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Adapting philosophy: Jean Baudrillard and The Matrix Trilogy

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Adapting Philosophy Jean Baudrillard & the Matrix Trilogy

You already recently rated this item. Your rating has been recorded. Write a review Rate this item: Preview this item Preview this item. Jean Baudrillard and the matrix trilogy Author: Manchester, UK ; New York: Distributed in the United States exclusively by Palgrave Macmillan, English View all editions and formats Summary: This study looks at the ways in which 'The Matrix Trilogy' adapts Jean Baudrillard's 'Simulacra and Simulation', creating its own distinctive philosophical position.

It offers a new methodology for inter-relating philosophy and film texts, focusing on the conceptual role played by imagery in both types of text.

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  • Adapting Philosophy Jean Baudrillard & the Matrix Trilogy.
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Internet resource Document Type: Catherine Constable Find more information about: This book draws on adaptation theory and feminist philosophy in order to create a fresh methodology for interlinking philosophical and filmic texts. Reviews User-contributed reviews Add a review and share your thoughts with other readers.

Wednesday, 11 March 2015

Add a review and share your thoughts with other readers. Jean Baudrillard and the matrix trilogy". Similar Items Related Subjects: Philosophy in motion pictures. Influence Literary, artistic, etc. Baudrillard, Jean -- Influence Matrix -- Motion picture Matrix reloaded Matrix revolutions Philosophy in motion pictures User lists with this item 3 Mine 60 items by kcronin updated Linked Data More info about Linked Data.

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Jean Baudrillard and the matrix trilogy. The way forward, Constable argues, starts from an understanding that the key link between philosophical and filmic texts is not argumentation but figuration, which is crucial for articulating a more expansive sense of adaptation. Considerable effort is spent tracing Elliot's argument that while structuralist semiotics has broadened the notion of textuality to incorporate film and other image-based media, it still preserves a separation of graphic and iconic signs in relation to which thought gets excluded from the perception of images.

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She turns instead to the interrelation of metaphor and metonymy within Christian Metz's cine-semiotics to challenge the separation of thought and perception within film experience. Her reading of Metz is insightful If you would like to authenticate using a different subscribed institution that supports Shibboleth authentication or have your own login and password to Project MUSE, click 'Authenticate'.

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