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The End Of All Things Rags And Bones Life In Hell I Am Wrong State Of Grace End Of The World Featuring the original guitarist Andy Kerr, it was a pared down, punk rock headbanger but with the nuance and subtlety that has always set NMN apart from the genre.

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Critically a top ten for many at the time, it has remained on all-time favourite lists to this day. Widely considered to be not only the definitive NMN album, but the finest album of it's genre, Wrong features many fan favourites like "It's Catching Up", "The Tower" and possibly the band's most requested song ever, "Rags and Bones". This is the long overdue reissue of this classic album, featuring the additional bonus tracks "State of Grace" and "End of the World" - rare tracks taken from a single released by Mr Wrong in - for the first time.

Remastered by Marc L'Esperance using his digits. Updated by Randy Iwata.

Adapted from an original photography by David Bruce. Worms provided by by Tom Holliston. Songs may be subject to change. Critic Martin Popoff described their music as "the mightiest merger between the hateful aggression of punk and the discipline of heavy metal. They are often considered foundational in the punk jazz and post-hardcore movements, [3] [4] and have been cited as a formative influence on the math rock and emo genres.

Formed in by brothers Rob and John Wright , the group began as a two-piece punk band influenced by jazz and progressive rock. Adding guitarist Andy Kerr the following year, the group signed with the Alternative Tentacles imprint and continued to expand their audience. Guitarist Tom Holliston , and briefly second drummer Ken Kempster , joined in , and Nomeansno continued touring and recording extensively while operating their own Wrong Records label. They were inducted into the Western Canadian Music Hall of Fame in , [7] and announced their retirement the following year.

In and at age 25, Rob Wright returned to his family's home in Victoria after studying in Calgary. Nomeansno recorded its earliest material in the months that followed on a TASCAM four-track recorder, with Rob playing electric guitar and bass, John playing keyboards and drums, and both brothers singing.

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The brothers began performing live as a bass-and-drums duo in The guitar player — the guitar god quote unquote — was such a focus for so long that by the nature of not having a guitar player, the bass and the drums have to do a lot more. It also makes the vocals more important, or at least it makes a lot more room for the vocals.

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You don't have guitar solos, you don't have the wash of high end. And the things you do on the drums are different, if you just did a straight four beat on the drums it would get kinda dull after awhile. It isn't as though bass guitar hasn't been a prominent instrument at times in other bands but it made us approach things differently, our song structure couldn't just be verse-chorus-verse.

It had everything to do with how our sound got off to a unique start. Some of the songs they played in this period were released on the Mama LP, which was self-released in a limited pressing in The Infamous Scientists disbanded in , and their guitarist and vocalist Andy Kerr joined Nomeansno several months later. Nomeansno became a fixture in the British Columbia punk scene despite playing music that did not always conform to punk rock standards. The three also began performing Ramones covers and more traditional punk music as The Hanson Brothers , a side project that would later receive more of their attention.

The album further expanded the band's experimental and progressive punk sound, yielding the single " Dad ".

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The song was a minor college radio hit, which AllMusic reviewer Adam Bregman called "a bit chilling, even though it's spit out at slam-pit 's pace". This, along with frequent touring in North America and Europe, helped the band to garner a larger audience.

In , the group issued two releases recorded with producer Cecil English: AllMusic reviewer Sean Carruthers called the experimental recordings "less aggressive" than, but nonetheless worthy of, the band's previous efforts. Consent has always meant and will always mean the same thing: It is more than enough of a reason. A protest will always be a protest. A cry for help will always be a cry for help.

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I beg you all to understand that rape is not an issue to be taken lightly. It is not an issue to be brushed off and trivialized. How can you be indifferent to it when it affects the people around you?

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And that starts, first and foremost, by making yourself as aware as possible.