Der „Vanitas“-Gedanke und die Lyrik des Barock: Interpretation ausgewählter Werke (German Edition)

Petrus Chrysologus Chrysostomus, J. Coleman, Julie Colie, R. Connington, John Coornhert, D. Coster, Samuel Couch, J. Croiset van Uchelen, Ton Cross, F. Dams, Tom Damsteegt, B. DeRose, Steve Derudder, G. Dethoor, Brigitte Dibbets, G. Duerloo, Luc Duff, J. Feltham, Mark Ferguson Smith, M.

Feuille, Daniel de la Fischer, P. Francq van Berkhey, J. Freeman, Rosemary Freese, J. Freytag, Hartmut Friedrich, O. Goya y Lucientes, Franciso Graaff, F. Grijp, Louis Peter Groenendijk, L. Grove, Laurence Gruys, J. Guthrie, Jean Haak, B. Haeften, Benedictus van Haecht Goidtsenhoven, L. Henkel, Arthur Hense, O. Herbert, George Hercher, R. Herodotos Hesiodus Hesius, G. Hugo, Hermann Hugo de St. Victor Huisstede, Peter van Hunger, H. Janson, Carol Janson, H.

Thomas a Kempis Ker, W. Killy, Walther King, J. Kircher, Athanasius Kirchner, G. Klossowski de Rola, S. Knott, Betty Irene Knuvelder, G. Koppenol, Johan Koster, A. Landwehr, John Lang, C. Langius, Josephus Langlois, P. Lebey de Batilly, D. Ledesma, Alonso de Lee, R. Livius Lodensteyn, Jodocus van Loenen, D. Michelspracher, Steffan Miedema, H. Mieris de Jonge, Frans Mignault, C. Milde, Wolfgang Miller, W. As opulent as they first appeared, these knowingly delusional images carried a whiff of emptiness and decay, in the artistic tradition of vanitas.

Within each elaborately constructed arrangement lurks a note of subversive surrealism in the form of objects representative of contemporary consumer society: LaChapelle told me that he was born in Fairfield, Conn. His ancestors were Protestants who fled persecution in France in the 17th century to freedom in Canada. The way they embraced life was so different from anything I experienced. Some years ago at the height of his fame as a fashion photographer, David LaChapelle had a brush with mortality and began to question his life, which had taken him from the wilds of Fairfield, Connecticut, in the s, to the New York of Studio 54 where he met Andy Warhol along his path to become an artist during the s, to being the go-to guy for Interview, Vogue, Tank, I-D and countless other magazines, with a number of important books including the influential LaChapelle Land and Hotel LaChapelle , as well as innumerable gallery and museum shows.

Qui, per esempio, sono diventato vegetariano, mangio verdura, uova, e soprattutto frutta: Your new body of work features photographs of baroque flower arrangements. As someone who became famous photographing people, what draws you to this surprising new genre? Every object and even certain flowers carry symbolic meaning. A line stretched out of the gallery at Fred Torres Collaborations but it wasn't for Madonna. David LaChapelle's new photography show, "Earth Laughs In Flowers," is devoid of the celebrity images that made him famous.

The painterly photos feature Baroque flowers surrounded by modern disarray such as pill bottles, cigarettes and cellphones. LaChapelle is a great fan. Fab 5 Freddy was happy to celebrate his old friend. The pair met on Mr. LaChapelle's first paid assignment as a photographer, when he was asked to photograph the graffiti artist. The staff had hung the last of his large-scale, still-life Baroque-style flower photographs minutes before his arrival and LaChapelle walked around the room slowly, nodding in approval. His flowers are wilting, some poisonous. His portraits of everyone from Madonna to Hillary Clinton were mainstays on the magazine rack, and then—poof—after years of unparalleled success and the release of a highly acclaimed documentary in , he seemed to disappear from the public eye altogether.

I bought a acre farm in the jungle in Maui and lived there with two friends and some pigs. I needed to change my life. Last night, the art crowd gathered at the Fred Torres Collaborations gallery for Earth Laughs In Flowers, a new exhibit of still life photographs by famed photographer, David LaChapelle. At first glance, the photos feature expansive and lush flowers reminiscent of paintings by the Dutch Masters but, upon closer inspection, elements of LaChapelle's signature blend of wealthy excess and the grotesque are present: LaChapelle, who famously quit shooting fashion for magazines and moved to Hawaii in at what some might say was the peak of his influence, has clearly not lost any admirers.

Press - David LaChapelle

The packed gallery had people spilling down the stairs and into the street where a long line waited to get in PAPERMAG had the chance to talk to LaChapelle about his exhibit, about his decision to move off the grid and buy a farm in Hawaii and what he'd do if he got a call to photograph Newt Gingrich. I ask if with the Earth Laughs In Flowers series he is scoping out a new direction in his fine art career. Baroque still lives were what happened to inspire me at that moment.. As well as exploring the interplay between the medium of photography and the old master paintings.

