All the Colors of the Rainbow (The Adventures of Kyra, Cody and Ruby)

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With Luster Theme you can do everything you want. Wordpress theme with idx. Real estate wordpress theme with idx. You can use widgets as: An orphan Lewis Vaccaro has a magical adventure with his eccentric uncle Jack Black, of course and a mysterious neighbor lady a delicious Cate Blanchett! Yes, a hidden clock is involved. Based on the 's kid lit fave by John Bellairs. Treasury during a Category 5 hurricane.

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Since Toby Kebbell, Maggie Grace and "True Blood" alum Ryan Kwanten don't have characters to play, they're reduced to running around in some really terrible weather shouting laughably expository dialogue at each other. The Bruce Lee Story". Apparently those days are long behind him. Press notes describe it as "a gripping reminder of the power of true forgiveness. But it's going to take me a long time to forgive Dennis Quaid and Cloris Leachman for wasting their talents on this tripe. Maybe too much self-confidence: Probably not very p. The nicest surprise is a laugh-out-loud supporting turn from Michelle Williams.

Method could be so funny? It's colorful and fun, but due to the Marvel glut of the past fourteen years, some of the bloom--and specialness--is inevitably off the rose. It's also maybe a half hour. The last indisputably great Pixar movie was 's "Inside Out. Let's hope the title's a promise because this teen horror franchise is now officially running on fumes. Fox," "The Grand Budapest Hotel" Anderson's latest stop-motion animated treasure is brilliantly imaginative, visually resplendent, wryly amusing and effortlessly moving without an ounce of Disney treacle.

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Set in a future version of Japan in which the entire dog population has been relocated to an island waste dump by a cat-loving despot, the film has more heart, wit and, yes, soul than a dozen live-action movies. The vocal casting is wonderful, too: It's another instant classic by Anderson, my favorite contemporary American filmmaker. Needless to say her reappearance causes considerable strain on his relationship with new partner Charlotte Gainsbourg.

Consistently compelling and extremely well-played even if the third act doesn't quite work. The fact that Byrne's longtime boyfriend, Chris O'Dowd, is a super fan of the reclusive rocker just complicates things even further. Bayona of "A Monster Calls" and "The Orphanage" fame , but the thrills remain as mechanical and rote as a second-tier theme park ride.

Chris Pratt confirms my suspicion that he lost "it" after dropping his "Parks and Recreation" weight, getting buff and began headlining generic franchise fare like this and the "Guardians of the Galaxy" movies. Sadly, he's become nearly as tiresome a screen presence as costar Bryce Dallas Howard. KIN--Ex-con Jack Reynor and his adopted kid brother appealing newcomer Myles Truitt are pursued by small-time hood James Franco in first-time directors' Jonathan and Josh Baker's disappointing thriller that combines boilerplate sci-fi with generic action movie tropes. Jordan has little to do but hit their marks.

After an orphaned year-old Charlie Plummer, remarkable rescues the titular ailing racehorse, they embark upon a cross-country journey to reunite with the boy's estranged aunt his only living relative. The tears it earns are both cathartic and joyful. Needless to say daughter Maddie appealing newcomer Molly Gordon is, er, conflicted about having mom on campus. Formulaic, sitcom-y fare made enjoyable, even oddly endearing by McCarthy and an ace supporting cast including Gillian Jacobs, Maya Rudolph and Julie Bowen. Lots of high style, but precious little suspense. LIZZIE--Lizzie Borden buffs will dig this artful biopic about the infamous axe murderess superbly played by Chloe Sevigny whose psychosexual demons and, er, daddy issues contributed to the breakdown that resulted in the bloody deaths of her parents.

Kristen Stewart turns in another solid performance as the Irish maid Lizzie develops a yen for. I'm not sure whether first-time writer-director Russell Harbaugh was going for ersatz John Cassavetes, an American indie Ingmar Bergman pastiche But the result is fascinating, albeit discomfiting to watch and beautifully acted, especially by McDowell who hasn't been this good since 's "Unstrung Heroes," maybe "sex, lies and videotape. A little too slick and glib for its own good, but its heart is definitely in the right place. Nicely acted by Robinson and the always welcome Jennifer Garner as his mom.

