RED BOOK 028: Der neue Boss (RED BOOK Heftausgabe) (German Edition)

DJ rubbed with edge wear and chips and scrape on spine and foxed on rear. Price is present in UK shillings on DJ lower flap; mylar protected. Author's first novel and basis for Bryan Forbes film starring George Segal. Tom Courtenay and John Mills. Also includes several signed items from cast of the film. Unique signed copy of Clavell's first novel for the Clavell-King Rat fan or collector.

Signed by Anderson on the first page. Numerous corrections by Anderson and the editor. Initial and final pages show some wear, else very good plus. The manuscript is laid into a special maroon clam shell case with a title label on the spine. Robert Gavora, Fine and Rare Books ]. Jonathan Cape , 1st Trade Edition. Fine in near fine dust jacket. Light shelfwear to lower edges of boards. Dust jacket has small amount of wear along top as well as edges of spine.

Top edge of spine has a small closed tear. Light sun fading to spine of jacket. Produced as a Bond film in , and notable as the only film to star George Lazenby as Bond.. En rama, con caja editorial en arpillera. Shinchosha - First Edition.

ARBEITSSTROMRELAIS 12V 30A KLEMME 30 85 86 87 4RA 003 510 421 RELAIS

A few spots of foxing, else near fine in flexible boards, French-folded photo-illustrated wrappers, publisher's card slipcase few spots of foxing on the white label , original obi on the slipcase, with a few small tears. Little Brown and Company, Boston. Blue cloth covered boards, blind device to front, gold and purple titles to spine. Top edge coloured purple. Dustwrapper a little bumped at edges. Binding and all pages in excellent clean, bright and tight order throughout.

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Laid on front end paper are three pieces of paper. Two is 80mm x50mm, a small gained piece with printed Man Ray. Also included is a coloured card mm x mm illustrating Femmalaharpe. A scarce first edition with interesting provenance and ephemera. Roz Hulse Ltd ]. Limited to numbered copies. Morris says of this book "Unhappily, I committed a serious error when I was making the paper for this book I had made an acidic sheet that would begin to deteriorate quickly.

Presentation from Lessing Rosenwald dated on free endpaper. Lombardi, Vince with W. Slightly faded spine, else VG in Good dj with sunned spine, very light chipping and tiny tears at corners. Aardvark Book Depot ]. Victor Gollancz Ltd, Victor Gollancz Ltd,, Original brown cloth, titles to spine gilt. With the dust jacket. Edges of text block a little toned. An excellent, fresh copy in a bright jacket with faintly faded spine panel and very lightly rubbed edges.

First edition, first impression, in the scarcest variant binding. A beautiful copy, rare in such excellent condition. Warhol, Andy] Ted Berrigan, ed. A Journal of Poetry Vol. Lorenz Gude - New York: Folio, mimeographed and stapled into wraps silkscreened from a polaroid by Andy Warhol. Association copy, signed by Berrigan and inscribed to Dennis Shea by Edwin Denby, with holograph corrections and additions.

The fourth issue of the central periodical of the second generation of New York School poets, infamous for the wraps, the front and back of which are silkscreened from a polaroid portrait of Edwin Denby and Gerard Malanga by Warhol. The cover image shows Denby seated, with Malanga standing behind him; the rear wrap reproduces a subsequent photograph of Malanga kissing Denby. The circumstances of the creation of this issue are examined in minute detail in Wolf, who makes a case that this is the first known Warhol silkscreen from a polaroid.

Warhol was deeply fascinated by the downtown poetry scenes, and went to great lengths to insinuate himself among the poets. The serial nature of much of his later artwork was heavily influenced by the little poetry magazines coming out of New York City at that time, and this two part image, bracketing the mimeographed pages of this fourth issue of C, is the central artifact of that relationship.

The Warhol covers have largely overshadowed what is one of the most important issues of C, devoted to the work of Edwin Denby and underscoring the huge influence he had on the poets of the New York Schools. This copy is inscribed by Denby to Dennis Shea, who was a friend of Berrigan and other members of the Tulsa Wing of the New York School; the association is especially meaningful for an issue of C, as Shea also helped print issues on the C Press mimeograph.

Berrigan has also written out a corrected line to Denby's poem The Silence at Night, and there are also seven additional holograph corrections or additions in blue ink. Finely bound in full red morocco, five raised bands to the spine, gilt spine lettering of title and author, four decorative centre-pieces in the five compartments, single gilt rule around both boards, top edge gilt.

Pages clean, three or four very tiny spots. Constable Young Books, London, Constable Young Books, Hardback first edition and first impression. The book is near fine with light pushing to the spine tips and a light foxing to the top edge. The jacket is near fine with light edge wear, a couple of short mm closed tears. Spine tips and corners lightly worn. Original black and white cloth, titles to spine white on black label, cream bound silk bookmark.

A fine copy in an excellent jacket with very light rubbing along edges and a small closed tear to rear cover. First edition, first impression. Presentation copy inscribed by Beckett on the title page: Magee subsequently gave the copy to director Peter Brook, with whom he later collaborated on scene and screen, adding another gift inscription to the title page: If you think this is sentimental? French and German versions of the plays are printed side-by-side throughout, the English translations are collected at the end.

Berlin, Hi - Fi Musikverlag. Nummer auf unterem Deckeleck. Stimme in B, 1. Stimme in Es, 3. Stimme in Es und B, 1. Stimme in C, Bass. Jonathan Cape, Signed by the author on the title page. The book is bright and firm with very slight browning to the endpapers and page edges. The dj unclipped is bright with some browning to the edges at the rear, a tiny nick to the top rear edge and a brown strip, looks to be tape mark c2 cm x 7 cm to inside top edge of spine , not visible from outside. Overall a very nice copy.. One of copies. Together with an octavo-sized pamphlet containing a check-list of works by the Press between and Illustrated throughout with vignettes, facsimiles of title pages and broadsides, and color images from works by the Press.

With a foreword containing a brief historical overview by Frank Altschul, founder of the Press. Altschul notes that his love for printing began when, as a boy, he was given a printing press for Christmas. Green cloth boards slightly sunned, else fine with the initials OP blind-stamped on the front cover, gilt-titled to spine. With a prospectus for A Check List from the Overbrook Press, , and an order form for other books by the Press laid in.

Introduzione di Giuliano Gramigna. Lievi e sporadiche fioriture su alcune carte, ma splendido esemplare in barbe e ampi margini. Ammaccatura di poco conto all'astuccio.

Libreria La Fenice ]. Con 71 tavole a colori applicate a mano e figure in bianco e nero. Lussuosa legatura in similpelle bordeaux con titolo e fregi in oro al dorso, grande fregio in oro al piatto anteriore, astuccio simile alla legatura con grande fregio in oro.

Studio Bibliografico Adige ]. Bobrowski, Johannes, Schriftsteller Beiliegend eine Portraitpostkarte mit eh. Aus der Sammlung des Theologen Hermann Dembowski Antiquariat Inlibris, Gilhofer Nfg. Signed by the mafia boss known as "the boss of all bosses" -- a canceled check drawn on the company "S. Associates," ordering payment of to Henry H. Saltzstein on the day before the Kennedy assassination. Cancellation holes and bank stamps do not affect signature. The red boards are clean with a minor production crease.

Mild browning in places to the text block. Gilt titling very bright. Slight pushing of the spine tips. Hint of a lean. A little minor edge wear to the spine tips, front upper edge and the corners. The pink colouring remains very bright to the spine. Front and rear flaps are very clean.

JAMES to the title page. The author's scarce second novel featuring at that time Superintendent Dalgleish. This title is extremely scarce to find in any condition. The wrapper is often found in a very soiled and faded condition. Fair tanning and slight scuff marks on spine. Rear hinge splitting to top half.

Card slip case is slightly marked, with light tanning and faint pencil inscription above titling on face of box. May not be original slip-case, with paper pasted onto front. All come with fold-out maps complete and bound in. The World of Rare Books ]. Original quarter vellum, black boards ruled in gilt, titles and stamp to spine gilt, white wavy line decoration to front board, top edge gilt. With the original plain acetate dust jacket.

Colour frontispiece portrait of Ian Fleming by Amherst Villiers. Free endpapers faintly foxed. An excellent copy in a lightly edge-chipped acetate jacket. First edition, signed limited edition, number 92 of copies signed by the author. There were additionally 35 unnumbered presentation copies issued outside the limitation. Oddly, numbered copies seem scarcer on the market and are preferred. Copies in the original jacket are uncommon. Original pictorial boards, titles to spines in black, pictorial endpapers.

With the dust jackets. Illustrated throughout by Carol Barker. Exceptionally fresh copies in excellent condition in dust jackets lightly sunned at the spines. Second impression Volume 1 , first editions, first impressions Volumes 2 and 3. All copies signed by H. Achilles the Donkey was first published in DJ rubbed with edge wear and chips and scrape on spine and foxed on rear. Price is present in UK shillings on DJ lower flap; mylar protected.

viaLibri ~ Rare Books from - Page 60

Author's first novel and basis for Bryan Forbes film starring George Segal. Tom Courtenay and John Mills. Also includes several signed items from cast of the film. Unique signed copy of Clavell's first novel for the Clavell-King Rat fan or collector. Signed by Anderson on the first page. Numerous corrections by Anderson and the editor. Initial and final pages show some wear, else very good plus. The manuscript is laid into a special maroon clam shell case with a title label on the spine. Robert Gavora, Fine and Rare Books ].

Jonathan Cape , 1st Trade Edition. Fine in near fine dust jacket. Light shelfwear to lower edges of boards. Dust jacket has small amount of wear along top as well as edges of spine. Top edge of spine has a small closed tear. Light sun fading to spine of jacket. Produced as a Bond film in , and notable as the only film to star George Lazenby as Bond.. En rama, con caja editorial en arpillera. Shinchosha - First Edition. A few spots of foxing, else near fine in flexible boards, French-folded photo-illustrated wrappers, publisher's card slipcase few spots of foxing on the white label , original obi on the slipcase, with a few small tears.