I've always had three prayers -- and they were answered: His deep thoughts are perhaps surprising given that LaChapelle's photography has in the past been dismissed by critics as superficial and materialistic. Did that annoy him? With a little distance you can see that [the photographs] were about the choices America was making at the time. It wasn't condemning, it was done with humour and beauty. Titled Earth Laughs in Flowers, this exhibition consists of 10 works of different dimensions, glazed C-prints shot from to , which revisit the foundations of seventeenth-centrury art, in particular the Flemmish tradition, but also, for example, the mastery of Mario "de' Fiori" of the Roman baroque period and his floral still life.

David LaChapelle has given life to opulent images, rich with brilliant, vibrant colors, which appear to be elsewhere, filtered, misty with a vanitas surface sensation, a meditation on the natural disintegration of things. Rich floral compositions of roses, mega-colorful baroque-looking tulips, lilies and calla lilies, which, in their own right, turn into convectors of the history of painting, dancing between their own beauty and the melancholy necessity of death.

Where are these men? Asleep beneath their grounds: And strangers, fond as they, their furrows plough. Earth laughs in flowers, to see her boastful boys Earth-proud, proud of the earth which is not theirs; Who steer the plough, but cannot steer their feet, Clear of the grave. The ten large-scale images, titled 'Earth Laughs in Flowers', will additionally be on display in Milan and at the St. Moritz Art Masters festival this month. Arrivano freschi freschi da Los Angeles, saturi di colore e di dettagli - protesi, sigarette, flebo e carta igienica - i fiori con cui David LaChapelle definisce la sua sterzata.

Per esempio ora, prima di affrontare il debutto dei suoi bouquet con un tour in Europa.

What was your inspiration for this collection? The title [of the collection] comes from a line of a Waldo Emerson poem. The earth gives back in flowers. Everyone was expecting slightly pretentious extravagance. Every one was nicely surprised. Lachapelle was very much himself. Humble, funny, immensely cultivated, he shocked everyone! At the end of his interview, he showed us the making of his Pieta. When spectators realized there was NO photo manipulation involved, he triumphed! I was beginning to think the art crowd was slipping, losing something, maybe drying up.

Everyone looked just the opposite: People were bandying their imaginations about and their art observations as well. No vapid spine-chilling trendies here, these were good-looking art-worlders. It struck me that here truly was the young avant-garde. So the crowd was here, and the art? That was here too. In Earth Laughs In Flowers David LaChapelle appropriates the traditional Baroque still life painting in order to explore contemporary vanity, vice, the transience of earthly possessions and, ultimately, the fragility of humanity.

This last effect is exacerbated by a tortuous disorderliness overwhelming the composition. The resulting photographs achieve a painterly, almost sculptural quality, thereby challenging the traditions of painting. Whether you consider his extravagant celebrity portraits, fashion shots and elaborate tableaux to be works of imaginative virtuoso or over-the-top kitsch, they can often be as compelling as a car crash - a recipe for success that Warhol knew very well.

His work has exerted an influence on dozens of other artists and over time, LaChapelle has evolved a style entirely his own, one which is recognizable at first glance. In the context of his exhibitions, the present show, entitled Thus Spoke LaChapelle and held at Galerie Rudolfinum in Prague, occupies a unique place. It is the first fully representative retrospective of his work, as it includes also his early works from the mids.

Still, the emphasis is largely on work created in recent years, when LaChapelle all but retired from fashion and advertisement commissions in order to revisit his artistic premises and independent work.

• Inprisoned in the Golden City (Trailblazer Books Book 8)?
• martin luthers kindheit wikipedia.
• St. Jimmy!

The present exhibition includes all major works from this stage of his career, including the monumental pieces The Deluge and The Raft of Illusion Raging Towards Truth But throughout the press event, he expressed a desire to start over. For a world famed artist, LaChapelle follows a rather simple and humble work philosophy. He finds that unconsciously — being in the right place at the right moment, inspiration just comes. To call his work provocative is almost a cliche now, but the artist never sets out to shock or upset people. He called it a hollow motivation that produces shallow art.

This exhibition will feature his recent artworks such as The Raft of Illusion, the site-specific installation Chain of Life and his most recent work, Gaia. NPG director Sandy Nairne said he was "delighted" to receive the work, which is now on display in the gallery. The portrait was shot at Hedingham Castle in Essex in and shows McQueen dressed as a woman, brandishing a flaming torch.

Both subjects were dressed in clothes designed by McQueen, while Blow was also wearing a Philip Treacy hat. At the time of the shoot McQueen, who passed away last year, was just 27 years old and had recently debuted his first couture collection for the House of Givenchy. Blow, 38 at the time of the shoot, was largely credited with discovering McQueen.

Both are wearing creations by the designer himself, with Blow sporting a Philip Treacy hat. David LaChapelle began his successful career as a professional photographer for Interview magazine, the publication founded in by Andy Warhol who discovered LaChapelle. Prior to being scouted, he had been exhibiting his work in New York City galleries, following a stint studying at the North Carolina School of Arts.

