RALPH FRANKE at THE BLACK NOTE JAZZ CLUB

In addition, he's recorded three solo CDs and has released an album, "Neo-Urban Traditions" with longtime musical partner Paul Howard that ranges from Brazilian and Hawaiian to klezmer and swing styles. It's indicative of his wide-ranging and inventive musicianship that has earned him accolades throughout the world. Together for four years, the band hosts a monthly bluegrass jam at the Outer Space in Hamden. As Stacy puts it, "We accent the traditional part of the bluegrass spectrum, adding traditional pieces to the repertoire.

Like Stacy, Kenny Kosek has enjoyed a lengthy professional career not only as a multi-talented musician but also as a musical educator. Kenny's distinctive roots-music-inspired sound has been part of the soundtracks of many cinematic and television documentaries. In addition to performing music, Kenny has appeared in many dramatic productions both on and off Broadway and as a humorist has written for the National Lampoon and radio humor shows. Marty Cutler is renowned as an innovator of bluegrass banjo and is also known for his work in midi production and synthesizer programming.

He has also appeared as a back-up musician on a host of albums in addition to his own solo albums. The Branford Folk Music Society concert season will close on May 14, with David Littlefield, a Mystic Seaport chanteyman and a member of the highly-regarded sea music quartet, Forebitter. Littlefield is a lifelong resident of the Old Lyme area. He has performed traditional and contemporary maritime music in Canada, England, Wales and all across the U. David credits Cliff Haslam as being a major influence on his music.

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David is a mandolin and guitar wizard, an outstanding songwriter of the Northeast coast, and a fine interpreter of the songs of the late Canadian singer-songwriter Stan Rogers. David began writing songs in the late 70's. The songs he writes address the concerns and attitudes of those who live and work on and around the sea, ballads with stories and tunes that stay with you long after the song has ended. These songs have gained critical acclaim among those who follow maritime music.

Bring your voice because there no doubt will be plenty of choruses to be sung during this night's performance! The society starts its concert season with what we fully know will be a raucous night featuring The Old Howard Troupe, an ensemble of veteran artists devoted to bringing the experience of the Old English Music Hall right to our Branford stage.

Members of the troupe wear Victorian-style stage costumes typical of the era and perform the hits of the music hall stage, with and without accompaniment. Roll up, roll up, and hear the entertainment! This is not a dry lecture or a workshop, it's a full-out show! The troupe's vintage ensemble style features some old favorites of the music hall stage: There's literally something for everyone in the group's fast-paced and fun performance. And have no fear that the entertainment will lapse because the troupe's steadfast chairman will keep things moving along smoothly with his keen wit and saucy comments.

The Old Howard Troupe is a group of singers with big voices and includes: All have extensive performance experience, both as solo performers and group performers, throughout New England and beyond. Come out and join us for what will be a bang-up start to a glorious Branford Folk Music Society concert season. Fiddles, guitar, Welsh harp, accordion, bagpipes and step dancing explode into life when Welsh group Calan takes the stage. We're delighted to have them with us this fall for their Connecticut concert debut.

It will also be a bit of history-making for the folk society: This is the first time in our 43 years that we've welcomed a Welsh group to our stage. Branford is the group's next-to-last stop on a tour of the United States and Canada that has spanned three months including appearances at the famed Celtic Classic festival in Bethlehem, Pa. Calan gathers together the remarkable talents of five young musicians who give a fresh and vibrant sound to traditional Welsh music. With a contemporary and lively approach they breathe new life into the old traditions through their sparkling melodies, foot tapping tunes and spirited and energetic performances of Welsh step dancing.

They blast their way through some of the old favorite reels, jigs and hornpipes with fast paced and uplifting arrangements before melting into some of the most beautiful and haunting songs. Following release of their debut album Bling , which attracted four star responses from the critics, the five-piece band has been playing to large audiences and rave reviews at concerts and festivals around Britain and Europe, including the coveted Cambridge Festival and Celtic Connections soirees.

Concert tours have taken them to Italy, Austria, Brittany and Belgium. They released their second album Dinas last year.

