Le Voyage Initiatique d’Elena. Une Rencontre au-delà du Temps et des Mondes (French Edition)

Selected Writings , Futurism and the Technological Imagination Just like art was to him like an extended form of politics, it was also an extended form of scien- tiic enquiry. What characterized his Futurist imagination was not so much its technological and scientiic basis, but his quest for an art and literature that could compete with the classi- cal rationality of science and assimilate the latest advances in technology. Les avant-gardes et la crise du cadre.

Pourtant ce clivage semble devenir caduc. Modernism and Weird Media. Reverting the process of a scientiic inves- tigation, both stories feature a quest for creating nature instead of imita- ting it. This reveals the essays to be not only about the invented animals, but rather about the process of writing and classifying animals. These weird underwater creatures operate as weird media: Memoirs of a Spacewoman features weird ixations with becoming minimal and inhuman, where scale of access pre- disposes particular afordances about alien life.

Eugene Jolas in Transition: Quest for a New Logos and a New Mythos. His commitment to the advancement of experimental writing should be seen in the context of a modernist ideal in which language and artistic creation interact. The study of the visual material in transition adds to our understanding of a coextensive development across the arts.

The panel will discuss this in relation to a number of Danish artworks and practices, focusing on investigations of the body of the artist. Is Cultural History Avant-Garde? Youli Rapti National Technical University of Athens - S This panel deals with an aesthetic approach to repetition through displa- cement and dismemberment of an original motif or theme. Discussion of examples from the Greek context of the arts follows, with particular reference to architecture, visual arts, literature, photography, ilmmaking and music.

Photopoetry and the Avant-Garde. The extraordinary junction between poetry and photography and photomon- tage—deined as photopoetry—lourished in avant-garde books and journals throughout Europe in the s and s. Focusing on diferent examples of avant-garde photopoetry across Europe, this panel aims to address the following questions: What does it mean if a poem or an entire poetry col- lection is illustrated by photography or photomontage? Where is the mea- ning-generating mechanism of the photo-poem thus created? It is entitled Crime Scene and stems from my experience of a trial in Washington DC, as a participant in a jury for a irst-degree murder case.

After completing my jury duty, I went to the scene of the crime in order to take pictures. Obviously, there was no evidence left of this crime. I was facing instead the banal representation of a street intersection. Photo- graphy searches here for symbolic traces of the crime beyond their actual physical disappearance. Travel as Quest in Experimen- tal Literature and Drama. Nathalie Aubert Oxford Brookes University - G11 This panel discusses how avant-gardes used the experience of travel as a quest for new knowledge and aesthetic forms. Although geographically disparate, this panel shows how the avant-gardes it explores connected travel with metaphysi- cal, aesthetic, and political quests in analogous ways.

Ultraism and the Transatlantic Avant-Garde. Barrera, Las vanguardias hispanoamericanas, of the avant-garde dissemination which J. Borges took part the magazines, the books and the anthologies. It will let us see the role that the Argentinian writer played in the development of the Spanish ultraism and in the emancipation of the Buenos Aires lite- rary life of the twenties.

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Fervor de Buenos Aires — , Luna de enfrente — and Inquisiciones — His creationist artistic belief is encompassed in the following verses from In Altazor this ambition is humorously challenged. With creationism we can talk about a conlictive co-presence of the empirical and the transcendental realist approaches. Searching for Virginia Woolf.

I will argue that these diferent narratives can be read as examples of a dis- tinctively Woolian genre, whose main characteristic lies in the subversion of the investigation: The Modernist Legacy of the Peripheries: This allows for a rethinking of themes such as primitivism. However, primitivism today is no longer ins- pired by ideas of timelessness, immediacy and an uncontaminated, holistic aesthetic vision. Peter Brunt, APT7 catalogue.

Whereas non-tribal artists in peripheral cultures were already assumed to be distanced from European cultural centers and not far from the primitive. This session will re-evaluate a critically taboo term in order to chart how the periphery is rewriting art history and how the contemporary art museum is responding to this challenge. Could it be that modernism perpetuated or renewed ongoing artistic or scientiic research and investigations or drew on the historically grounded notion of the unending personal quest?

This paper will explore these claims in relation to the writings of modernist critic Clement Greenberg. Their protocols for measuring sensorimotor response establi- shed new understandings of visual experience. Many scientists, artists, and philosophers ca. I focus on the physiology of speech in the invention of French vers libre.

Poets used graphical recordings of voice to reinvent meter and syllabism. Spire and De Souza used the College de France phonetics laboratory of Rousselot to experiment with declamatory rhythms. The verlibriste project contrasted with another developed by Jesuit anthropologist M. Jousse, who studied Aramaic speaking rabbis to recover the rhythmicity of the sermons of Jesus, hoping to regenerate Catholic liturgy.

