Märchen aus Faröer (German Edition)

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Allerdings haben Laborstudien gezeigt, dass Quecksilber die biochemischen Prozesse beeinflusst, von denen mam annimmt, dass sie die Alzheimer-Krankheit beeinflussen. Diese Studie wurde von der EU-Kommission finanziert. Jedes Jahr werden 1,8 Mio Babies mit bedenklichen Quecksilberbelastungen geboren. Daraus folgt ein volkswirtschaftlicher Schaden von 9 Mrd.

Anorganisches Quecksilber wird von 5 Arten von Astrozyten im Gehirn aufgenommen sowie von kortikalen Oligodendrozyten, kortikalen Motoneuronen und den Neuronen am Locus Ceruleus. Hier werden Studien genannt, die Quecksilber bzw. Warum kommen viele Studien zum Ergebnis, Amalgam sei harmlos bzw. Lesen Sie Warum setzt sich die Wissenschaft nicht durch? Diese Unterschiede konnten ihrer Quecksilberbelastung nicht direkt zugeordnet werden Treatment of Health Complaints Attributed to Amalgam , auch hier 4. Blood and urine mercury levels in adult amalgam patients of a randomized controlled trial: Interaction of Hg species in erythrocytes.

Predictors of treatment outcomes after removal of amalgam fillings: Does a specific dental amalgam syndrome exist? A comparative study 7. Eine Diagnostik, um die Ursache einer Allergie oder einer Autoimmunkrankheit zu finden, existiert nicht. In der Schulmedizin sind keine konkreten Ursachen bekannt. Thus, Petri seems to be recording this work every ten years, and perhaps the iteration is already being planned! And why not, because Koppel composed it specifically for Petri.

It's a terrific work, and Petri owns it, in more ways than one. This de facto concerto is not programmatic, although it "focuses on the hopes and fears and dreams of a little girl living in the South Harbor area of Copenhagen, one of the poorest neighborhood in the city. Like many film composers, he makes modern music palatable to even non-specialist listeners by using it to convey mood, emotion, and atmosphere. At the same time, the music is not simple-minded. The listener, like Petri herself, can return to it many times and find something new to enjoy.

This is a gentle, wistful, and even hopeful masterwork, and it deserves to be widely known. I have not heard the Dacapo disc which includes two other works that Koppel composed for Petri , but I know the RCA Victor release, and I can say that Petri's ideas about Moonchild's Dream have not changed in any fundamental way in the last twenty years, nor are Kamu and the English Chamber Orchestra notably superior to Christensen and the Aalborg Symphony Orchestra.

This time around, I'd say that Petri plays the music a little bit more intimately, and the music's textures are made to seem a little more refined. She no longer has to convince that this is a fine work; over the course of twenty years we have found that out for ourselves. The excellent engineering, which can be appreciated even without an SACD player, probably helps to put it across as well.

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The other two works, also written for Petri, are receiving their premiere recordings here. Pelle Gudmundsen-Holmgreen's name will not be new to those who are interested in modern classical music, however. Initially a serialist, this composer moved into new territory in s with neo-Dadaist works that "single-mindedly set out to rid music of its affects and affectations. Gudmundsen-Holmgreen's music, even though it can seem more like meta-music, smiles mischievously, and it is difficult not to smile back at it.

Petri is a good sport about a solo part that really isn't a solo part, and all of the musicians play out their roles with skill and mild-mannered objectivity. Sunleif Rasmussen was born in on the Faroe Islands. Coming from such a tiny and remote place, he can hardly help being keenly aware of the natural world, and this awareness seems to color his music.

The title Territorial Songs is an allusion to birdsong, which birds use not only to attract a mate, but also to establish their personal territory. In this work, the composer "extends this idea of 'territorial space' to the orchestra, letting some sections play independent of the conductor, marking their own territory in the orchestral landscape.

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The recorder certainly can sound like birdsong, and at many times it does in this work, but Rasmussen has more up his sleeve than imitation. In this work he has created a sound-world whose interest derives, in large part, from unexpected instrumental sonorities and juxtapositions. There's nothing cliched about it. Petri and her partners are finely attuned to its shapes and shades.