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The group has raised some eyebrows with a deliberate policy of eye-catching clothes and presentation in their concerts. Despite the ancient roots of their music, they envision themselves as a new generation of ambassadors, striving to take their new sound to new audiences, while raising the profile of Welsh traditional music on an international level. With their unique instrumental blend and the percussive sound of the Welsh clogs, Calan is certainly finding their musical niche. Energy, attitude, freshness, a sense of fun and above all real talent.

Since , the Elias Ladino Ensemble has performed the songs of the Sephardic Jews in venues all over the world. Though Ladino is on the verge of extinction, in the hands of this ensemble the music remains as vibrant as the community once was. There is a "Ladino soundtrack" for every aspect of life. Many of the songs date back to ancient Spain while some reveal melodies and rhythms of the Balkan and Middle Eastern communities where Sephardic groups lived in exile. The Elias Ladino Ensemble — Daniel Elias, musical director and clarinet; Maurice Sedacca, guitar and oud; and Casey Bond on doumbek — is one of the very few Sephardic groups whose vocalists are native speakers of Ladino.

They are the real thing, having been born and raised in the musical tradition of the Spanish Jews, descendants of the Jews who left the Iberian Peninsula in the late 15th century. Their instrumentalists have mastered "A la Turka" ensemble playing as well as world class solo virtuosity. The group has performed together since their debut at the Smithsonian Institution's Festival of American Folklife in Since then they have performed and collected material in every corner of the Ladino-speaking world, including Istanbul, Izmir, Bat Yam, Safed, San Juan, Miami, Toronto, Barcelona, Zaragoza, and at folk festivals, universities, Hispanic institutes, and congregations of many religious denominations.

In performance, they will explain each song and how it fits into Ladino culture, which has grown to encompass the entire Mediterranean rim, and the origin of the songs. It's been six long years since his last Branford appearance, so we are overjoyed that Bruce Molsky, one of the most revered "multi-hyphenated career" ambassadors for America's old-time mountain music, will be with as we close out our concerts. Without doubt, Bruce is one of the most influential American folk fiddlers of this generation, not only renowned throughout the world as a master fiddler, but also as a remarkable guitarist, banjo player and vocalist.

His high-spirited music melds the archaic mountain sounds of Appalachia, the power of blues and the rhythmic intricacies of traditional African music. A Minneapolis Star-Tribune music critic called him "old-time music's answer to Ry Cooder — a commanding musician with a voracious appetite for traditional music styles. He's a self-described "street kid" from the Bronx who bailed on college and big city life for a cold-water cabin in Virginia in the s.

To soak up the passion that was dramatically upending his parent's life plan for him — authentic Appalachian mountain music — at the feet of its legendary pioneers, old masters who are now long gone. For decades, he's been a globetrotting performer, ethnomusicologist and educator, a recording artist with an expansive discography including seven solo albums, well over a dozen collaborations and two Grammy nominations. In short he's a true country gentleman aptly dubbed "the Rembrandt of Appalachian fiddlers" by virtuoso violinist and sometimes bandmate Darol Anger.

Even this year, Molsky continues to pioneer new ground. The debut disc by Molsky's Mountain Drifters, the first band the legendary fiddler has fronted, was just released. Not a recording session in the traditional sense, Bruce just showed up, sat on a couch while the camera and recording device rolled — capturing all the spontaneity as he casually reeled off and provided insightful comments on traditional favorites and some new offerings. This recording, which fuses traditional American roots with Scandinavian folk, comes from an impromptu session set after Bruce performed at this year's Rauland International Winter Festival in Norway.

It's always been about being creative and being a part of something much bigger than myself, a link in the musical chain and part of the community of people who play it and love it. And even more good news if you love old-time music. Branford Folk will kick the new year of into high gear on Jan. April knows how relevant an old tune can be. She was raised surrounded by living, breathing roots music — her father's country band rehearsing; the lively music at church and at community dances; the tunes she rocked out to win fiddle competitions.