At Interview, LaChapelle began shooting the stars of the day, capturing on film some of the most famous faces of the times. A lot of Christians might feel shocked when they first encounter the work of David LaChapelle. They get angry when you use pop imagery the things that are accessible to talk about anything other than the completely superficial. And you know what? And I will keep doing it. What exactly is beauty?

It's impossible to define in any succinct way; beauty means different things to different people, cultures and eras. My friend and editor-in-chief of Vogue Australia, Kirstie Clements, is constantly pushing and redefining the notion of beauty. To me, it's Vogue's unofficial MO. Kirstie introduced me to the concept of "beautifully grotesque," a term coined in what has become one of my favourite coffee table tomes, Extreme Beauty in Vogue Skira , which looks at some more challenging notions.

At Lever House, LaChapelle comes full circle, with an installation that resurrects work addressing the AIDS crisis from his Liguori show, while mixing it with his current interest in contemporary allegories. Chain of Life links 14, torn-and-stapled photographs of nudes, shifting from shades of light to dark red, as hanging chains that traverse the room. Constructed by cutting, tearing and gluing staged photos together with found materials, The Raft—along with the other works in this crafty show—reveals LaChapelle at his creative best.

But this show has none of those flashy, sexy portraits; instead, it involves taking the human body and re-imagining it in different forms. The installation is playful, fun, and just a little bit naughty — and it brings a bit of downtown edginess to this otherwise bland corporate office space. Transcending Form Enchants at Theatre 80 Those who love the fusion of dance, song, and art will be thoroughly enchanted by Transcending Form a new dance work by choreographer John Byrne featuring the artwork of edgy photographer David LaChapelle. Sprinkled throughout the theatrical journey are soulful live vocal performances by Gina Figueroa and the James Solomon Choir.

The dance fable, which blends old form with new, is both energized and sensual. Its cast is as diverse as its East Village audience at Theatre 80 lending to its sincerity and appeal. He's had Courtney Love pose as Mary Magdalene and pictured the late Michael Jackson as a martyr, visions that have helped David LaChapelle's catapult from struggling artist to world famous photographer. He's also injected his signature style into music videos directing them for artists such as Jennifer Lopez and Christina Aguilera although his flirtatious explorations of pop culture, fashion and religion haven't pleased everyone.

Critics slammed his depiction of Kanye West as a black Jesus and he stirred up controversy with his Lolita-like take on a young Britney Spears. That didn't stop this prodigy of Andy Warhol shine away from a challenge. In , LaChapelle's talked photographed the video and financed his own documentary about the dance craze cramping in South Central Los Angeles. LaChapelle has produced Mr. Byrne has created a structured improvisation piece at Lever House, home to an exhibit of Mr.

We talked to Mr.

Vanitas, Memento Mori Und Carpe Diem in Der Lyrik Des Barock

LaChapelle about their new works, their collaboration and the melding of dance and art. He considers Lee a particularly potent symbol, given the way he transcended cultural barriers to become an international star. An attempt to transition from commercial success to greater recognition in the art world. Over the last 25 years, Mr.

LaChapelle has become renowned for glossy, sexed-up magazine portraits of stars from Brooke Shields to Lady Gaga. Doch es sollte alles ganz anders kommen. Doch zum verabredeten Zeitpunkt ist der Fotograf einer Wurzelbehandlung wegen beim Zahnarzt. David LaChapelle was the High Priest of celebrity photography for almost two decades.

So why has he turned his back on fame and fashion to explore death, disaster and the end of times? Why are you so distinctive? I blew up colour at the same time grunge took over; all this black and white, people looking depressed, whereas I just exploded with colour. I loved grunge, but I just wanted to be different.

Sometimes I wanted to be funny and put celebrities in strange situations; other times there was something inside my head that I wanted to put in my work. You only show in galleries now. The Raft is currently exhibiting in Hong Kong, but is there a direct link between this and your earlier work, Deluge? Yes, The Raft is chapter two in the narrative.

But the rising number of galleries taking part — now at — is not the only reason that is turning out to be a watershed year. Internationally, the owners of Art Basel are now majority stakeholders in the Hong Kong event, it was announced at the start of May, a turn that promises to give the fair more prominence. Locally, ART HK, which opened to the public on Thursday, has spread beyond the confines of the exhibition and convention center.

The large number of outside events has created for a first time what feels like a real citywide art week. Ils ne se posent pas de questions sur la passion de leur papa. Wem das nicht reicht, der kann bei LaChapelles zweiter Serie gleich weitermachen: Alles ganz normal — bis auf die klassische Darstellung der Jesusfigur mit leuchtender Aura. Leonardo trifft Jesus Christ Superstar. Ist das nun Inspiration? Vielleicht sollte sich Karl Theodor zu Guttenberg die Ausstellung besser nicht ansehen.