Two similar, antagonistic, projects, anarchist and Catholic, sought to rhythmically reorder French society through rhythms of ritualized speech. In order to study the visual perception of his students the Architect Nikolai Ladovski constructed expe- rimental set-ups and installed a group of instruments in a room painted completely black. The talk will try to show how a closer look at artistic practices changes not only the history of the Russian Avant-Garde but also allows for new conceptions of the relations of arts and sciences.

Investigating Artistic Techniques and the Creative Process. However, within avant-garde studies Expressionism has often received less attention than Cubism, Futurism, and Constructivism because of its stylistically less uniied artistic idioms and its more subjective-individual and supposedly less radical stance.

This panel on Expressionist prints seeks to investigate the cultural energies released by Expressionist forces throughout greater Europe in the irst half of the twentieth century. Discussion will center on the revival and adaptation of graphic printing techniques such as, for example, woodcut and lithogra- phy by Expressionist artists, and their exploration as a means for revealing heightened psychophysiological states of human being, which was often discussed in relation to new scientiic discoveries in the emerging ield of psychophysiological studies.

A Case of Perceptually Explicit Art? Despite diferent epochs, places and contexts, there is one common feature for all of them: Those charts suggest an idea of universalist diagrams striving to embody total knowledge that would embrace art, society and the world. I would like to approach theoretical charts of Malevich, Beuys and Vint through the conception of atlas — with reference to Aby Warburg and Georges Didi-Huberman — dis- cussing their formal and conceptual parallels. Combining formal and genetic approaches, the papers will identify representations of modern sport in a broad range of avant-garde activity.

The early decades of the twentieth century saw sport become an increasingly popular mass culture.

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Moreover, the emergence of professional sports and the establishment of large-scale international sporting events such as the modern Olympics, the football world cup or the Spartakiad gave sport a fundamentally new cultu- ral, social and political signiicance. From the Italian Futurists to the Russian Constructivists, avant-garde writers, artists, photographers and ilm-makers responded enthusiastically to those changes, regarding sport as an impor- tant barometer of cultural modernity. Representations of modern sport can be found in avant-garde writing creative or critical , painting, photography, photomontage or ilm.

Such work typically focuses on the human body as a source of primary energy and vitality, while also exploring how the human body may become perfect, strong and eicient, sometimes with mechanical help. Sport-related avant-garde work also presents sporting contests as forms of aggressive struggle and visual spectacles, negotiating participant and spectator perspectives, and individual and collective ambitions. Furthermore, his post-Nietzschean ideas concerning the supe- rhuman give rise to a technologically supplemented human.

Accordingly, this paper will examine two productions that drew heavily on sporting themes: Jeux and Le train bleu Written, choreographed and performed either side of the First World War, these productions warrant closer atten- tion with regard to the open dialogue between sporting and artistic prac- tices. It will consider how the emergence and international dissemination of sport as both a leisure and, increasingly, professional activity impacted on artistic production at these crucial moments in the early twentieth century.

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The paper will argue that sport complicates the cultural dichotomy of body and mind that is often regarded as characte- ristic of this speciic period of the German avant-garde. Accordingly, the interest in sport in the artistic ield is linked to the shift from avant-garde aesthetics to Neue Sachlichkeit.

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The paper will contest this view and aims to describe the continuity in the role of sport from Expressionism to the New Objectivity. Moreover, the concept of modern woman is constructed not only through pictures but also through performances in which the connection between sport, fashion and art is clearly shown.

It is supported by texts explaining why and how women should change their way of life in the Modern World. It was far from accidental that visual references to football found a prominent position in the propaganda art of the time, when the phenomenon of popular culture, together with political ideolo- gies, essentially transformed the approach to artistic practice. In my paper I will illustrate the myriad ways in which Italian visual artists of the s mobilized soccer in their work. Indeed, by painters, sculptors and new media artists—of almost all regions in Italy, from Lombardy to Sicily—tackled the subject.

These artists, I will outline, were involved in propaganda and expressed a strong interest in uniication of diferent areas of the country by glorifying the victories of the national team, contributing to early celebrity culture, and paying homage to national football heroes, such as Giuseppe Meazza.

Poetry as the Work of Sound. How does the music modify the text by producing afective tones for the text, and how much do those afective tones capture tonalities present in the text but only recognized through the music? How does music bring out where the text addresses those terms of experience? Concrete and Visual poetry. This entailed practical and dis- cursive engagements with diferent kinds of foreign spaces, both physical, textual and symbolic; travelling in trains and buses, reading and writing in diferent languages, interpretation and explanation, organisation of shows and meetings, etc.

