Kathryn Bigelow: Interviews (Conversations with Filmmakers Series)

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Kathryn Bigelow : interviews

You also may like to try some of these bookshops , which may or may not sell this item. Separate different tags with a comma. To include a comma in your tag, surround the tag with double quotes. Skip to content Skip to search. Home This edition , English, Book edition: Check copyright status Cite this Title Kathryn Bigelow: Author Bigelow, Kathryn, interviewee. Other Authors Keough, Peter, , editor of compilation.

Women motion picture producers and directors -- United States -- Interviews. Women motion picture producers and directors. Since then she has also filmed history with her latest movie, which is about the mission to kill Osama Bin Laden. She is one of Hollywood's brightest stars, but her roots go back four decades to the very non-Hollywood, avant-garde art world of New York City in the s. Her first feature The Loveless reflected those academic origins, but subsequent films such as the vampire-Western Near Dark , the female.

Kathryn Bigelow: Interviews

Includes bibliographical references, filmography and index. Available via World Wide Web. Other Form Online version Bigelow, Kathryn. View online Borrow Buy Freely available Show 0 more links With access conditions Red Deer College Access at http: She is one of Hollywood's brightest stars, but her roots go back four decades to the very non-Hollywood, avant-garde art world of New York City in the s.

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Her first feature The Loveless reflected those academic origins, but subsequent films such as the vampire-Western Near Dark , the female vigilante movie Blue Steel , and the surfer-crime thriller Point Break demonstrated her determination to apply her aesthetic sensibilities to popular, genre filmmaking. The first volume of Bigelow's interviews ever published, Peter Keough's collection covers her early success with Near Dark ; the frustrations and disappointments she endured with films such as Strange Days and K The Widowmaker ; and her triumph with The Hurt Locker.

In conversations ranging from the casual to the analytical, Bigelow explains how her evolving ambitions and aesthetics sprang from her earliest aspirations to be a painter and conceptual artist in New York in the s, and then expanded to embrace Hollywood filmmaking when she was exposed to renowned directors such as John Ford, Howard Hawks, Don Siegel, Sam Peckinpah, and George Roy Hill. BlackLeather Director in a Business World.

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Write a review Rate this item: Preview this item Preview this item. Kathryn Bigelow ; Peter Keough Publisher: University Press of Mississippi, [] Series: Conversations with filmmakers series. English View all editions and formats Summary: Since then she has also filmed history with her latest movie, which is about the mission to kill Osama Bin Laden.

She is one of Hollywood's brightest stars, but her roots go back four decades to the very non-Hollywood, avant-garde art world of New York City in the s. Her first feature The Loveless reflected those academic origins, but subsequent films such as the vampire-Western Near Dark , the female. Allow this favorite library to be seen by others Keep this favorite library private. Find a copy in the library Finding libraries that hold this item