He believes that his mission to show beauty in everyone can sometimes be thwarted when celebrities turn out to be unpleasant. Lately, though, he says he has found a mental trick in the pages of a book written by a former prostitute. She was asked how she made herself have sex with physically repulsive people and her technique was to look for the one nice thing about them, even if it was their shoes, he says.

The Photographer of the Illusion. Reinterpreting his fashion and commercial works as well as the popular culture, the American artist David LaChapelle is being defined as the naughty boy and illusionist of photography after Newton. He is creating identity out of objects and object out of identities. What is more, LaChapelle is famous for creating portraits of celebrities with the themes; fear, death, existence and belief.

Since he has been awarded several times as the best photography artist of the year and his exhibitions have been held in many countries, from New York to Berlin, from China to France. The late Jackson was clearly the king, but all he had to work with was his own wacky self. LaChapelle, by contrast, commands an Olympian cast of characters, often in outlandishly erotic costume or no costume at all , disporting on blazing sets that marry Bollywood and the Bible with a bit of the Parthenon thrown in for good measure.

From Martin Scorsese to Peter Doing, film-makers, photographers and artists explain how Caravaggio's prophetically cinematic paintings inspired them. It's like when [fashion designer Alexander] McQueen came on the scene, everything else [in the fashion world] suddenly looked old. Jackson is represented in different photos as a biblical martyr. Was that Snookie or just a drag queen dressed like Snookie? Just like on the Jersey Shore, in Mr. LaChapelle's universe, pretty much anything goes. The year-old LaChapelle spoke passionately the other day about growing up gay, Catholic and suicidal in Fairfield, Conn.

Twice he burst into tears recounting the trials of the King of Pop, whose first name he has tattooed on a ring finger. Although they hadn't met, the two had mutual friends. This spring, the focus is on the Italian Renaissance. Three quite exceptional exhibitions offer the visitor a textbook analysis of a period that is so often appealed to but still uniformly misunderstood. Oh, to live the life of David LaChapelle.

Ever since he ran away from his strict upbringing in Connecticut at 14 to live it hard and fast in New York with Andy Warhol and the Studio 54 set, it's been a rollercoaster ride of gay sex, drugs and rock 'n' roll. He's shot more than covers for Rolling Stone magazine and worked with almost every celebrity misfit and music icon that popular culture has given us. Stories of his epic partying, not to mention his stint as a rent boy and his three mental-institution sojourns, only add to the legend. This new exhibition, a collection of satirical photographic tableaux centered on religion, corruption and exploitation, consolidates the more message-driven and artistic direction his work is taking.

David LaChapelle, the commercial photographer and pop video maker, wants to get away from the kitsch jokiness that made his reputation, and move on to something more socially aware. And, buoyed by sales of his prints at auction and good showings at art fairs in recent years, he wants to expand away from advertising and editorial work into the world called art.

This London exhibition is one of the first based on this new ambition. Over a year career, David LaChapelle has carved a name for himself as an enfant terrible of pop culture photography. The cutting, acerbic wit and layered symbolism in his celebrity portraiture, fashion and advertising images is seen as a bolt of honesty—albeit a glamourised and high-gloss one—in an industry known for its false vision of reality. Car en LaChapelle est en pleine mue. It is one of the many public installations that will be on display during the Scotiabank Contact Festival that opens on Saturday.

She wanted to film a subway scene with people running out. I was offered Juno but turned it down. Of the artists and photographers working today, they don't come more in your face, more unapologetically trashy, more instantly recognisable than David LaChapelle. The self-anointed "Fellini of photography" is known as a bold recorder of our times, an artist who fuses the perceived glamour of contemporary celebrity with the physicality and complex compositions of the Italian Renaissance artists.

Martin Luther -

Full of sly humour, his photographs both celebrate and subvert the notion of fame. With their staged artificiality and surrealist flourishes, some teeter in the brink of tastelessness while others deliberately turn your stomach. The latest work by David LaChapelle, the superstar godfather of high-camp portraiture, is a serious artistic take on global politics. Of all the glittery images in the celebrity pantheon, photographer David LaChapelle's have long been the best examples of over-the-top kinky glam.

In the past two decades, he's snapped everyone who is anyone in luxuriantly lurid and deliciously rude set-ups where clothes seem to fall as the colors are turned up. In , LaChapelle made a dramatic break from the fashion and celebrity scenes, moving to Maui where he renovated a former nudist colony compound, turning it into his private sanctuary. Here he has pursued his fine art work, despite doubts that that arena would accept someone with his background. As influences, I draw on all great artists, from Michelangelo to Michael Jackson. In a recent photograph I depicted Jackson as an angel because he was a modern-day martyr.