She thought every little girl learned to step dance at the age of three and fiddle at the age of six. She knew nothing else and decided early on that she wanted to be a professional musician. She took that leap, and for over two decades has been recording and captivating audiences worldwide, exploring new and nuanced places each step of the way. She hand-picked the songs on this compilation which offer an enchanting mix of regional Canadian, American old-time, bluegrass, country and Americana tracks.

The April Verch Anthology is a testament to the many chapters in April's musical journey: Moving from exuberant stepdancer to fiddle wunderkind and silver-voiced singer; from upstart prodigy to mature and reflective songwriter, interpreter, and storyteller.

The compilation is an excursion through April's recordings, featuring tunes and songs dear to her as well as a healthy dose of fan favorites and two newly recorded tracks. I take a moment to reflect and to celebrate," she says. While April is perhaps best known for playing traditional fiddle styles from her native Ottawa Valley, Canada, her performances extend into old-time American and Appalachian styles and far beyond, for a well-rounded tour-de-force of North Americana sounds.

She and her fellow trio members pare down their arrangements, highlighting the simple pleasures of upright bass, guitar, clawhammer banjo, voices, fiddle, and stepping in intimate conversation. At the heart lie April's delicate voice, energetic footwork, and stunning playing. Sometimes she sings, steps and fiddles all at once, with apparent ease and precision. She is — as they say — a triple threat in performance. Philadelphia based Coracree, plays roots music from the heart, melding a mixture of Celtic, Old time, European and Original music with an old and contemporary sound.

Coracree combines the talents of four great musicians with a lifetime of playing traditional music who also write new melodies and songs in the traditional style. Featuring the playing of award winning fiddler, clawhammer banjo player Janie Rothfield, the silver throated singing and bass playing of Scotsman, Allan Carr, multi-instrumentalist extra-ordinaire, Bill Quern, and the inventive and driving guitar of clog dancer Sarah Gowan, Coracree sets the house on fire!

With lively fiddle tunes, soulful Scottish and Appalachian ballads, great singing and harmonies, a bit of raucus southern Old Time and an occasional clog dance by guitarist Sarah Gowan, an evening with Coracree equals a fun evening of music, dance and humor! Since , Coracree has played at contra dances, concerts and festivals throughout the American East, spreading their unique and entertaining brand of Old and New folk music to audiences of all ages.

With a deep repertoire that spans years of American music, Rani Arbo and daisy mayhem will offer listeners sublime lead singing, great harmonies, wicked grooves and sparkling original songs when they return to Branford Folk on March Now in its 15th year, the ensemble has played from the Newport Folk Festival to the California World Music Festival and beyond, dishing out a steadfast brew of wit, camaraderie, and musicality and leaving audiences humming and hopeful, spirits renewed. This will be a one-of-a-kind performance of the band as a trio featuring Rani on fiddle and guitar, Anand Nayak on electric and acoustic guitars and Scott Kessel on percussion.

Unfortunately, longtime band member Andrew Kinsey, who plays bass, banjo and ukulele, cannot make the gig because of a family commitment. At the band's helm is Rani "blessed with an unmistakable voice, both light and sultry, with a hint of tremolo and smoke" Acoustic Guitar and a fiddle that is sweet and sinewy. Anand's guitar stretches across genre lines while Scott's homemade percussion kit — always a favorite — is a truly funky collection of cardboard boxes, tin cans, caulk tubes, packing-tape tambourines, bottle-cap rattles, Mongolian jaw harps, and a vinyl suitcase. In the lineage of string bands who blur the boundaries of American roots music, Rani Arbo and daisy mayhem have always been standard-bearers, with as one Boston Globe music reviewer aptly put it, "a grand knack for pumping new blood into old music".

Or, an old Irish fiddle tune with new lyrics, capped with a solo on a South American box drum. An original Unitarian funk gospel song? And their original songs fit seamlessly aside artful re-workings of artists such as Hank Williams, Leonard Cohen and Bruce Springsteen — just a few of the many places this band is willing to go.

