Henry Lee

Although the raid was of limited military significance, it was a great psychological boost for the Americans. Whiskey Rebellion , , in American history, uprising that afforded the new U. Alexander Hamilton, secretary of the treasury, had…. Army, a large organized force armed and trained for war, especially on land. Throughout history, the character and organization of…. Lee In Robert E.

Portrait of Sir Henry Lee () - National Portrait Gallery

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Portrait of Sir Henry Lee (1533-1611)

Henry Lee is also dressed in the colours favoured by Elizabeth I red, black, gold and white. His sleeves also include emblems in use by the Queen armillary spheres and lover's knots which would have been recognised as a compliment to the queen. What is significant about the change in composition?

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What do we know about the decoration? What is unusual about the panel construction? Photomicrograph of the gold chain showing the layers and feathering created by dragging through the wet paint.

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The high level of skill of the painter Anthonis Mor is evident throughout this portrait. The use of very fine brushwork and attention to detail are complemented by an exceptionally well planned composition which allowed Mor to paint quickly and confidently. Although thinly painted, Mor uses complex layers to create depth and graduations of tone. In some areas the first layer of paint is left visible for tonal effect.

The artist's sophisticated technique includes some scoring into wet paint in the hair and dragging of wet paint into the collar and cuff highlights with a stiff pointed brush. Photomicrograph of the edge of the cuff showing the blending and feathering of paint and exposed priming layer. As with other portraits by Mor, the background is painted particularly well, with a clever use of paint layering with extremely subtle graduations that create an illusion of space. An interesting alteration has been made to the thumb of Sir Henry Lee's left hand.

It has been extended through the ring to give greater emphasis to the downward pull on the cord. When examined closely the tip of the thumb now appears a little out of proportion. This highlights the sense that this particular pose must have had a specific meaning for Lee, perhaps as a sign of fidelity or friendship. A portrait with a similar pose of Lee's travel companion Edward, 3rd Lord Windsor private collection clearly copies the pose and style of Lee's portrait.

The existence of this other portrait with the same gesture might indicate that the gesture relates to a sign of fellowship or membership of a society. The complex symbolism, using armillary spheres, lover's knots and curiously positioned rings, remains hard to interpret. Further research may help to uncover some of the meanings of this image. This photomicrograph detail of the red cord right shows the different shades of red used.