An innocent artist persecuted in a televised, modern-day witch hunt. The first advertisement that made an impression on me was "Plop, plop, fizz, fizz, oh, what a relief it is: I got into advertising because I was really trying to be independent and it was a step. Showing in galleries didn't pay my bills at the time. I don't feel that working on an advertising campaign compromises my art. On the contrary, it can be so invigorating and energizing for myself and my studio; a good ad job is exciting. So when we met up with the American photographer in Beijing, where he was preparing for an exhibition of his work at the Today Art Museum June , we expected someone a bit flashy and, well, frivolous.

Instead, we got deferential and, well, down-to-earth. Maui, to be exact People were awful to him, they hounded him to death. He thinks out loud, incapable of or uninterested in keeping secrets: We met to talk about the newly released Michael Jackson picture, the first of a trilogy, but we were talking about Andy Warhol. I saw him actually painting in those days, taking up a brush, painting The Last Supper. In the picture of Las Vegas [Sin City], people know that time is out and death is imminent, but they are all helping each other.

Their animal instincts aren't coming forward, there's empathy and love. It could be a metaphor for our times and a symbol of hope, or it might seem like blasphemous pornography. Some may wonder whether it's pop culture or high art, and many will go through David LaChapelle's exhibition, which opened in Dublin last night, picking out the famous faces appearing in scenes that seem to have sprung from Renaissance paintings by way of Vogue.

The centre piece is Deluge, a reworking of a section of Michelangelo's Sistine Chapel ceiling, but in LaChapelle's version it's a modern day cataclysm visited on the Gomorrah that is Las Vegas. All this in an electrified palette of gold, scarlet, hot pink and turquoise. LaChapelle, his trucker hat twisted sideways as he reached into a gallon-sized jar of honeycomb, harvested from a nearby beehive.

Burnt out after two decades in the world of fashion photography, where he became famous for his surreal portraits of pop stars like Pamela Anderson and Britney Spears, the Warhol disciple called it quits, left his homes in New York and Los Angeles and purchased an acre former nudist colony here on the Wainapanapa coast, a woodsy piece of land overgrown with bramble and teeming with mosquitoes.

He spent much of his first three rainy months staring up at the sky in the Italian marble bathtub he had installed outside his cabin, nestled in a jungle of ferns, dragon-fruit plants and night-blooming jasmine. Uno dei motivi di questo successo lo storico di fotografia Gerry Badger. Puis, il est devenu photographe. In the main room stands a fantastical pop-up mural showing LaChapelle's own version of apocalypse: Walking us through the exhibition, Lachapelle describes the new work, Decadence: The insufficiency of All Things Attainable , as "anti-commodity art".

He nods towards another series, The Crash , four supersized photographs, each printed on mounted cardboard. They display damaged American cars stacked on top of each other, each with a similar title: His latest work, he says, is "inspired by the idea of negative money. I'm taking this as a chance and an opportunity to say something. But one of my points is that the world of commerce and art have become intertwined at this moment in time—so the subject matter I am dealing with is just the reality of now.

I want to communicate and impact people. But, with my work, there are details and subliminal messages that you would not find in those places. My newer work is much more layered. LaChapelle spent two decades recording pop culture, mirroring it back to itself before flipping the genre on its head and taking a shot from that angle. The show is David LaChapelle's. LaChapelle is a photographer and filmmaker and also, an artist I suppose, whose meat and potatoes is American celebrity. He favors props, fantasy, and eye-popping saturation. He likes punchily outlining figures and making them prop forward in the landscape in a way that oddly recalls the Orientalist in Manet.

He doesn't fear controversy or taboo he shot the musician Kanye West in a crown of thorns for the cover of Rolling Stone magazine two years ago, and that image has been recast here, inches tall. Il a tout dit. With the publication of Heaven to Hell — the third book of a trilogy — and his recent move to Hawaii, LaChapelle has now announced a clean break with his past.

Refusing to work any longer within the commercial framework of celebrity and fashion photography, he intends to focus on personal work and gallery exhibitions instead, beginning with several current and upcoming shows in Berlin, New York, Buenos Aires and Milan. At 38, David LaChapelle is just at the beginning of a new career. Incluso se enfadan si introduces significados, dobles sentidos o contenidos subversivos en las fotos.

Yo siempre intento que haya una narrativa en mis fotos. La moda siempre gira entamo a un cierto tipo de imagen, se trata de vender ropa, tiene que ser una imagen hermosa pero no debe provocar, o hacerlo solo de un determinado modo preestablecido. Lo contrario supone meterse en problemas, y eso es lo que yo suelo intentar. Ich habe die letzten 15 Jahre in Flugzeugen verbracht. Damit bin ich jetzt durch die Bilder, die Sie hier sehen, sind aus freien Stucken entstanden. Sie sehen hier meine Welt der Ideen.

Keine Werbung kaum Redaktionelles. Je vie une renaissance. You can spot a David LaChapelle photograph at 20 paces: They look like the product of a deranged, albeit incredibly talented, child let loose with some tins of paint and a load of top-shelf magazines. Over the past two decades, the former East Village club-kid-turned-photographer-turned-director has done just that.