The band has released six albums on Signature Sounds Records, their latest being the holiday release of "Wintersong", a baker's dozen of works that skip over the holiday canon and dig up the power, beauty and the celebration of the roots of Christmas and the turning of the year. There will be a bit of musical mayhem when Lou and Peter Berryman, two of the most humorous and creative songwriters in today's world of folk and acoustic music, invade Branford Folk this spring.

Lou and Peter are originals, blending Midwestern culture with intelligent observation in a whimsical and wonderfully accessible performance. Hailing from Wisconsin, Lou and Peter — whose friendship survived a brief marriage — have delighted audiences across the country for more than 35 years post-marriage. They have produced 18 albums and four songbooks of their original and hilarious yet oddly profound songs.

Berryman songs are being sung around the world, by a legion of professional musicians from Peggy Seeger to Garrison Keillor to a recent "all Berryman" album by Cindy Mangsen and Steve Gillette, as well as shower singers everywhere. Their songwriting takes life's mundane moments and turns them into musical magic. Subject matter ranges from the Thanksgiving grace of a politically-correct uncle to a service industry for older people that specializes in forgetting things. Lou and Peter began their musical partnership in high school in Appleton, Wisconsin, in the s.

By the late '70s they had established themselves as a prominent feature of the songwriting subculture of Wisconsin's capital, playing their original material every week for almost ten years in the run-down but trendy music room of Madison's Club de Wash. Gradually expanding their circuit, they began crisscrossing the continent and gaining national attention with appearances on such radio programs as "A Prairie Home Companion" and "Weekend Edition".

This could be a final opportunity to see and hear Lou and Peter, as they are retiring from national touring and, sadly, they say this will be their final tour in the Northeast. Without doubt, Tom Lewis is one of North America's foremost exponents of contemporary sea songs. His repertoire — from traditional shanties to songs fashioned out of his own seafaring background — recruits his audience for a voyage by turns reflective, dramatic and humorous. Long a Branford Folk audience favorite, this will be Tom's sixth appearance at the coffeehouse.

Tom is a year veteran of the Her Majesty's Royal Naval diesel submarines, although now he's comfortably located on dry land and we're all better off for it musically. His musical career began in when he was posted to a naval station in Scotland and began frequenting local folk clubs. He retired from the Navy in Born in Northern Ireland, Tom's Celtic heritage is obvious in his clear, strong voice, evoking quiet sorrow for a fisherman lost to the sea just as honestly as it powers out a shanty "to be heard above the gales.

Previous Concerts at the Branford Folk Coffeehouse

With songs that have become folk standards; known and sung wherever great choruses ring out; Tom accompanies himself on button accordion and ukulele — but it's his powerful vocal style and infectious humor — that quality of entertaining — which keeps audiences coming back again We're kicking off our 44th season of concerts in super-high gear with a return visit from North Sea Gas, one of Scotland's most popular folk bands. They last visited Branford Folk in and it was standing room only!

North Sea Gas is known for their energetic repertoire that incorporates lively vocals and awe-inspiring three-part harmonies. The trio has been together for more than 35 years and has recorded 20 albums, the latest entitled "When We Go Rolling Home" released just this summer. In the same way as their albums, their show features traditional, contemporary and self-penned material. North Sea Gas is a hard touring band with regular swings through Scotland, America, Canada, Germany and Austria, and occasional extended tours that take them around the globe.

Their Branford appearance is part of a six-week tour in the U. The group has received numerous Gold and Silver disc awards from the Scottish Music Industry Association and regularly sells out shows at the prestigious Edinburgh Festival Fringe. As Irish music journalist and broadcaster John O'Regan put it " Lorraine, renowned master of the Appalachian dulcimer, also plays banjo, mandolin and Celtic harp and is an expressive singer and songwriter. Bennett, a superb finger-style guitarist and recent convert to the five string banjo, names "the three Bs", Bach, the blues and Buddy Holly, as major influences.

Together, The Hammonds are versatile musicians and engaging entertainers. Their warm stage presence is punctuated with wry humor, and their command of their instruments and musical genres is without flaw. The Boston Globe calls them "a dazzling, witty, eclectic, delightful duo. The duo's repertoire ranges in style from classical through Celtic, blues and contemporary.

