Words Without Music
His parents may have been sceptical of his aspirations to make music his profession, but they had the grace to let him fly.
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But it was in Paris, which he first visited two years later in , that he experienced his real awakening: This orgy was a consecration of his destiny: It would be another 20 years before it consolidated, but not because he was idle. Back in New York, Glass entered the Juilliard conservatoire, meticulously copying out the scores of the major symphonic works but also encountering the Beats and Abstract Expressionists and becoming an ardent biker.
Three further cultural influences dominated these formative years: He seems never to have been racked by creative anxiety or doubt, and his ego is never swollen. Earning money and paying bills are clearly not things he undervalues. When success finally comes in the mid-Seventies with his Dadaiste opera Einstein on the Beach, he seems armed against its perils, as his steady, undeviating industry and consistency ever since suggest. The past 40 years of his life are shrugged off in a couple of perfunctory final chapters — as a Buddhist, he knows that it is the journey rather than the arrival that is telling.
But perhaps more rocks along the road would have made this memoir a less anodyne read.
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Words Without Music by Philip Glass. Call or see books.
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Words Without Music – March/April – Philip Glass
Accessibility links Skip to article Skip to navigation. A world-renowned composer of symphonies, operas, and film scores, Philip Glass has, almost single-handedly, crafted the dominant sound of late-twentieth-century classical music. Yet here in Words Without Music , he creates an entirely new and unexpected voice, that of a born storyteller and an acutely insightful chronicler, whose behind-the-scenes recollections allow readers to experience those moments of creative fusion when life so magically merged with art.
It was the early summer of , and Ida Glass was concerned that her precocious Philip, already a graduate of the University of Chicago, would end up an itinerant musician, playing in vaudeville houses and dance halls all over the country, just like his cigar-smoking, bantamweight uncle.
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One could hardly blame Mrs. Glass for worrying that her teenage son would end up as a musical vagabond after initially failing to get into Juilliard. Yet, the transformation of a young man from budding musical prodigy to world-renowned composer is the story of this commanding memoir.
From his childhood in post—World War II Baltimore to his student days in Chicago, at Juilliard, and his first journey to Paris, where he studied under the formidable Nadia Boulanger, Glass movingly recalls his early mentors, while reconstructing the places that helped shape his artistic consciousness. Few major composers are celebrated as writers, but Philip Glass, in this loving and slyly humorous autobiography, breaks across genres and re-creates, here in words, the thrill that results from artistic creation.
Words Without Music: A Memoir
Words Without Music ultimately affirms the power of music to change the world. Glass is one of the most articulate composers around. Insight and practical common sense pervade his new book…. A portrait of a composer who rose to prominence almost entirely outside of the usual institutions…. Words Without Music reads the way Mr. Words Without Music will be a pleasure to read, not only for musicians although they will particularly enjoy it but for anyone interested in the world of art.