Legendary for his Technicolor Wizard of Oz-meets-Fellini photographic transmogrifications of pop idols from Pamela Anderson to Tupac Shakur, LaChapelle has naturally segued into big-budget music videos over the past few years. Along the way, he became a multimedia sensation, jetting around the world, garnering accolades for his videos with artists such as Gwen Stefani, Britney Spears, Christina Aguilera, and Moby.

Hij hees Courtney Love voor een van zijn foto's in een doorschijnend jurkje en smeerde Uma Thurman vol met lipstick. Collegafatograaf Helmut Newton omschreef LaChapelles werk als een humoristisch, absurdistisch en surrealistisch spektakel. The interview was moderated by blogger and radio host Kate Sullivan, who e-mailed BB the morning after to say: I know you want this to really be a conversation between them, but I didn't quite work out that neatly". While the Declare Yourself campaign ventures far into the territory of hipdom, using not just celebrity performers in its ads but David LaChapelle, the fashion photographer, to shoot and direct them, its creators said they were not trying to play the cool card.

The video, directed by the fashion photographer David LaChapelle, was clearly supposed to stir up controversy and add another chapter to the continuing Britney-vs. Dorff may not look exactly like Mr. Timberlake, but the demeanor, and certainly the tumult, are familiar. In the toilet a boy is crying quietly under the sink. The brainchild of LaChapelle, Elton's new video is a kind of flipside to last year's "This Train Don't Stop There Anymore", in which Justin Timberlake, as the young Elton, circa , moves in slow motion through celebrity strewn backstage corridors, his lips in sync with Elton's voice.

Always elaborate with his set design, for Style, LaChapelle hired an army of extras and special-effects artists to re-create different death scenes. An accident victim passes away in the back of an ambulance and a terminally ill patient finally loses the battle for life. Rising serenely above the chaos of watch death scene is the soul ascending, depicted as a beautiful woman clad in white.

A LaChapelle photo shoot is a production, and so, apparently, is a LaChapelle life. His entire crew, including Kristen Vallow, his set designer, his studio manager, agent, favorite art directors, wranglers, muses -- their friends and relatives -- have all assembled at one of the chateau's most remote and desirable Modernist cottages to hang out, talk, smoke, talk some more, get made up, run around, carry things, talk and fuss over the makeup artist Sharon Gault's baby, nicknamed Peanut.

Amanda Lepore, whose flawless transformation from male to female is almost incidental to her voluptuous lips, is here from New York, along with Princess Zoraya Armen Ra , who is learning to play the theremin. The actor Tobias Maendel is lounging around in blue jeans and aviator glasses, looking like a mid's hustler. Amy Dinkins, an opera singer, is running scales. The landscape designers Andrew Cao and Stephen Jerrom are pouring ground and tumbled shards of colored glass to make glittering walkways in the yard.

Eric and his assistants are putting the final touches on the fake-real food. And Drea De Matteo, an actor from "The Sopranos," is holding court on one of the lawn settees, looking like a cross between a biker chick and a young Farrah Fawcett. For an actor or a rock star, it's just an extension of entertaining. The really smart entertainers know how important it is to get still images out there. Marilyn Monroe, James Dean, even the reclusive Marlon Brando knew the importance of leaving the world with stills of themselves.

Some young actors today don't get it; they think it's not cool to be photographed. The photograph is tangible, a frozen moment of time. Movie stars, you know? But we're in a different world now, and that world's not so pretty. So with anybody I shoot I think about what they've done. And look at the life Pam Anderson leads: It's crazy and scandalous and, just like you can't take your eyes off a car wreck, you can't take your eyes off her.

So, in the picture, maybe she got hit by a car and her wig fell off, but, hey, her body's slammin' and her face looks gorgeous. Sonatina for viola solo, op. Fantasia over en vaggvisa fran island: The clarity of remembered springs: Variationen fur bratsche solo: Montgomery Arts House Press, c Wilhelm Hansen Musikforlag, [].

Jade Lake Music, c A greeting cadenza for William Primrose: Box , Bloomington Frog Peak Music, []. Capriccio no 9 para viola sola, op. Suite para viola sola, op. Kadenz [zum] Brandenburgisches Konzert Nr. Verlag Neue Musik, Sei fughe con preludio fugato, op. For solace in solitude: Ione Press ; Boston: Sole selling agent, E. Mount Holyoke College; Northampton, Mass.: Acht soli fur viola, op.

Ravel, Elgar and more: Drei Suiten fur Viola solo, op. Cinco caprichos sobre Cervantes: American String Teachers Association, c University of York Music Press, c Introduktion og tema med variationer for solo-bratsch, op. Complete works for solo viola, Bl. Gems Music Publications, c Rolla, Giuseppe Antonio Distillation with expanded meaning: Editions Salabert, [], c Gems Music Publications, Ltd.