Directed by Ol Parker the "Marigold Hotel" movies , this is a rare sequel that actually improves upon the original. For starters, it's better photographed, making the idyllic Greek isle setting actually played by Croatia! And--hallelujah--Meryl Streep is sidelined with an extended cameo: The radiant James pretty much owns the movie, and may very well steal your heart. Oh yeah, Cher sings "Fernando. Do I really need to say anything more? MANDY--Nicolas Cage gives his best performance in years as a grieving lumberjack who goes on a murderous rampage to punish the psycho cult responsible for the kidnapping and murder of his girlfriend Andrea Riseborough.

If the "Fire Walk With Me"-era David Lynch had tackled a vigilante exploitation flick, it might have looked something like this. Director Panos Cosmatos whose previous film, 's "Beyond the Black Rainbow," was equally trippy is the real deal. But this splatterific acid trip of a movie is definitely not for all tastes. Dylan O'Brien has grown in the lead role of Thomas, and has become a formidable action hero in the process. He's the best thing here. Unfortunately, in an attempt to give a series that always prided itself on unpretentiousness--certainly in comparison with, say, the "Divergent" movies--"epic" weight, a certain ponderousness has set in.

It's a too leisurely paced minute sprint to the finish line. Disenchanted bourgeois intellectual Sergio who could have he stepped out of Antonioni's "L'Avventura" is left. Days stretch into nights as Sergio's roaming--both physical. A subplot in which Sergio seduces a working class woman Daisy Granados by promising her a screen test with his movie director friend played by Gutierrez Alea sits a tad uneasily in the "Time's Up" era, but feels integral to comprehending the privileged mindset of someone like Sergio who thinks they're above any legal or societal strictures.

The elliptical editing, which encompasses flashbacks as well as documentary and archival footage, seems borrowed from the memory films of Alain Resnais and anticipates future Nicolas Roeg jigsaw puzzle movies like "Don't Look Now" and "The Man Who Fell to Earth".

The Criterion Collection's digitally restored edition includes new interviews with critics B. From Havana to 'Guantanamerca,'" about Gutierrez Alea's life and career; a audio interview with Gutierrez Alea; interviews with Granados and editor Nelson Rodriguez; and an essay by author Joshua Jelly-Schapiro whose description of "Memories of Underdevelopment" as "an empathetic portrait of an unsympathetic man" perfectly captures the movie's genius.

Not for long, I suspect. Neither Bella Thorne or Patrick Schwarzenegger yes, Ahnud's son can make it even borderline tolerable for anyone old enough to drive. Impossible' movie minus slam bang action setpieces and Tom Cruise look like?

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At least a fat-free minute run insures that it's never boring. Long may he run, jump, dive, pummel, kick The best time I had at the movies last summer. Romero's grassroots zombie trailblazer. Decades before "Get Out," Romero was combining genre tropes with the type of scathing social criticism that would have never been allowed in a more "reputable" mainstream release.

It was truly a "You are Peter and upon this rock I will build my church" moment, even if no one quite realized it at the time. Fifty years later, Romero's movie still has the ability to send goosebumps down your spine--and make you laugh your ass off if you're so inclined. Criterion's 4K digital restoration supervised by, among others, Romero, co-screenwriter John A. Russo and sound engineer Gary R. Streiner insures that this "Living Dead" looks vastly superior to any previous versions: Who and the Daleks" at a neighborhood theater.

The extras are an embarrassment of geek-riches, beginning with "Night of Anubis," a previously unseen work-print edit of the film and an equally rare 16 mm dailies reel. Also included are programs featuring Frank Darabont, Guillermo del Toro and Robert Rodriguez rhapsodizing over Romero's visionary genius, and Russo dishing on the commercial and industrial-film company where he and Romero began their careers.

There are also new interviews with Streiner and producer Russell Streiner; newsreels from ; original trailer, radio and TV spots; and an essay by "Nation" critic Stuart Klawans. It doesn't entirely work--the stop-and-start rhythm built into the material takes some getting used to--but very much worth seeing for the superb performances of Ellen Burstyn, Jon Hamm and Catherine Keener. THE NUN--The fourth horror flick spun off 's "The Conjuring"--joining an official "Conjuring" sequel and two "Annabelle" movies--shifts the action to a 's Romanian convent where a tormented priest Demian Bichir and a tremulous novitiate Taissa Farmiga investigate the suicide of a young sister.

