Modern Drum Set Stickings

Depending on the size and depth of your drums, toms often appear below the snare in the dynamic spectrum in other words, toms often sound softer than the snare if you hit them with the same force. However, you can sometimes find yourself stuck in a corner and need a way out.

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Pay close attention to where you need to cross over or under to accomplish these maneuvers. Thinking of your snare drum as home base allows with its own set of challenges. Continue to alternate single strokes unless indicated, and lead with both your right and left. The sticking in Exs. Notice that the motions involved on this page are based on the previous two sections. For an extra challenge — and to keep a constant high-frequency pulse going — add quarter- or eighth-notes hi-hat chicks. To be as accurate as possible, look ahead at your target and aim at the center of each drum.

These exercises are designed for you to apply alternate sticking, but feel free to experiment.

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Crossovers and cross-unders allow you to pivot out of tough sticking situations and happen to look quite showy to an audience. Be careful to follow alternate sticking as shown in Exs.

Consecutive sixteenth-notes are used here, but you can apply this concept to any rhythm. Therefore, to pull out accents on the toms requires softer notes taps on the snare. Two stickings are presented in Exs. Contrary to the previous section, Exs.

However, it may take you a while to get used to the feeling of accenting towards your body, rather than away from it. Open up and explore the fundamental rudiments, singles, doubles, flams, paradiddles, and ratamacues. Go beyond pattern concepts to make stickings flow smoothly into one another, so that you can better express your musical ideas. Master drummer and Berklee professor Casey Scheuerell shows how basic stickings translate into drum set inventions and orchestrations. Technical explanations and extensive practice exercises with the play-along CD will help you make your fills become more vibrant and your solos more virtuosic.

It develops a technique that affords the player an effortless style for playing a very musical performance. The systems presented here complete with fantastic audio CD are wonderful for improving drum set vocabulary—essential to gaining a creative and expressive voice on the drum set. I look forward to using this book myself. God bless, and happy drumming! This book will prove beneficial to the beginning as well as veteran player, providing each with a window through which disciplined practice will bring creative results.

Casey Scheuerell is an alumnus of Berklee College of Music.

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It gives me great pleasure to recommend this book. It is a must for all students of the art of big band performance. The coating on each map makes it easy to create an even balance between legato and staccato sounds. Every map clearly indicates correct hand motion through a directional numbered hand pattern sequence. All maps are printed in a two-color format providing right and left hand separation. The textured surface produces actual feel and sound of a real head and will not wear down like standard drum heads.

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Now you can practice actual motions to scale with great precision and a true feel. This beginning drum method is packed with basic information that can take a student from the beginning stages to playing simple rock beats on the drum set. Along the way the student learns the correct grip, practice tips, reading, and how to set up the drum set.

The presentation is very logical, especially its treatment of counting and rhythmic reading. Each new note and rhythmic concept is clearly explained and there are plenty of exercises for each. The book is sprinkled with helpful pictures that illustrate how to play the foot pedals and how to assemble various parts of the set.

An accompanying CD contains examples of the reading exercises and the rock beats that appear near the end of the book. This is an excellent method for teaching young beginners. The Modern Drum Method Grade 1 takes the student measure by measure from the start with the most fundamental drumming concepts presented and demonstrated in a clear manner. The exercises in Grade One focus significantly on reading note and rest values, coordination of the hands and feet, simple quarter note beats with variations, and ideas on positioning and setting up your drum set ergonomically.

If you are a new drum student who has just purchased your first kit, or an experienced player looking for ways to improve your fundamentals and sound production, this book and companion CD will help clarify the mechanical and conceptual drumming skills for you. Throughout, the author explains each drumming topic as if he were teaching a private lesson. Modern Drum Method Grade 1 Contents: A Note for Parents What qualities to look for in a drum set teacher.

Practice Makes Better, Not Perfect!

The Basics of Music. Notes and their parts. Notes and Rest Values. The Whole Note and Whole Rest. The Half Note and Half Rest. The Quarter Note and Quarter Rest.

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Stickings with Quarter Notes. Quarter Note and Quarter Rest Exercises. Basics of Music Review. Quarter Note and Eighth Note Exercises.