La tragédie de Racine (French Edition)

Beautiful scenes ensue in which Racine gets to the heart of human desires including: Racine is modern in that he brings out the emotions of the individual. Greek literary characters is already show greater individuality than most other contemporary literature in which people are often portrayed as cogs in a wheel, but Racine adds to this with his deft portrayal of characters, Iphigenia in particular, who change their mind more than once during the play and express their reasons with heartfelt eloquence. The whole 'virginity is honor' thing is worth remarking on because look at the trouble it causes.

Is it time to get over this? Yes, and yet we are not over it. The fact that western countries were so heavily into this, royal officials inspecting marital bedsheets and so on until very recent times is reflected in this play. The intrusive relegating of half the population to the status of an object that can be wrecked is dangerous, cruel and wrong. It is easy to look at the middle east and places where they are not subtle about it but his idea continues to pervade and infect our culture.

Racine here is like Mark twain on slavery, showing us a horrible incongruity in the hopes that we will not see it the same way again. Racine is promoting at least two important ideas: This is a play well worth reading, I wish I could read it in French!

View all 3 comments. Nov 20, Gianluca Sperduti rated it it was amazing. Tutti i personaggi principali della tragedia: Achille, Ulisse, Agamennone, Ifigenia, Erifile, Clitemnestra, sono personaggi che sono chiusi nel loro confine verbale. Ifigenia crede di non essere amata da Achille e che lui ami Erifile, Achille crede di non essere amato seppur brevemente da Ifigenia. Lei crede anche che suo padre sia stato freddo con lei per il semplice motivo di non volerla vedere addolorata per la delusione di Achille.

A questo punto della tragedia lo spettatore non lo sa, per cui percepisce sarcasmo oscuro dietro le battute veloci della fine del secondo atto. Lo sai, eppure cerchi di combatterlo, ignorarlo, affrontarlo.

E se fossimo anche noi incastrati e condannati a vivere nel costante errore? Racine sacrifices the vigour or Euripides 's play for character development and often comes across as slightly humorous, which is perhaps unintentional in a tragedy. To be quite fair, couplet rhymes and short verses are more common in simple childish poetry that might be more of a Romanian thing. I read Racine, but what I hear is Humpty Dumpty sat on a wall Humpty Dumpty had a great fall Jack be nimble, Jack be quick Jack jump over the candlestick On the other hand, this is one of Racine's bett Racine sacrifices the vigour or Euripides 's play for character development and often comes across as slightly humorous, which is perhaps unintentional in a tragedy.

Humpty Dumpty sat on a wall Humpty Dumpty had a great fall Jack be nimble, Jack be quick Jack jump over the candlestick On the other hand, this is one of Racine's better works, I think.

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While it lacks the overbearing pathos of Andromaque and the je ne sais quoi of Euripides, it more closely mirrors themes of jealousy, pettiness, impulsiveness, deceit and justifications. Intentional or not, this play strikes me as distinctly inesthetic and human. And I did DNF it a five-six of times This is a retelling of the tragic destiny of Iphigenia the start of the fall of the House of Atreus in Greek myth. From that one act, sacrifying Iphigenia to the gods so the winds would permit the fleet to travel to Troy, Agammenon pushes on the first domino of a series ending with the end of his dynasty see Orestes and Electra in mayhem and blood.

Racine twists the story so that the sacrifice is still offered but the ending is different. Agamemnon is shown as a caring father but weak man, Uly This is a retelling of the tragic destiny of Iphigenia the start of the fall of the House of Atreus in Greek myth. Agamemnon is shown as a caring father but weak man, Ulysses is Iphigenia is the strong, beloved daughter and tragic heroine. Very popular play at the time of its writing 's but has become old fashioned and is rarely shown now.

It was fun to revisit. Apr 28, Dorottya rated it really liked it Shelves: Too bad it starts out really slow and dragged and the language is sometimes hard to "decode", because otherwise it is brilliant. I love the characters. I love how Agamemnon still has this pride issue even after him realizing his pride issue.

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I like how different the orders of value of each character is, also, without each of them represented as "the right one". Also, Iphigenia's reactions seem really authentic for her approximate age. My favorite character was Eriphile, btw. Even though she commi Too bad it starts out really slow and dragged and the language is sometimes hard to "decode", because otherwise it is brilliant. Even though she committed a sin, I really felt for her. Why Shop With Us? Customer Support We answer within 48 hours! Mass Market Paperback The author of this book is an independent author.

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Payment policy Payment is expected within 3 days of the sale. We only accept payments through PayPal. PayPal accepts all major credit cards. We can provide an Australian tax invoice inclusive of GST on request. Oenone urges her mistress that, since her love for her stepson is now legitimate, she should form an alliance with him, if only for the future benefit of the infant son of her own flesh. Suddenly entering a trance-like state overcome by emotion, she involuntarily confesses her hidden passions to her horrified dumb-struck stepson. Sensing rejection, she leaves in a wild frenzy, demanding Hippolytus' sword to end her torment.

Theramenes brings news to Hippolytus that Theseus might still be alive. However, Oenone brings her the devastating news that Theseus has returned in perfect health. After his long period in captivity, Theseus is surprised by the cold reception from his wife and son, each anxious to conceal their passions: Overcome by rage, Theseus banishes Hippolytus and invokes the god Neptune , who has promised to grant any wish of Theseus, to avenge him by his son's death.

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Protesting his innocence, Hippolytus discloses his secret love for Aricia to his incredulous father and leaves in despair. Consumed by jealousy, she refuses to defend Hippolytus further, leaving his father's curse to run its course. Hippolytus takes his leave of Aricia, promising to marry her in a temple outside Troezen. On witnessing the tenderness of their parting, Theseus begins to have doubts about his son's guilt. He decides to question Oenone, but it is too late: Oenone has thrown herself to the waves.