Don't be surprised if demon nun Valak is somehow involved. Pokily paced and thuddingly predictable, it's strictly for the most hardcore fans of this so-so Blumhouse franchise. Sandra Bullock confidently steps into George Clooney's Italian loafers as the mastermind of a jewel heist at the Met Gala.

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Skillfully adapted from Ian McEwan's acclaimed novel, it's a nuanced, intelligent film for adult audiences that deserved to find a bigger audience in theaters last spring. Oscar Isaac and Ben Kingsley topline a solid multi-national cast and their fiercely committed performances help the movie transcend its sometimes halting pace and overlength.

The global refugee crisis comes to Kausimaki's beloved Helsinki when a displaced Syrian Sherwan Haji strikes up an odd-couple friendship with a recently divorced salesman Sakari Kuosmanen who dreams of becoming a restauranteur. An old-fashioned humanist in the tradition of Jean Renoir or Milos Forman, Kaurismaki shows that nuggets of empathy can make even the hardest of hard scrabble existences not only bearable, but maybe even transcendent.

The newly issued Criterion Collection Blu-Ray has less extras than one associates with the Tiffany home video label, but they're choice nonetheless. Included are an interview with Haji; a short film by Daniel Raim based on a essay by critic Peter von Bagh to whom Kaurismaki dedicated the film; press conference footage from the Berlin Film Festival featuring Kaurismaki and the film's stars; music videos; and an essay by critic Girish Shambu. Fitfully amusing thanks to the always welcome Anna Farris as a plucky single mom who gets the upper hand after her pampered moneybags Eugenio Derbez boss experiences a bout of amnesia.

Overlong and silly, but relatively painless just the same.

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Certainly they couldn't have been any worse than charisma and talent-deficient leads John Boyega and Scott Eastwood. Sally Hawkins and High Bonneville return as adoptive "parents" to a twee CGI bear who once again wreaks benign havoc on their proper British household. Small children will love it.

Although it's fifteen minutes shorter than the original, it feels twice as long. The most purely entertaining film by cult British feminist director Sally Potter since 's "Orlando. Strictly for undemanding "faith" audiences who will buy a ticket to anything--and like it, dammit--that. After her husband and daughter are murdered by members of a drug cartel, Garner's character undergoes a metamorphosis that turns her into a one-woman hit squad.

Implausible and even occasionally risible, but Morel's action chops and Garner's innate likability make it an OK time-killer. Ubiquitous, unctuous James Corden voices Peter which is why it sometimes feels like a feature-length installment of Carpool Karaoke. The best movie with "predator" in the title since the Arnold Schwarzenegger original.

Henson plays a mob hitwoman in a junky, thoroughly disreputable genre flick that could have been tailor-made for Pam Grier back in her blaxploitation heyday. Dumb, excessively violent and a thorough waste of Henson's considerable talents.

Yes, that's a thing. Sweet, unstintingly good-natured--there are no villains here: Kransinski stars with real-life wife Emily Blunt as the beleaguered paterfamilias attempting to save his family Noah Jute and Millicent Simmonds are their kids, both excellent from extinction. It ain't gonna be easy. As good as the best M. The ever-affable Johnson plays a primatologist whose favorite gorilla undergoes a top-secret genetic experiment that turns him into a rampaging monster.

Soon, there's an outbreak of giant killer beasts and it's up to the former Mr. Rock to save us all from Armageddon. If you didn't laugh while reading that synopsis, this movie probably isn't for you. For anyone else, it nearly qualifies as "so bad it's almost good. Whether you love or revile her, there's no disputing the fact that Ginsburg is one of the most compelling and significant figures in modern American history.