Schirmer ; Milwaukee, WI: Distributed by Hal Leonard, c Suite for solo viola. University of York Music Press, Contemporary Music Centre, c American Composers Alliance], Two pieces for solo viola: Kadenz zu dem Konzertstuck fur Bratsche: Seven folk songs Concerto in D major: Exclusively distributed by Hal Leonard, c Are you in there? Australian Music Centre, Polski Wydawnictwo Muzyczne, , c American Camposers Alliance], American Composers Alliance], c Ben-Gurion University of the Negev, c Improvisation for solo viola, op.

Roberton Publications ; Bryn Mawr, Pa. Zwischen Tier und Gott: Sonate rhapsodique, opus Frog Peak Music, [], c Japan Federation of Composers, c Partita for viola unaccompanied: Cantabile for solo viola: American Compsoers Alliance, [S. Iceland Music Information Centre, [? Blue Bonsai Music, c Cesky Hudebni Fond, Van de Vate, Nancy. Six etudes for solo viola: Divertimento para viola solo: Editions Henry Lemoine, Suite fur Bratsche allein: Musikverlag Max Heiber, Suita pro solovou violu, op. Suite pro solovou violu: Statni Hudebni Vydavatelstvi, Das Hirn ist voll: Sonata for viola solo, op.

American Composers Alliance, [? Rhapsody fur Viola solo, op. Sonata per viola solo. Woehr; edited by Alan Arnold. Viola World Publications, c Japan Federation of Composers, [? Sonata no 3 opus Cann Music Publishing, [? Delaware Water Gap, Pa.: Variationen uber das Erzherzog-Johan-Lied: Oxford University Press, [].

Bach, Johann Sebastian, Bach; [edited by] Milton Katims. Brigham Young University Sound Services, []. Nto pe mi, [? Izbrannye chasti iz skripichnykh soant i partit: Bach; transcribed by Watson Forbes. B22 BWV Bach; transcrites pour alto par Robert Boulay. The six suites for solo cello: Sonaten fur Viola Viola Alta, Altgeige: Bach; nach den Sonaten fur Violoncello allein ubertragen von Hermann Ritter. Verlag von Friedrich Hofmeister, [?

Avera Music Press, c B33 BWV vol. Jaymar ; New York: Represented in the U. Symphony no 6 in F major: Biber, Heinrich Ignaz Franz Biber, Heinrich Ignaz Franz. Passacaglia for solo viola: Linnet Press Editions, c Edition Juliane Klein, c Sette divertimenti per violino, op. Campagnoli; fur die Viola ubertragen und bearb. Friedrich Hofmeister Musikverlag, c Broadway favorites for strings: Del Borgo, Elliot A. Box , Avoca, Neb. The Old Schoolhouse, c Best of Shrek and Shrek 2: Cherry Lane ; Milwaukee, WI: Exclusively distributed by H.

The fiddler playalong collection: Aufforderung zum Tanze, op. Verlag Neue Musik, c Neun Variationen uber die Arie Tiroler sind lustig: Sarabanda per viola sola: Fassung fur Viola solo: Six assaggi for solo viola: Cherry Lane ; Milwaukee: McGinnis and Marx, Mel Bay Publications, c Divertimento fur Flote und Bratsche op.

Duo for flute and viola, op. Frog Peak Music, c London ; New York: Well-tempered Press ; Boca Raton, Fla. C D83 vol. Drei Duos fur Flote und Viola, op. Frankfurt ; New York: Sechs konzertante Duos fur Flote und Viola, op. Dulon, Friedrich Ludwig Editions Delatour, , c Hildegard Publishing ; King of Prussia: Presser, sole worldwide distributor, c Duo per flauto e viola: Kraus, Joseph Martin, Nagels Verlag; New York: Kraus, Joseph Martin Sonatine fur Flote und Viola: Faith and hope are playing: Divertimento for flojte og bratsche, op.

Finnish Music Information Centre, Tarp, Svend Erik, Duo for flojte og viola, op. Deutscher Verlag fur Musik, c Prelude, allegro, and pastorale: Il y a une autre espece de cadence—: Duo fur Klarinette in B und Bratsche: Florian Noetzel Ars Musica, c Sonata I Ben Die Spur der Welle: Variations on metallic and wooden shades: Hames, Richard David Edward McGuire, [], c Do you remember the planets? Contemporary Music Centre, [? Publication Contact International, c From one to another I: Amalia, Anna; Princess of Prussia Amon, Johann Andreas Verlag Walter Wollenweber, c Chez tous les Marchands de Musique, [?

Bach; [transcribed by F. Masters Music Publications, c Bach; [fur Violine und Viola gesetzt von] Paul Angerer. Composers Library Editions, []. Six duos dont trois pour deux violons et trois pour violon et alto: Chez Le Duc, [ca. Duo pro housle a violu, op. Duo opus , for violin and viola: Trois grands trios concertants, pour flute, violon et alto: Chez Janet et Cotelle, [between and ]. Ut Orpheus edizioni, c Three duetts, for violin and tenor: Printed for the Author, Royal Exchange, [? A third set of six duetts for a violin and tenor: Printed for the Author …, [?