The continuity in these engagements suggests that travelling was for Dotremont a quest for nones- sential spaces that would be undetermined by hegemonic power structures, yet also a means to creatively shape his own identity as poet and artists. The two works operate in very diferent contexts and although they have very striking formal and thematic similarities they are also very diferent in other respects.

In my paper I shall focus on the choice of the alphabet as compositional principle and as a metaphor for the inves- tigative approach of the two works. I will discuss aspects of visual iconicity, intertextuality and transmediality in this poetical genre in relation to Steins and Adornos theoretical approaches. Visual arts, as well as music, are primary inspiration for the poet. The author exploits the sounds and the typographic features of vocals and syllables to build a set, which only recalls the themes of the poems but does not relect it iguratively.

The semantic, syntactical, semiotic and graphical levels are strictly tight and recall each other creating new ambiguous reading paths and keys. Graphical expedients and gramma- tical divergences inluence how the reader will be interpreting the images and the igures of speech. A confusing visual typesetting, etymological and quasi-etymological wordplays and the use of the enjambment amplify the openness in the poem.

Associated to both an open-ended innovation process and the idea of providing a scientiic basis for a socio-political agenda, they relect the dialectics of autonomy not only by escaping from conventional art vocabulary, but also by claiming a counter-aesthetic posi- tion. This panel examines the consequences of such translations for the rhetorics and methods of artistic practices, for the medial or material status of their outcome: The Matter of Language. It is against this background that certain modernist poetic experi- ments stand out.

This paper will analyse such examples in order to show how the rose becomes the emblem of the critical examination of the poetic language, which may inally represent another stage in the long-standing and unfulilled quest for a perfect language. In the s two most inluential Georgian writers produced their novels, where the search — for God, for purport of life, for personal and national authenticity — is the main theme. Avant-garde also established new forms: Georgian modernism is unique for European literature, not its epigonal addition.

It creates original invariants of European modernism by expanding it, universalizing tropologic paradigms, mythical narrative, purely national problematicby means of mythological-tropologic comprehension of Georgian reality, introduction of new cultural and landscape spaces and creation of unique values, diversifying European modernism. Genetic approach to the subject of study, conception and development of Georgian modernismfor understanding genetic paradigms, has revealed that Georgian modernism is unique phenomenon in European modernism, fully compre- hendingwith anthropological, existential and ontological problematic, using original creative rhetoric and creative-tropologic paradigms.

Esthetics of Georgian modernism isuniversal phenomenon making its research perma- nently acute for literature studies and culturology. Frances Guerin University of Kent, Canterbury - S This panel addresses a fundamental contradiction of modernism as it is most articulately realized through the development of moving image tech- nologies.

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In addition, his- torically, modernist cinema has been most inventive when the interrup- tions, inconsistences and impossibilities are underlined by the ilm image. In turn, these moments have been most pronounced with the introduction of technological innovation: A case study of the diorama using the program notes, opera libretti, literature, etc.

Dada in all its Forms. Upon its centenary, academia continually afords Dada a place of intellectual, theoretical and philosophical value. How can we explain the motivation behind this? Where do we stand in writing about writing about Dada? One of the illustrations of the Dadaistic history of literature was Dada in Georgia in In Georgian Rea- lism, Dada was registered as a mere artistic-creative method, i. Therefore, Dadaism in Georgian literature is considered as the eastern Caucasian version of its development.

Un Lundi au Soleil Je suis encore sous le charme. Au pays de Rosie Maldonne, saison 4. Malheureusement, je ne sais. Vous avez bien lu! Il existe bien sur aussi en version papier que vous pouvez trouver sur Amazo. Un livre fort, qui sus. Que Sylvie Grignon est une auteure de talent, nous le savons depuis longtemps. Voici mon commentaire pour "Memorial Tour" de Chris Simon, 4. La Baie des Morts: Difficile de ne pas se faire prendre au jeu. A l'encre de sang: Non, du Elen Brig Koridwen! De l'une et de l'autre, mais qu'importe. Il faut bien que la foudre tombe quelque part: La photo d'un homme avec une polaire bleu ciel et capuche,.

Mon commentaire sur le livre de Wendall Utroi" Wanda: Cette fois c'est un ouvrage de Jean-Philippe Touzeau que j'ai lu aussi en avion en revenant de Mongolie. Popularity Popularity Featured Price: Low to High Price: High to Low Avg. Retrouvez votre sommeil d'enfant French Edition Nov 23, Available for download now. Available to ship in days. Il Metodo per dormire bene: Esercizi facili ed efficaci. Rimedi e soluzioni naturali per un sonno sereno Italian Edition Sep 08, In ogni donna si cela un destino misterioso Padi et l'aventure de la vie French Edition Mar 03, Provide feedback about this page.

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