Early in her career, Petri's youth and physical beauty opened doors for her, and for her recorder. In the world of classical music, as elsewhere, young artists sometimes are forgotten as the novelty fades and new pretty young things appear. Petri no longer records for Philips or RCA Victor, it's true, but now she is more free to follow her artistic inclinations than ever before, and that gives her a loveliness that no skin cream or shampoo could ever hope to lend!

Petri is an honest, fabulously talented musician who is doing as much for her instrument, if not more, than any recorder virtuoso has ever done. Raymond Tuttle, Fanfare Magazine. Elsewhere in this issue look under "Koppel" I review a disc of "Danish and Faroese Recorder Concertos" written for, and played by, Michala Petri, the ongoing wonder of the recorder world. Much as I like that disc, I like this one even better, because the music is an order of magnitude more gritty.

The two composers common to both discs are Pelle Gudmundsen-Holmgreen and Sunleif Rasmussen, and here, both of them have created provocative, unusual works that should hold up to repeated listening very nicely. The answer is that, when he died in , Denmark lost an elder statesman among composers—he was born in —and the recorder lost a great advocate. Michala Petri was like a "second daughter" to him, and his actual daughter, Elisabet Selin, was the only private student that Petri ever had taken on. The new works were premiered at a concert in , and the concert was transmitted all over Europe.

This recording, however, is a studio affair from late and early One might expect it to be pastoral in nature, but it is surprisingly tense. This is not strictly a recorder disc. Sommasvit is scored for string orchestra only, and Pelle Gudmundsen-Holmgreen's Music for 13 Strings is just that. In the other works, Petri's recorder is sometimes prominent, and sometimes less so. I mention this only because those who are looking for a straight-up collection of music for recorder and orchestra—and with Petri's name on the cover, why wouldn't they expect one?

I like all of the works on this disc, but I like best the ones that adhere most closely to my understanding of Scandinavia: Having been there for extended periods in the winter, and having wandered, nearly lost, along many a rural hiking trail in Sweden, I am speaking from experience.

Those cold days in which the sun dies just a few hours after having been fatuously reborn, take their toll. Sunleif Rasmussen's Winter Echoes opens with what sounds like a hunting scene from a horror film yet to be created by Danish auteur Lars von Trier, and scored by a terminally frazzled Bernard Herrmann. In contrast, Thomas Clausen's neoclassical Concertino is the very model of mental health and Nordic body culture: Its Largo is cool and lovely, and its closing Rondo a bracing showpiece for Petri and her little recorder. Clausen is better known as a jazz musician, and this work might surprise his fans from that realm.

The Nordic Summer Scherzo by Mogens Christensen is a veritable phantasmagoria of whistling and twittering for both the recorder and strings. It takes the listener to a strange but not unpleasant place. As I have remarked on many occasions, Petri is an untouchable talent, but more than that, she is inquisitive, intelligent artist who has made it her responsibility to expand her instrument's repertory. The Lapland Chamber Orchestra is a precision-driven ensemble whose members are not fazed by the various technical and emotional demands made by these works.

1. The Swordsman.
2. Eine Märchen- und Sagenreise Island;
3. The Dragon of Wisimir (The Wisimir Tales Book 2).
4. WOLF AMONG THE SHEEP;
5. Вы находитесь здесь.
6. 2007-05-11!

I'm putting this in my "Want List" pile for the end of the year. I hope you give it your consideration. While the mainstay of the recorder's repertoire sits within the medieval-Baroque periods, recent years have seen a growing body of new music composed for that instrument, recognizing and celebrating its distinct timbre and ready agility.

These 3 well-recorded discs, all af Scandinavian origin, mark the recorder's continuing appeal, offering complex and challenging new compositions alongside more broadly accessible works.

Nordic Sound presents five world premieres for recorder and string orchestra alone, with the outstanding recorder virtuoso Michala Petri as soloist.