The film does both her life and legacy Supreme justice. While the movie somewhat overstays its welcome at minutes, a kick-ass Lawrence and the top-notch supporting cast including Joel Edgerton, Matthias Schoenaerts and the sublime Charlotte Rampling insure that it's never boring. REVENGE--Ultra-violent, surprisingly effective thriller about a young woman the statuesque Matila Anna Ingrid Lutz who enacts grisly revenge on the trio of men headed by an unctuous Kevin Janssens who gang-raped her and left her for dead in the desert.

Like Zhao's previous neorealist marvel, "Songs My Brothers Taught Me," the cast is comprised of non-pros essentially playing fictionalized versions of themselves. It's a risky gambit that doesn't always work see Clint Eastwood's clunky "The It's as visually resplendent as your average Terrence Malick movie--and just as besotted with nature and a kind of secular spiritualism--but with more narrative meat on its bones. Like that other boy-and-his-horse story, Andrew Haigh's wonderful "Lean on Pete," it's a humanist masterpiece that deserves to be seen by the widest possible audience.

It's fodder for low-rent cable networks which is where this holier-than-thou bilge belongs. For a better stage-to-screen transfer of the Russian masterpiece, seek out Sidney Lumet's underrated version with James Mason, Simone Signoret and Vanessa Redgrave. That one's a keeper; this iteration is just so-so.

Although the movie follows in the formally restrictive path of former digital thrillers like the junky "Unfriended" movies, first-time director Aneesh Chaganty makes the spatial limitations work beautifully for him. The result is a tense nail-biter that will linger long after you hit the parking lot. Intermittently amusing and good-looking with a solid vocal cast Emily Blunt and James McAvoy reprise their roles as Gnomeo and Juliet, and Johnny Deep voices the titular gnome , it's a movie that grown-ups can watch relatively painlessly with their wee bairns.

Two Knight Ridder reporters Woody Harrelson and James Marsden don't believe the weapons of mass destruction propaganda emanating from the White House and decide to suss out the truth. Seriously; that's the plot. Has all the panache and wit of a basic cable movie your wee bairns would probably turn off after 15 minutes. On the bright side, there's only four weeks to go until "Incredibles 2" opens. Josh Brolin and Benecicio Del Toro reprise their roles as a CIA handler and his most ruthless enforcer, and the film takes an intriguing "Man on Fire" turn when Del Toro's Alejandro rescues the kidnapped year-old daughter Isabela Moner of a cartel kingpin.

Nightshade by Andrea R. Fourteen-year-old Trey Laporte discovers that he is a werewolf, falls in love with a girl who is half vampire, and must battle a powerful vampire who wants to destroy him. While working as a wilderness guide in the national forest where her parents were killed twelve years earlier, seventeen-year-old Kayla is powerfully drawn to Lucas, who she learns is her appointed guardian—and much more—as she discovers her true identity and destiny.

On her sixteenth birthday Claire discovers strange things happening and when her mother reveals their family secret which explains the changes, Claire feels her world, as she has known it to be, slowly slipping away. Having fallen for a human boy, a beautiful teenage werewolf must battle both her packmates and the fear of the townspeople to decide where she belongs and with whom.

Popular seventeen-year-old Celeste finds herself falling in love with a boy from the wrong side of their small, Midwestern town, even though she suspects that he is a werewolf. In all the years she has watched the wolves in the woods behind her house, Grace has been particularly drawn to an unusual yellow-eyed wolf who, in his turn, has been watching her with increasing intensity. These kids have seen zombie movies. They know the rules. Alice Bell must learn to fight the undead to avenge her family and learn to trust Cole Holland who has secrets of his own.

A zombie who yearns for a better life ends up falling in love with a human, in this original debut novel. R is a zombie. He has no memories, no identity, and no pulse, but he has dreams. He is a little different from his fellow Dead. Not just another zombie novel, this is funny, scary, and deeply moving. Ashes by Isla J.

That is, until zombies actually attack the school. B is forced on a mad dash through the serpentine corridors of high school, making allegiances with anyone with enough gall to fight off their pursuers. But when they come face-to-face with the ravenous, oozing corpses, all bets are off. There are no friends. Just whatever it takes to survive. In Texas, Jett, a girl passing as a boy while seeking her long-lost twin brother, joins forces with Honoraria Gibbons, an inventor, and White Fox, a young Army scout, to investigate a zombie army that is terrorizing the West.