score 24 pages Manuscript photocopy Instrumentation: For solo piano Markings include fingerings, tempi, and accidentals.

For solo piano Annotations in composer's hand. For 2 pianos, baritone, and cello Includes performance instructions in English in red ink Parts for cello, piano, and baritone. For piano, trumpet, and strings; reduction for two pianos Contains markings for performance, including cues for trumpet part, and a possible cut. For solo piano Contains performance markings and corrections. For voice and piano "These songs are based on Afro-Cuban ritual music. For 2 trumpets, horn, trombone, tuba, percussion, and piano All parts marked for performance.

Parts for trumpets 1 and 2, horn, trombone, tuba, percussion, and piano. For solo piano Metronome marking and expression marking Lento espressivo added in ink, possibly by the composer.

Valentyn Vasyl'ovych , Sonatas for piano, no. For solo piano Small number of markings on Sonata no. For solo piano Contains performance markings, including fingerings and duration. For 2 vibraphones and 2 pianos Performance markings in 2nd piano part. For piano and orchestra All parts marked for performance. For piano and orchestra Contains performance markings, including fingerings and deletions. For orchestra; arranged for piano 4-hands Contains performance markings, including fingerings.

For piano and cello One reduced copy marked with indications of instrumentation for an arrangement and the other reduced copy with some markings on the cello part. For piano and percussion Marked for performance. Some scores include pasted inserts. One oblong score is the lengthened version from The other 8 scores are from Includes letter 1 leaf from Smith to Mikhashoff with further instructions for performing the piece. For instrumental ensemble Composer's comments on instrumentation page.

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For unspecified instruments Contains performance markings. For high voice and piano Contains performance markings. The wrapper does not match the contents. Pages , from Act 2 and pages from the end of Act 3, Also includes 2 manuscript pages in Mikhashoff's hand For high voice and piano Contains one marking indicating the beginning of the 2nd verse. For clarinet and jazz ensemble Contains small number of analytical comments, possibly by James Sellars 24 Stravinsky, Igor, Piano rag music , 1 score 8 leaves Print photocopy J.

For solo piano Contains performance markings and research notes on verso of last 3 leaves. For soprano, piano, and instrumental ensemble Score and parts marked for performance. Parts constructed from photocopies of the score mounted on cardboard. Parts for Violin 1 and 2 , Viola, Cello, and Clarinets. For piano and electronic sounds on tape Contains performance markings. Arrangement for violin and piano 4-hands Spiral bound copy contains performance markings. Selections , undated 1 score 9 leaves Holograph photocopy Instrumentation: For voice, guitar, and piano A final chord added to Night Possibly songs from collaboration with Paul Schmidt on A beautiful lady.

Each song accompanied by typescript lyrics from poems by Blok, Akhmatova, and Yesenin. The lady nobody knows, Hookers and hustlers, Back-streets of Moscow, and Night. For 2 pianos Markings include deletion of a measure. Possibly in Mikhashoff's hand. Czecho-Slovak folksong harmonized and arranged by Deems Taylor.

1. When Family Matters.
2. Sahin-Scholl, Freddy;
3. Delma the Duck.
4. The Fishermans Dream - Illustrated Fairy Tale: Adventure fairy tale about the Underwater Castle for children over the age of six (Kinderbücher diverse Sprachen Book 2).
5. Product details.
6. Sahin-Scholl, Freddy [WorldCat Identities].

Raynor , Buxom Joan: Arranged for voices and piano Contains very small number of performance markings. Found in a folder labeled Around the World with American Opera. Vocal score edited and realized by Gregory Sandow. Libretto by Thomas Willet. For solo piano Contains corrections in whiteout fluid. Movements marked 1 and 2 match movements 2 and 3 in score as performed by Mikhashoff April For solo piano Contains fingerings marked in red ink. Found in folder labeled Virgil Thomson: For medium voice and piano Marked with duration and date of composition.

For solo piano Contains performance markings, including fingerings and accidentals. For cello and piano Markings include fingerings and an alteration to measure For cello and piano The small number of markings includes fingerings and dynamics. Transcription for cello and piano by Luigi Silva.

Selections , undated 1 vocal score 14 leaves Print photocopy G. Arranged for voices and piano Contains performance markings. Consists of pages Act 1. For tuba and piano Includes changes to measure 6. For solo piano One copy contains markings, including additional dynamics and fingerings. Arranged for flute, clarinet, bassoon, horn, and piano Arranged by Robert Hughes. Photocopy of New York Times 12 December review of performance by Brooklyn Philharmonic attached inside back cover. Cage, John; Harrison, Lou, ; Cowell, Henry, Includes additional photocopy of a proof version marked Bassoon showing changes that were incorporated into the published version.

