Cent vies et des poussières (LITTER GENERALE) (French Edition)
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May, Roger et Bazal, Jean. Aux urnes, les ploucs! Jean Sendy et Raoul Amblard. Louedec et Raoul Amblard. Du bromure pour les gayes. De poil et de poudre. France-Marie Watkins et Marcel Duhamel. Le Marteau de Thor. Au pied du mur [ r. Une tigresse dans le moteur. Marcel Duhamel Avant-propos de Marcel Duhamel.
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Assignment - Black Viking! Un chouette petit lot [ r. A Parade of Cockeyed Creatures, or did someone murder our wandering boy? Grabuge [ 3 ]. La Bigorne [ 4 ]. La Rouquine aux sommiers. Les Fous de Hong-Kong. Deuil dans le coton [ r. Kennedy-Martin, Troy et Wlaskin, Ken. Laissez bronzer les cadavres! Trent, Bill et Karpis, Alvin. Manchette, Jean-Patrick et Sussman, B. L'Homme au boulet rouge. L'Ange aux ailes de plomb. Craig, Jonathan et Posner, Richard.
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Fais pas le clown! Westlake, Donald et Brian Garfield. Spilken, Aron et O'Leary, Ed. Le Pigeon du Faubourg. Bialot, Joseph et Courchay, Claude. Le Boucher des Hurlus. Le Chien de Montargis. Oppel, Jean-Hugues et Dorison, Philippe. Au bonheur des ogres. Martens, Michel et Bastid, Jean-Pierre. La Maldonne des sleepings. Eh bien, chantez maintenant! Meurtres pour de vrai [ 11 ]. Je m'appelle reviens [ 12 ]. Queijao, Rique [ 13 ].
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Les Treize Morts d'Albert Ayler [ 15 ]. Daniel Lemoine et Patrick Raynal. Schlink, Bernhard et Popp, Walter. Gatos de azoeta et Una baldosa en el valle de la muerte. Le Roi du K. Michel Goldman Avant-propos de Maurice G. Patrick Kermann et Olivier Mannoni. Brume de printemps [ 17 ]. Saint George, Joyce et Chase, Linda. For the Scilly Isles had been sighted. But imperceptibly the cottage smoke droops, here the look of a mourning emblem, a flag floating its caress over a grave. The gulls, making their broad flight and then riding at peace, seem to mark the grave.
No doubt if this were Italy, Greece, or even the shores of Spain, sadness would be routed by strangeness and excitement and the nudge of a classical education. But the Cornish hills have stark chimneys standing on them [. And what can this sorrow be? Only half a sentence followed ; but these half-sentences are like flags set on tops of buldings to the observer of external sights down below. What was the coast of Cornwall, with its violet scents, and mourning emblems, and tranquil piety, but a screen happening to hang straight behind? There she stood, shading her eyes and looking out to sea.
The picture papers were delivered punctually on Sunday. The rooks settled; the rooks rose.
The moss was soft; the tree-trunks spectral. Beyond them lay a silvery meadow. The pampas grass raised its feathery spears from mounds of green at the end of the meadow. A breadth of water gleamed. Already the convolvulus moth was spinning over the flowers. Orange and purple, nasturtium and cherry pie, were washed into the twilight, but the tobacco plant and the passion flower, over which the great moth spun, were white as china.
Two or three figures crossed the terrace hastily in the dusk.
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The door opened and shut. Nothing settled or stayed unbroken. Like oars rowing now this side, now that, were the sentences that came now here, now there. Then Mrs Durrant got up and passed down the room, holding herself very straight, and the girls in yellow and blue and silver gauze followed her, and elderly Miss Eliot in her velvet. Durrant sat in the drawing-room by a lamp winding a ball of wool. Clutterbuck read the Times.
In the distance stood a second lamp, and round it sat the young ladies, flashing scissors over silver-spangled stuff for private theatricals. Wortley read a book. Jacob came out from the dark place by the window where he had hovered. The light poured over him, illuminating every cranny of his skin; but not a muscle of his face moved as he sat looking out into the garden. In any case life is but a procession of shadows, and God knows why it is that we embrace them so eagerly, and see them depart with such anguish, being shadows.
They looked at the night, which was the same as the London night, only a good deal more transparent. The wind was off the sea. And all the bedroom windows were dark … whereas in London at this hour they were burning Guy Fawkes on Parliament Hill. The oval of the face and hair hung beside the fire with a dark vacuum for background.
As if dazed by the glare, her green-blue eyes stared at the flames. Every muscle of her face was taut. There was something tragic in her thus staring — her age between twenty and twenty-five. Venerable are letters, infinitely brave, forlorn and lost. And the notes accumulate. And the telephones ring. And everywhere we go wires and tubes surround us to carry the voices that try to penetrate before the last card is dealt and the days are over [. The light from the arc lamp drenched him from head to toe. He stood for a minute motionless beneath it.
Shadows chequered the street. The light drenched Jacob from head to toe. You could see the pattern on his trousers; the old thorns on his stick; his shoe laces; bare hands; and face. It was as if a stone were ground to dust; as if white sparks flew from a livid whetstone, which was his spine; as if the switchback railway, having swooped to the depths, fell, fell, fell. This was in his face. But words have been used too often ; touched and turned and left exposed to the dust of the street.
The words we seek hang close to the tree. We come at dawn and find them sweet beneath the leaf.