Hollywood and Intimacy: Style, Moments, Magnificence

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This concerns not only the medium itself, but the industry as a whole. The 17th SERCIA conference warmly invites film scholars to tackle the subject of intimacy from various angles and through different approaches, be they aesthetic, cultural, historical or economic. Proposals should deal either with English-speaking cinema or films dealing with English-speaking countries.

Comparisons with non-English-speaking films are, however, welcome, as well as proposals that mean to assess differences between films and TV series. List of possible topics other suggestions will, of course, be considered: Selected bibliography Bahuaud, Myriam. Fans, Stars, and the Cult of Celebrity.

Whose Lives Are They Anyway? The Biopic as Contemporary Film Genre. Men, Women and Chain Saws: Gender in the Modern Horror Film.

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At the Picture Show: U of Virginia P, Representations of the Family in s Hollywood Cinema. London and New York: What goals inspire girl protagonists, and what hindrances do they come across? If those are cautionary stories for the twenty first century, what do they let us know approximately gender roles and expectancies, romantic targets and indignant needs?

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Vampires have by no means been as renowned in Western tradition as they're now: Monster Culture in the 21st Century: Long ago decade, our speedily altering international confronted terrorism, worldwide epidemics, financial and social strife, new conversation applied sciences, immigration, and weather switch to call a couple of. A cry to Robert is caught in her throat as the telephone rings; duty calls; she retreats inside the house.

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A gentle restlessness is felt in the rhythmic pitch of her rocking chair, suggesting a quiet distraction from the words on the page. The intermediary space of the porch encourages the sense of uncommitted contemplation. The movement of the sun charts the entire encounter with the hitchhiker, reminding us and elderly Alvin that time is short.

Coupling shots of firewood form bookends to the sequence.