Trois duos pour violon et alto: Six duetts for a violon and violoncello or violin and tenor: Printed for the Author, [? Braun, Wilhelm Theodor Johann. Braun; nach dem Erstdruch neu hrsg. Jean Baptiste , Six duo pour violon et alto: Bruni, Antonio Bartolomeo Six duo concertans pour violon et alto. Chez Janet et Cotelle, [? Masters Music, [] Brussels: Chez le Sr Sieber, [ca. Trois duos concertans pour violon et alto: Chez Louis …, [? Trois duos concertans pour violon et alto, oeuv.

Chez Dufaut et Dubois, [? Cambini, Giuseppe Maria Cambini, Giuseppe Maria, Sieber, [between and ]. Sonate notturne pour violon accorde en 5 3 4: Henmar Press ; New York: Sole selling agents, C. Trois grands duos concertans pour violon et alto: Trois grand duos concertants pour violon et viole alto ou deux violons. Trois grands duos pour violon et alto viole: Chez Pacini …, [? To be sung on the water: David, Karl Heinrich, David, Thomas Christian, Reproduced and distributed by Australian Music Centre, [].

Sechs Duette fur Violine und Bratsche, op. Sechs Duette fur Violine und Viola, op. Evensen, Bernt Kasberg Variazioni sopra un tema di Henry Purcell: Duo for violine [i. Duo for violin and viola, op.

Six duos pour violon et alto: Chez Imbault, [between and ]. Trois duos concertans pour violon et alto. Chez Richault, [between and ]. Union of Bulgarian Composers, Wright, [between and ]. To see the summer sky: Chester Music ; []. Concerto-gavotto per Otto von Habsburg: Sole agents for the U. Handel, George Frideric Drei Duos fur Violine und Viola, op. Trois themas varies pour le violon: Chez Artaria et Comp. Sonata in C major Perger Medici Music Press, Sonata in D major Perger Sonata in E major Perger Sonata in F major Perger Medici Music Press, c Hamiliton, [between and ]. Forster, [between and ].

Six duo concertans pour violon et alto: Paul, c[between and ]. Divises en 2 suites: Duo for violin og bratch, op. Adagio pour violin et alto, op. Duo in As-dur fur Violine und Viola, op. Kalliwoda, Johann Wenzel, Kalliwoda; redivirt von Friedr. Kalliwoda; neu redivirt von Friedr. Duos fur Violine und Viola, op. Duo per violino e viola, op.

Duo pro housle a violu: Wudawa dom za Serbske Ludowe Wumelstwo, Gems Music Publications, Sechs Duos fur Violine und Viola, op. Lidl, Andreas ca ca. A second sett of six duettos, three for violin and tenor and three for violin and violoncello: Lidl, Andreas, ca ca.

Drustvo Slovenskih Skladateljev, Sonata for violin and viola, op.

martin luthers kindheit wikipedia Martin Luther -

Edition Tilo Medek, c Variation on a variation by Franz Liszt on a waltz tune of Antoni Diabelli: Six duos concertants trois a deux violons, trois a violon et alto: Chez Sr Sieber Musicien, [? Six duos concertants, trois a deux violons, trois a violon et alto: Ut Orpheus Edizioni, []. Divertimento fur Violine und Bratsche, op. Mozart, Wolfgang Amadeus, Duo fur Violine und Viola, K. Mozart; revus par A. Duos, Violine und Viola, K. Mozart; edited by Waldo Lyman. Mozart, Wolfgang Amadeus Deux duos pour violon et viola: Duos fur Violine und Viola: Zwolf Duette fur zwei Horner: Edition Suvini Zerboni, , c Red House Editions, Perle, George Peter Duo fur Violine und Viola, Op.

Six duettos for a violin and tenor: Printed by Longman and Broderip, [? Six duos a violon et viola: Six duos pour violon et viola: Drei Duos fur Violine und Viola op. Six duo pour violon et alto. Pleyel, Ignaz Joseph, Trois grands duos pour violon et viola, op. III duos pour violon et alto: Trois duos pour le violon et alto: Possinger, Franz Alexander, Duo c fur Violine und Bratsche, op. Willy Muller, Suddeutscher Musikverlag, c Duo fur Violine und Viola: XII duos pour violon et violoncelle: Sole agent for USA and Canada: Gems Music Publication, Duetto per violino e viola: Serenata per violino e viola, accordata una terzo sotto: Rarities for Strings Publications, Sonata per viola con accompagnamento de violino: Tre duetti per violino e viola: Tre gran duetti concertati a violin e viola: Tre gran duetti per violino e viola: Se vend chez Weissenbruch, [between and ].

Tre piccoli duetti per violino e viola: Tre serenate per violino e viola: Trois dous pour violon et alto. Trois duos concertans pour violin et alto: Le Duc et compie, [? Trois duos concertants pour violon et alto: