Untersuchung des Erzählertraumas in Arno Schmidts Seelandschaft mit Pocahontas (German Edition)

He claims that Powhatan first paraded around him and he then was implored by priests and finally supposed to be eaten. According to Jill Peters many historians like Adams, Deane and Fletcher saw this account as really doubtful: Death by braining was reserved for the own people committing terrible crimes and 3rd: Pocahontas' role in this ceremony has been interpreted as part of the ritual. Leo Lemay has got another view: According to his statements no one ever asked the Indians that were present while the event whether the story was to doubt since this was never questioned.

The best explanation for the special relationship is that Pocahontas saved […] his life. If so why did he not mention the story in his account?

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Some say that he might have been too embarrassed to be saved by a little girl or that he was forced to keep still about the issue because of political circumstances. At least the only one knowing what really happened is Captain John Smith himself who has taken the secret into his grave. Politik - Politische Systeme - Historisches. Germanistik - Neuere Deutsche Literatur. American Studies - Culture and Applied Geography.

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Kulturwissenschaften - Allgemeines und Begriffe. Romanistik - Spanische Sprache, Literatur, Landeskunde. Fordern Sie ein neues Passwort per Email an. Table of Contents 1. The Far Horizons 5. Conclusion References Pictures 1. The final passage will deal contain a conclusion. Definition Myth There are many definitions of this term but no one is sufficient to give an exact explanation since there are so many kinds of stories to which the expression myth is applied.

That was probably the first time Pocahontas saw [Abbildung in dieser Leseprobe nicht enthalten] white men.

Pocahontas saved Captain John Smith. John Smith wrote three different accounts about the capture by the Algonquin: Religious-based racism using the Christian bible as reference; desperation and anger are the sources of the cruelty of the massacre. The peaceful wait-and-see attitude and their efforts for negotiation have failed, and therefore, the Colonists see no other option than to attack them.

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Vincent, Underhill and Mason first reflect their individual impressions of the Pequots in order to arouse sympathy for their justification. By generalizing the disposition toward brutality as a natural human instinct, Vincent attempts to explain the merciless violence towards the Pequots at Mystic Fort. As the massacre was the result of oppressed anger and lacked preparation and analysis of the location behind the fort, the English acted by intuition. Whereas Mason spent little emotional narration on the initial shooting, Underhill revealed his marvellous observations as Providence and created the image of doomsday for the Pequots:.

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Giving a volley of shotte upon the Fort, so remarkable it appeared to us, as wee could not but admire at the providence of God in it, that soldiers so unexpert in the use of their armes, should give so compleat a volley, as though the finger of God had touched both match and flint. Nevertheless, he creates an impressive, awesome image of the moment when the English started their assault by pointing out the number and simultaneousness of shooting soldiers: Mason, in comparison to Underhill, did not consult his soldiers to make the first step but marched ahead animating his soldiers to follow.

Vincent describes the initial moments after entering the fort in great detail.

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He reveals images of elaborate killings by the English soldier Hedge, who demonstrates the violent, merciless but heroic character of his superiority: Thereby, the narration becomes a dynamic visualization with fast movements which creates an atmosphere full of terror. At this point Vincent again slows down his narration to elaborate how the English managed this time to overcome their obstacle: The image of a blazing inferno implies the very flames of God and evokes the connotation of hell or even Armageddon.

Mason makes an effort to be impartial by shifting his narration from a first person narrator to an omniscient: Instead, he focuses on details and also on the scared Pequot; thereby, he slightly insinuates compassion. Like Vincent, Mason writes from a close point of view. He selects particular scenes, which he witnessed or experienced by himself: He enters the Wigwams and elaborates the proceedings and reactions of the affected.

He mentions names, provides details without being sentimental or too vivid. To defend his point of view, Underhill first explains the mood of the soldiers and their motives: The scene of setting fire is presented with different focal points by the three narrators, according to their own impression. Underhill chooses a remote perspective to describe the setting: Many courageous fellows were unwilling to come out, […[ , so as they were scorched and burnt with the very flame, and were deprived of their armes, in regard the fire burnt their very bowstrings and so perished valiantly […] many were burnt in the Fort, both men, women, and children, others forced out, and came in troopes to the Indians,.

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