Little Brown and Company, Boston. Blue cloth covered boards, blind device to front, gold and purple titles to spine. Top edge coloured purple. Dustwrapper a little bumped at edges. Binding and all pages in excellent clean, bright and tight order throughout. Laid on front end paper are three pieces of paper. Two is 80mm x50mm, a small gained piece with printed Man Ray. Also included is a coloured card mm x mm illustrating Femmalaharpe.

A scarce first edition with interesting provenance and ephemera. Roz Hulse Ltd ]. Limited to numbered copies. Morris says of this book "Unhappily, I committed a serious error when I was making the paper for this book I had made an acidic sheet that would begin to deteriorate quickly. Presentation from Lessing Rosenwald dated on free endpaper.

Lombardi, Vince with W. Slightly faded spine, else VG in Good dj with sunned spine, very light chipping and tiny tears at corners. Aardvark Book Depot ]. Victor Gollancz Ltd, Victor Gollancz Ltd,, Original brown cloth, titles to spine gilt. With the dust jacket. Edges of text block a little toned. An excellent, fresh copy in a bright jacket with faintly faded spine panel and very lightly rubbed edges. First edition, first impression, in the scarcest variant binding. A beautiful copy, rare in such excellent condition. Warhol, Andy] Ted Berrigan, ed.

A Journal of Poetry Vol. Lorenz Gude - New York: Folio, mimeographed and stapled into wraps silkscreened from a polaroid by Andy Warhol. Association copy, signed by Berrigan and inscribed to Dennis Shea by Edwin Denby, with holograph corrections and additions. The fourth issue of the central periodical of the second generation of New York School poets, infamous for the wraps, the front and back of which are silkscreened from a polaroid portrait of Edwin Denby and Gerard Malanga by Warhol. The cover image shows Denby seated, with Malanga standing behind him; the rear wrap reproduces a subsequent photograph of Malanga kissing Denby.

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The circumstances of the creation of this issue are examined in minute detail in Wolf, who makes a case that this is the first known Warhol silkscreen from a polaroid. Warhol was deeply fascinated by the downtown poetry scenes, and went to great lengths to insinuate himself among the poets. The serial nature of much of his later artwork was heavily influenced by the little poetry magazines coming out of New York City at that time, and this two part image, bracketing the mimeographed pages of this fourth issue of C, is the central artifact of that relationship. The Warhol covers have largely overshadowed what is one of the most important issues of C, devoted to the work of Edwin Denby and underscoring the huge influence he had on the poets of the New York Schools.

This copy is inscribed by Denby to Dennis Shea, who was a friend of Berrigan and other members of the Tulsa Wing of the New York School; the association is especially meaningful for an issue of C, as Shea also helped print issues on the C Press mimeograph. Berrigan has also written out a corrected line to Denby's poem The Silence at Night, and there are also seven additional holograph corrections or additions in blue ink. Finely bound in full red morocco, five raised bands to the spine, gilt spine lettering of title and author, four decorative centre-pieces in the five compartments, single gilt rule around both boards, top edge gilt.

Pages clean, three or four very tiny spots. Constable Young Books, London, Constable Young Books, Hardback first edition and first impression. The book is near fine with light pushing to the spine tips and a light foxing to the top edge. The jacket is near fine with light edge wear, a couple of short mm closed tears.

Spine tips and corners lightly worn. Original black and white cloth, titles to spine white on black label, cream bound silk bookmark. A fine copy in an excellent jacket with very light rubbing along edges and a small closed tear to rear cover. First edition, first impression. Presentation copy inscribed by Beckett on the title page: Magee subsequently gave the copy to director Peter Brook, with whom he later collaborated on scene and screen, adding another gift inscription to the title page: If you think this is sentimental? French and German versions of the plays are printed side-by-side throughout, the English translations are collected at the end.

Berlin, Hi - Fi Musikverlag. Nummer auf unterem Deckeleck. Stimme in B, 1. Stimme in Es, 3. Stimme in Es und B, 1. Stimme in C, Bass. Jonathan Cape, Signed by the author on the title page.

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The book is bright and firm with very slight browning to the endpapers and page edges. The dj unclipped is bright with some browning to the edges at the rear, a tiny nick to the top rear edge and a brown strip, looks to be tape mark c2 cm x 7 cm to inside top edge of spine , not visible from outside. Overall a very nice copy.. One of copies. Together with an octavo-sized pamphlet containing a check-list of works by the Press between and Illustrated throughout with vignettes, facsimiles of title pages and broadsides, and color images from works by the Press. With a foreword containing a brief historical overview by Frank Altschul, founder of the Press.

Altschul notes that his love for printing began when, as a boy, he was given a printing press for Christmas. Green cloth boards slightly sunned, else fine with the initials OP blind-stamped on the front cover, gilt-titled to spine. With a prospectus for A Check List from the Overbrook Press, , and an order form for other books by the Press laid in. Introduzione di Giuliano Gramigna.

Lievi e sporadiche fioriture su alcune carte, ma splendido esemplare in barbe e ampi margini. Ammaccatura di poco conto all'astuccio. Libreria La Fenice ]. Con 71 tavole a colori applicate a mano e figure in bianco e nero.