For solo piano Markings include dynamics, phrase marks, and indications of takes for a recording session. Includes extra photocopied pages to facilitate page turns. For oboe, bassoon, and piano Score and parts contain performance markings, including a metronome marking. Parts for oboe and bassoon. For flute and violin Contains just a few performance markings. For clarinet, trumpet, viola, horn, and trombone Score and parts heavily marked for performance. Parts for trumpet, clarinet, viola, trombone, and a photocopy of the score marked as horn part. For violin and piano Contains performance markings, including fingerings and dynamics.

For soprano, flute, clarinet, and harpsichord or piano Score and parts marked for performance. Score is photocopy, parts are originals. Parts for clarinet and flute. For solo piano Performance markings on 5th piece, including fingerings. For solo piano Contains performance markings and an inscription from the composer to Mikhashoff.

For piano and orchestra Some of the works are marked for study purposes. Miniature scores; Missing pages Concerto in A minor, op. For solo piano Some works contain performance markings. Edited by Erno Balogh. For solo piano Contains additional markings possibly in the composer's hand, including dynamics and pedal markings. For speaker and piano Contains additional performance instructions.

Dedicated to Mikhashoff and Paul Schmidt. Words from Ada by Vladimir Nabokov. For solo piano Scores marked First version and Revised, with first version marked with duration. For solo piano Contains some corrections and changes. For soprano and violin Contains performance markings, including fingerings and bowings. Texts by Mario de Andrade. Andrade, Mario de, 1. For violin, flute, bassoon, and basso continuo Score and parts marked for performance Includes manuscript bassoon part and violin part created from lines cut from photocopy of full score.

For voice and piano Contains performance markings in the piano part, including fingerings. Texts by Edith Sitwell. Sitwell, Edith, 25 Ware, Peter, Night rainbow: For clarinet, viola and piano Scores and part marked for performance. For flute or violin, cello, and piano Score and parts marked for performance, including fingerings and bowings.

Parts for cello, and flute or violin. For voice and instrumental ensemble Flute part with clarinet part written in on added line. For solo piano First page of score marked for performance; elsewhere the score is marked with row forms, possibly by Allen Sapp. Signed by Allen Sapp. For solo piano Contains performance markings, including measure groupings and durations. Originally kept in a folder labeled John White Piano Sonatas. They are now stored in 35 individual folders.

For solo piano Contains some performance markings and duration. For solo piano Marked with duration and some performance markings. Additional 13 measures of manuscript music on page 3. For solo piano Marked with duration and some performance markings, including fingerings. For solo piano Marked with metronome marking. For solo piano Marked with metronome marking and some additional performance markings. For solo piano Marked with metronome markings and some descriptive notes.

For solo piano All of the markings appear to be on the original not the photocopy. For minimum of 4 unspecified instruments Contains performance markings and indications for instrumentation. Original song, Bread and roses, attached to verso of front cover. Program note consisting of letter from Wolff to pianist Ursula Oppens attached facing page 1 of the music.

For solo piano Extensively marked for performance, including time signatures. For flute piccolo , clarinet bass clarinet , violin, and contrabass or cello Contains performance markings. Two scores are photocopies, one marked for use as violin part, the other is marked for use as a cello part, with the line added to the score written from the bass line. For three pianos Photocopy score marked for performance; inscription from the composer to Mikhashoff in caption.

One copy is the original ink manuscript, the other is a photocopy. For two pianos tuned a quarter tone apart, 4 hands Score is marked for performance, including time signatures, corrections, and a manuscript insert attached. The parts are also marked for performance. Parts for Piano I and II. Prelude , 1 score 4 pages Holograph photocopy Instrumentation: For soprano, clarinet, cello, percussion, and piano Contains performance markings and changes to the score.

Texts in typescript bound before page 1. For two pianos Marked to highlight the different piano parts. For performer and piano Contains pencil manuscript changes. For solo piano Contains small number of performance markings, including fingerings. Includes a faxed copy sent to or by Mikhashoff 10 July For solo piano Contains performance markings, including fingerings. For solo piano Ink manuscript copy has corrections in white-out fluid; the faxed copy contains several additional markings, including pedal markings and dynamics.

For solo piano Contains performance markings, including durations in seconds for sections. For solo piano Contains corrections in white-out fluid. Unclear if this is an entire work. Written in Mikhashoff's hand. For flute, bassoon, viola, percussion, and piano Contains performance markings in red pencil.

For two pianos Marked throughout with performance markings. December 23, Sold by: Share your thoughts with other customers. Write a customer review. Amazon Giveaway allows you to run promotional giveaways in order to create buzz, reward your audience, and attract new followers and customers. Learn more about Amazon Giveaway. Der Mann mit den zwei Stimmen: Vom Waisenkind zum Star German Edition. Set up a giveaway. There's a problem loading this menu right now. Learn more about Amazon Prime. Get fast, free shipping with Amazon Prime.

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