They sing both traditional and original songs and can be heard on over thirty recordings as featured artists, or enhancing the work of performers including Archie Fisher, Lui Collins and Bob Franke. Christine Lavin and Heidi Mueller are among the artists who have covered Hammond originals. They work seamlessly together, blending instruments and voices.

Beloved performer Bob Zentz, who has been described as a one-man minstrel show, brings his smorgasbord of contemporary, traditional and original songs and stories to Branford Folk in November. From schools to concert halls, festivals to fairs, museums to libraries, and everywhere in between, Bob is dedicated to a life of presenting, performing and introducing traditional music and its derivatives to those who are already fans — and those unaware of its existence. Bob, who hails from the Tidewater region of Virginia, has been performing for more than five decades and offers up a program that is a unique testimony to his vast repertoire and varied personal interests.

Concertgoers can expect to hear a concert that includes traditional Celtic tunes and ballads, science fiction songs, sea chanteys, tales of "old timers and old rhymers", and poetry set to music. Two of the most storied songwriters of the 20th century praised Bob's work, each in his own way. Upon hearing Bob's first recorded release, "Mirrors and Changes" on Connecticut's Folk-Legacy Records country music legend Johnny Cash was moved to send the young artist an encouraging letter, saying, "Mirrors and Changes Your songs get around! In February of this year, Bob became the first folk artist ever honored by a star in the Virginia "Legends of Music Walk of Fame" in his hometown of Norfolk.

What a high and joyous note on which to start the New Year! Internationally renowned and respected balladeers Debra Cowan and John Roberts make a return visit to Branford Folk with their ever-expanding sack of songs and ballads. With their eloquent voices and expert musicianship, John and Debra bring to life songs seldom heard on TV or radio these days. Drawn from both the folk tradition and the work of contemporary songwriters, many of these songs tell of the timeless joys and sorrows of human experience. They offer windows into where we've come from and perhaps where we're headed.

Both musicians can also spin a ripping good yarn and whether illuminating, inspiring, or laugh-out-loud funny, their stories convey their love of the songs and the people who've sung them over the years, decades and, in some cases, centuries. From the minute she begins to sing, Debra grabs her audience and doesn't let go. Her ability to communicate the story within the song is a rare art. It's agreed by music presenters and radio programmers alike that she possesses one of the best voices in folk music today.

Her rich nightingale soprano conjures images of stony-grey Celtic castles, green and rolling English landscapes and humorous American scenes as she moves through a repertoire full of traditional balladry with a sprinkling of sea music, contemporary songs and outrageously comic songs. John is the proverbial "walking encyclopedia" of folk songs and folklore.

For over 45 years, John, a British expatriate, has been singing and playing old songs, meaning that many of the songs and tunes in his extensive repertoire can be traced back at least years. He is also considered one of the foremost Anglo concertina players in the English-speaking world and uses the banjo for unique settings in many of the songs he sings.

He can give the background of any song he performs, often telling the listener the circumstances from which it might have been written and from whom the song was collected. John and his long-time music partner, Tony Barrand, are often cited as influences and mentors to many listeners, singers and musicians when it comes to traditional folk music of the English-speaking world.

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John and Debra's musical partnership began in with a simple question: The combination of car-pool and mini-tour was successful enough that they continue to do more performing together both in the U. John and Debra firmly believe that folk music is not a spectator sport. They can turn any audience into a chorale by patiently teaching sometimes complicated and often tongue-tying choruses, along with familiar songs. Join us on Jan. Here's the perfect solution to fighting the wintertime blahs. Join us for a return visit to Branford Folk by Toby Walker, winner of the prestigious International Blues Challenge Award who's been hailed as a finger style guitar virtuoso.

If you were with us in when he made his Branford debut you know exactly what we're talking about. Toby combines the styles of blues, ragtime, country, bluegrass, rock and old time jazz into his own unique style. His crowning achievement, however, was winning first place in the International Blues Challenge Award given by the Blues Foundation in Memphis, Tennessee. At a young age, Toby's passion for blues, rags, folk, and other traditional American music forms drove him to leave an apartment crammed full of recordings, books and instruments for the Mississippi Delta, Virginia and the Carolinas where he tracked down some of the more obscure — but immensely talented — music makers of an earlier era.

Toby recently released several instructional guitar DVDs for the respected Homespun Tapes which have been garnering rave reviews and he just released a new album of traditional blues entitled "From The Ground Up" that is already receiving rave reviews from critics and fans alike. Carnegie Hall recently acknowledged his talent and hired him to augment and teach in their "American Roots" program aimed at honor level middle school students. Bob hails from Minnesota, but he's a Nebraska native whose family sang and played the old-time songs.

Many of the western and railroad songs he does were learned from his grandmother and uncle. He plays banjo, guitar, autoharp and harmonica and is renowned for his dry and witty stage humor spiced with stories, history and folklore. For nearly 35 years, Bob was part of a duo with Gail Heil, his wife, best friend and musical partner until her death in He's also the artistic director for the Bluff Country Gathering and the organizing force for the Lanesboro Barn Dance, both Minnesota organizations.

One writer in Cowboy Magazine summed up Bob's music perfectly: The songs have an 'old' quality about them, and the singers' voices seem to belong to a dried up old puncher just in from off the trail. Well, intentional or not, that is exactly how Bob Bovee sounds. His voice isn't pretty, but it's darn sure true to the genre It seems as though he belongs to this music and it to him. Born into a family of Newfoundland music makers and storytellers, Matthew Byrne's repertoire is heavily influenced by that unique musical lineage — the weaving of a great story with a beautiful melody — and he supports this tradition with powerful vocals, polished guitar work, and a presence that fills the listening room.

His repertoire transcends time and place and his live performance reminds us how satisfying traditional songs can be when stripped down to their basic elements. He's a young performer, but he holds a deep, seasoned respect and reverence for traditional music. His music has traveled well beyond the rugged shores of his Newfoundland home since his debut album, "Ballads.

With that, Matthew established himself as one of Canada's most authentic and vital traditional voices. Help us improve our Author Pages by updating your bibliography and submitting a new or current image and biography. Learn more at Author Central. Popularity Popularity Featured Price: Low to High Price: High to Low Avg.

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There's a problem loading this menu right now. The game is licensed in countries and printed in 37 languages. Lollapalooza was a travelling music festival organized by Jane's Addiction singer Perry Farrell and occurred annually from to The concept was revived in , but was cancelled in Line-ups All information taken from various sources. July 18, — August 28, Main Stage: Of their performance at the very first show, Melody Maker comp Tompkins, and Aaron Paul.

The series' first season premiered on August 22, , on Netflix, with a Christmas special premiering on December His acting career peaked when he starred in a successful family sitcom called Horsin' Around in the late s and later The Bojack Horseman Show, an edgier, less successful sitcom which was cancelled in after just one season.

Though he began as a young bright-eyed actor, he has since grown bitter, deeply depressed, and jaded towards Holl This is a list of video game publisher companies. A video game publisher may specialize in only publishing games for developers, or may either have in-house development studios or own subsidiary development companies. Some developers may publish their games themselves. This list includes both active and inactive companies. Active publishers are either run independently or as a subsidiary of another company.

Inactive publishers may either be defunct outright or still exist but no longer involved in video game publishing. Stephen Lawrence Winwood born 12 May is an English rock musician whose genres include progressive rock, blue-eyed soul, rhythm and blues, blues rock, pop rock, and jazz. Though primarily a vocalist and keyboardist, Winwood also plays the Hammond organ, bass guitar, drums, acoustic and electric guitar, mandolin, violin, and other strings. He was nominated twice for a Brit Award fo This is a comprehensive discography of the Japanese noise musician Masami Akita, best known for his project Merzbow.

Since he has released hundreds of recordings, collaborated with dozens of musicians, contributed over two hundred exclusive tracks to compilations, and made numerous guest appearances on recordings by other artists. Akita has released recordings on over a hundred independent labels all over the world. Some of the labels which have made multiple releases include: Release reissues and compilation tracks taken from albums are not listed.

The infobox count includes all aliases. The Office is an American television series based on the British television comedy of the same name. The format of the series is a parody of the fly on the wall documentary technique that intersperses traditional situation comedy segments with mock interviews with the show's characters, provides the audience access to the ongoing interior monologues for all of the main characters, as well as occasional insights into other characters within the show.

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CC OOnt born November 17, is a Canadian singer-songwriter who achieved international success in folk, folk-rock, and country music. He is credited with helping to define the folk-pop sound of the s and s. Canadian chart success with his own recordings began in with the No. Widely recognized as the largest and most exciting contemporary music festival in the Pacific Northwest region, with in excess of , people attending in alone. The festival was canceled in The Festival features some of the biggest international names in the music industry today, alongside national and emerging regional talent, in an incredible experience highlighting artistry of all genres.

The line up of over 70 artists included head In the history of motion pictures in the United States, many films have been set in New York City, or a fictionalized version thereof. The following is a list of films and documentaries set in New York, however the list includes a number of films which only have a tenuous connection to the city.

The list is sorted by the year the film was released. Episodes usually consisted of six or seven cartoon shorts, with a linking theme. The following are lists of notable people who died by suicide. Suicides effected under duress are included. Deaths by accident or misadventure are excluded. People who might or might not have died by their own hand, or whose intention to die is in dispute, but who are widely believed to have deliberately killed themselves, may be listed under "possible suicides".

See also List of suicides in the 21st century, List of political self-immolations and List of suicides which have been attributed to bullying. The following list includes notable people who were born or have lived in Belleville, Illinois. For a similar list organized alphabetically by last name, see the category page People from Belleville, Illinois. The series was produced by Millimages S.

Synopsis The series follows a 7-year-old girl named Lucy who lives next door to a Zoo at 64 Zoo Lane. Each night, she is told a story by the animals. The programme emphasizes friendship and responsibility. At the story's end, friendly morals are discussed, then bedtime is declared. Georgina deposits Lucy into bed via the bedroom window later episodes show Lucy yawning and then sleeping soundly in bed; in the original episodes she would be lulled to sleep by the storytelling itself.

Trained in contemporary experimental composition and Indian classical music, in the mids he relocated to New York, where he became associated with Lower Manhattan's avant-garde community as well as the city's disco scene. Louis, Missouri Busch Stadium A spin-off of The Late Show, it has been running in short series since and is a part of BBC Two's late-night line-up, usually at around 11pm to 12 midnight.

It is usually recorded on a Tuesday for Friday broadcast[1] and features a mixture of both established and new musical artists, from solo performers to bands and larger ensembles. In recent years, a live Tuesday version, featuring the same artists as the following weekend's programme, has been transmitted in a half-hour BBC2 slot. The following is a chronological capsule history of s counterculture. Influential events and milestones beginning decades ahead of the s are included for context relevant to the subject period of the early s through the mid s.

Pre February Its mission is "to ensure the political, educational, social, and economic equality of rights of all persons and to eliminate racial hatred and racial discrimination". By the s, "Meth" and other amphetamines are in widespread use as recreational drugs, including within the UK "Mod" and US outlaw motorcycle club subcultures.

Later, the phrase "Speed Kills" becomes popular, even within the otherwise substance-friendly larger counterculture. Brockton High School, established in , is a high school located in Brockton, Massachusetts. It is a part of Brockton Public Schools. As of Brockton High School, with 4, students, is one of the largest high schools in the United States and the largest high school in Massachusetts. As the population of Brockton grew, there was increasing demand for a larger building. In , a new high school was constructed, consisting of an "A" build This is a list of bands from Canada.

Only bands appear here; individual musicians are listed at list of Canadian musicians. Fruit and fruitcake, as well as many variations, are slang or even sexual slang terms which have various origins but modern usage tend to primarily refer to gay men and sometimes other LGBT people. In the United States, however, both fruit and fruitcake are seen as negative with fruitcake likely originating from "nutty as a fruitcake" a crazy person. The names listed below are in performance order.

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