Not a Man, and Yet a Man
By , he was receiving orders from the highest levels of the British nobility , including Queen Charlotte. Wedgwood convinced her to let him name the line of pottery she had purchased " Queen's Ware ", and trumpeted the royal association in his paperwork and stationery.
Anything Wedgwood made for the Queen was automatically exhibited before it was delivered. Wedgwood marketed his Queen's Ware at affordable prices, everywhere in the world British trading ships sailed. In he wrote, "The demand for this sd.
Josiah Wedgwood
Creamcolour, Alias, Queen Ware, Alias, Ivory, still increases -- It is amazing how rapidly the use of it has spread all most [sic] over the whole Globe. He first opened a warehouse at Charles Street, Mayfair in London as early as and it soon became an integral part of his sales organization. In two years his trade had outgrown his rooms in Grosvenor Square. Wedgwood's in fact had become one of the most fashionable meeting places in London.
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His man had to work day and night to satisfy the demand and the crowds of visitors showed no sign of abating. The demand was for purity, simplicity and antiquity. The most important of Wedgwood's early achievements in vase production was the perfection of the black stoneware body, which he called 'basalt'. This body could imitate the colour and shapes of Etruscan or Greek vases which were being excavated in Italy.
In 'vases was all the cry' in London; he opened a new factory called Etruria , north of Stoke. Wedgwood became what he wished to be: Sir George Strickland, 6th Baronet was asked for advice on getting models from Rome. Wedgwood hoped to monopolize the aristocratic market, and thus win for his wares a special distinction, a social cachet which would filter to all classes of society.
Wedgwood fully realized the value of such a lead and made the most of it by giving his pottery the name of its patron; Queensware, Royal Pattern, Russian pattern, Bedford , Oxford and Chetwynd vases for instance.
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Whether they owned the original or merely possessed a Wedgwood copy mattered little to Wedgwood's customers. In , Catherine the Great of Imperial Russia ordered the Green Frog Service from Wedgwood, consisting of pieces and over a thousand original paintings, for one of its palaces — the Kekerekeksinen Palace palace on a frog swamp in Finnish , later known as Chesme Palace.
Most of the painting was carried out in Wedgwood's decorating studio at Chelsea. For over a month the fashionable world thronged the rooms and blocked the streets with their carriages. It can still be seen in the Hermitage Museum. As a leading industrialist, Wedgwood was a major backer of the Trent and Mersey Canal dug between the River Trent and River Mersey , during which time he became friends with Erasmus Darwin.
Later that decade, his burgeoning business caused him to move from the smaller Ivy Works to the newly built Etruria Works , which would run for years. The factory was so-named after the Etruria district of Italy, where black porcelain dating to Etruscan times was being excavated. Wedgwood found this porcelain inspiring, and his first major commercial success was its duplication with what he called "Black Basalt". He combined experiments in his art and in the technique of mass production with an interest in improved roads, canals, schools and living conditions.
At Etruria, he even built a village for his workers. Not long after the new works opened, continuing trouble with his smallpox-afflicted knee made necessary the amputation of his right leg. In , his long-time business partner Thomas Bentley died, and Wedgwood turned to Darwin for help in running the business.
As a result of the close association that grew up between the Wedgwood and Darwin families, Josiah's eldest daughter would later marry Erasmus' son. To clinch his position as leader of the new fashion he sought out the famous Barberini vase as the final test of his technical skill. For three years he worked on the project, eventually producing what he considered a satisfactory copy in By he had sold to every city in Europe. After passing on his company to his sons, Wedgwood died at home, probably of cancer of the jaw, in He was buried three days later in the parish church of Stoke-on-Trent.
One of the wealthiest entrepreneurs of the 18th century, Wedgwood created goods to meet the demands of the consumer revolution and growth in wealth of the middle classes that helped drive the Industrial Revolution in Britain. He was a friend, and commercial rival, of the potter John Turner the elder ; their works have sometimes been misattributed.
Wedgwood belonged to the fourth generation of a family of potters whose traditional occupation continued through another five generations. Wedgwood's company is still a famous name in pottery today as part of Waterford Wedgwood; see Waterford Crystal , and "Wedgwood China" is sometimes used as a term for his Jasperware , the coloured stoneware with applied relief decoration usually white , still common throughout the world.
Wedgwood was a prominent slavery abolitionist.
NOT A MAN, AND YET A MAN.
His friendship with Thomas Clarkson — abolitionist campaigner and the first historian of the British abolition movement — aroused his interest in slavery. Wedgwood mass-produced cameos depicting the seal for the Society for Effecting the Abolition of the Slave Trade and had them widely distributed, which thereby became a popular and celebrated image.
The Wedgwood medallion was the most famous image of a black person in all of 18th-century art. From until his death in , Wedgwood actively participated in the abolition-of-slavery cause. His Slave Medallion brought public attention to abolition.
Yeareneder: New Tiger's still the man to watch, if not the man to beat
Thomas Clarkson wrote; "ladies wore them in bracelets, and others had them fitted up in an ornamental manner as pins for their hair. At length the taste for wearing them became general, and thus fashion, which usually confines itself to worthless things, was seen for once in the honorable office of promoting the cause of justice, humanity and freedom". A boy is always thinking of whether or not he could do better. A man knows when he has something good right in front of him and never takes it for granted.
A boy makes excuses. A boy is either needy or impossible to get hold of. A man always makes time for you, while also making sure he has a life outside your relationship. A boy is only interested in beauty. A man appreciates your physical beauty, but is most attracted to your personality. A boy thinks he already knows everything. A man walks around with the mindset that there is always something new to learn from everyone he encounters. A boy focuses on what he wants now, now, now. A man lives in the now but is always planning for the future. A boy will spend time with the friends of yours — if he likes them.
A boy makes rash decisions based on his immediate desires. A man understands the concept of being rational and having priorities. A boy needs you because of his fragile self-esteem. A man needs you because he believes his life is better with you in it. A boy is concerned with how you look to his friends.
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A boy is ready to do anything to get want he wants. A man is ready to love without hesitation. What if you could live a life that would make YOU jealous? Open a page to start your day, frame a page that inspires you to keep living, share a page with a friend who needs support, or leave one behind for a complete stranger to brighten their day. Good call on the feminist line. One thing to add though, men deserve a break from their stereotypes as well. He got mad when I did too.