Monologue Op. 6 - Oboe

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For example, while Anna Tomowa-Sintow's vocal contributions in the Four Last Songs are fine, the conductor's greater attention to his orchestra as a whole is likely to linger longer in the mind. And each one of the maestro's other distinguished soloists favorably compare to anything in the catalog.

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The beginning of Zarathustra following the ubiquitous introduction is notably more incisive and less string-laden here. The rest is a clinic in how to make this music work.

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All of Karajan's recordings of the work including one used in A Space Odyssey , from Vienna are different enough to warrant your attention. They are all excellent. Don Juan , always taken more slowly than Kempe and Szell, is nevertheless tremendously potent.

Never one for speed in Strauss — or anyone else, really — Karajan unfolds the music with such a clear sense of purpose that you wonder why anyone would try to blaze through it. And Death and Transfiguration is one of the Maestro's finest readings of anything, an absolutely hair-raising account that features none of the conductor's worst traits and every one of his best.

Ditto for the Metamorphosen , which is as moving as any version before or since. The Alpine Symphony sounded awful upon its first CD release I owned it , and the "Karajan Gold" re-mastering here is a marked improvement.

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Musically speaking, it's still one of the better ones out there. Don Quixote also proves to be compelling despite the lack of star power from the soloists. Karajan's Till Eulenspiegel's lustige Streiche blows Dudamel's recent horror show right out of the water, and features some unbelievable ensemble from the Berliners. Ein Heldenleben is pretty good Reiner is better , and everything else not mentioned has already attained classic status.

My account

He opens the curtain just far enough that the drama of death and life, of sin and healing in the spirit of each listener, can unroll itself. Through the search for appropriate music to set this simple and meaningful language, I became even more aware of the wonderful construction of this dramatic poem, from its deep psychological understanding to the perfect beauty of language and form and the pure rhythm of the verse, so supple in their wonderful monotony and so truly medieval.

Martin completed 6 Monologe aus Jedermann in the original version for baritone or alto and piano on 13 December and dedicated it to Max Christmann. The octave transposition for the alto voice is provided as an alternative, but Martin preferred the original baritone range.

Classical Net Review - Strauss - Orchestral Works

In July Frank Martin orchestrated 6 Monologe aus Jedermann for baritone or alto solo and orchestra. You will regularly receive information about new scores with free downloads, current prize games and news about our composers. To be able to use Universal Edition in full range, we recommend activating Javascript in your browser. Frank Martin 6 Monologe aus Jedermann. Frank Martin Text author: Hugo von Hofmannsthal Soloists: Herrn Max Christmann gewidmet.

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