LAurore (Texte) (French Edition)
Elsewhere, the senses are beguiled by rhythmic vigour Prologue, track 5 and a pleasing if ephemeral ingenuousness Prologue, track 19 somewhat akin to that contained in pro-Italian Rousseau's one-act opera Le Devin du Village , first performed at court in the previous year. The cast is effective with Jean-Paul Fouchecourt delivering one of the best-sustained performances I have yet heard from him.
His Titon is full of tender longing, his accomplished technique further enabling him to realize nuances in both text and music; ''Que vois je'' Act 3, track 23 provides a telling example of his sensibility and restraint. Catherine Napoli is a lightly coloured and agile Aurora—passages of coloratura demand it—but she does not always find the centre of her notes with assurance and her vibrato is not always sufficiently controlled.
Nevertheless her lively duo with Titon Act 3, track 28 comes off well. Strong delineated characterization is a feature of the opposition, so to speak, with colourful performances by Jennifer Smith and Philippe Huttenlocher. Perhaps he is sometimes too blustery, losing touch with the tonality of the music but his scenes with Aurora and Pales at the beginning of Act 2 are admirably done. Smith is particularly impressive in the two concluding scenes of the Second Act where first having tried and failed to win Titon's heart she becomes enraged and casts her evil spell over him; but throughout, her distinctive and stylistically assured contribution is an adornment to the performance as a whole.
Orchestra and chorus acquit themselves well, too, though each has its occasional weak moments. To sum up, here is an opera which should make wide appeal both for the engaging and approachable character of the music and for its lively performance, well-paced and sensitively directed by Minkowski.
No details are provided concerning the sources used—some textures sound uncharacteristically thin—but that should not deter readers from becoming acquainted with this animated live recording. If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.
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Composition Artist Credits Titon et aurore. Mondonville Titon et L'Aurore Titon et aurore. If the Cover Text requirement of section 3 is applicable to these copies of the Document, then if the Document is less than one half of the entire aggregate, the Document's Cover Texts may be placed on covers that bracket the Document within the aggregate, or the electronic equivalent of covers if the Document is in electronic form. Otherwise they must appear on printed covers that bracket the whole aggregate. Translation is considered a kind of modification, so you may distribute translations of the Document under the terms of section 4.
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Builders of present, you too, join forces Each day for the task stronger in unity. Build without ceasing for posterity. Children of Benin, arise! The resounding cry of freedom Is heard at the first light of dawn, Children of Benin, arise! When all around there blows a wind of anger and hate: Citizen of Benin be proud, and in a calm spirit Trusting in the future, behold your flag! In the green you read hope of spring; The red signifies the courage of your ancestors; The yellow fortells the greatest treasures.
Beloved Benin, your sunny mountains, palm trees, and green pastures Show everywhere your brightness; Your soil offers everyone the richest fruits. Benin, from henceforth your sons are united With one brotherly spirit sharing the hope of seeing you Enjoy abundance and happiness forever.
Noble Belgium - for ever a dear land - We give you our hearts and our arms. By the pure blood spilt for you, our Fatherland, We swear with one cry - You will live! You will live, always great and beautiful, And your invincible unity Will have as your invincible unity Will have as your immortal emblem - For King, Justice and Liberty!
Will have as your immortal emblem - For King, Justice and Liberty! For King, Justice and Liberty! Upon our mounts, when the sun announces a brilliant awakening and predicts the return of a beautiful day The beauties of the fatherland, speaks to the tender soul to heaven it joyfully rises to heaven it joyfully rises the sentiments of a pious heart the touching sentiments of a pious heart. When a gentle evening ray plays once more in the darkened woods the heart feels happier near God, Far from the vain noises of the plain the heart at peace is more serene To heaven it joyfully rises to heaven it joyfully rises the sentiments of a pious heart the touching sentiments of a pious heart.
When in the sombre night the thunder bursts with loudness our heart approaches once more the great Lord; In the storm and in the distress it is our fortress offer Him our pious hearts offer Him our pious hearts God, bless us from the heavens God, bless us from the highest heavens. From the great mountains comes assistance Swiss, have hope in God always! Guard the faith of the forefathers, as they did! On the altar of the fatherland Place your wealth, your heart, your life! It is a precious treasure It is a precious treasure That God will bless from the heavens That God will bless from the highest heavens.
Arise children of our fatherland, The day of glory has arrived! Against us, tyranny, Has raised its bloodied banner, 1 Do you hear in the fields The howling of these fearsome soldiers? They are coming up into your arms 2 To slit the throats of your sons and consorts! Let us march, let us march!
Let impure blood of our enemies Soak the furrows of our fields. What does this horde of slaves, Traitors, and plotting kings want? For whom these vile chains These long-prepared irons? Frenchmen, for us, ah! What outrage, What fury must it arouse? It is us they dare plan To return to the old slavery! Aux armes citoyens Formez vos bataillons Marchez, marchez Qu'un sang impur Abreuve nos sillons.
They would make laws in our courts!
These mercenary phalanxes Would cut down our warrior sons Good Lord! By chained hands Our brow would yield under the yoke The vile despots would have themselves be The masters of destiny. Tremble, tyrants and traitors The shame of all good men Tremble! Your parricidal schemes Will receive their just reward Against you we are all soldiers If they fall, our young heroes France will bear new ones Ready to join the fight against you.
Sacred patriotic love Lead [and] support our avenging arms Liberty, cherished liberty Fight back with your defenders Under our flags, let victory Hurry to your manly tone So that your enemies, in their last breath [before death] See your triumph and our glory! We shall enter the career 3 When our elders will no longer be there There we shall find their ashes [lit.
God of mercy and justice See our tyrants, judge our hearts Thy goodness be with us Defend us from these oppressors You reign in heaven and on earth And before You all must bend In your arms, come support us You Great God, Lord of the thunder. Currently on view at: Signature "fBoucher" woven within the oval scene and "neilson.
Based on Book VII of Ovid's Metamorphoses , the roundel in this tapestry shows Aurora, goddess of the dawn, gazing upon the sleeping form of her lover, the hunter Cephalus. She sits among clouds with the morning star shining on her forehead. Cephalus, a mortal who is bound to the earth, reclines on the forest floor, but his dog awakens as the goddess approaches.
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Exotic birds and a hunting trophy in the center ornament the alentours or decorative setting, which was narrower than others in the set in order to fit the shorter wall of a room. This tapestry is also based on designs by Louis Tessier and Jacques Neilson. Petersburg, Russia , by inheritance within the Russian Imperial Collection. Petersburg, Russia , nationalized during the Russian Revolution. Carlhian et Cie, , b. Norton Simon, American, - Source: Records, Edward Fowles papers, Listed under the stock number Hachette, , vol.
Feodorovna, Grand Duchess Maria. Petersburg, , vol. The Practical Book of Tapestries Philadelphia: